——Product "Qingpingle Village Residence".
Huang Hailong. Suddenly thinking of the poem "Qingpingle Village Dwelling" by Xin Qiji, I was moved by the quiet pastoral life depicted in it, and the lyricist used an almost white description to outline a poetic picture of pastoral life: several small thatched houses are peacefully built on the edge of the stream; The brook was covered with lush, turquoise grass, and the white water shone far away; The two old men and the old woman sat in the sunny field next to the house, speaking with a slightly drunken Wu Di accent, soft and sticky. The eldest son was weeding in the bean field in the east of Xitou, the second son was busy weaving chicken coops, and the cutest youngest son was lying in the grass peeling lotus flowers.
Xin Qiji's words have always been generous and heroic, majestic and desolate, brilliant thoughts, magnificent rhetoric, but this poem has changed the style, become extraordinarily graceful, clear, showing another style of the lyricist, heroic and graceful, heroic and beautiful. The lyricist uses a few brushstrokes to portray a picture of a quiet, leisurely, vivid and joyful life, without allusions, without imagination, only the organic combination of ordinary things in daily life, highlighting the strong atmosphere of rural life.
The word "thatched eaves" brings out the atmosphere of the countryside and villages, and the use of "low" to describe the thatched hut not only shows the home conditions and economic level of the owner, but also does not mean that he is not very rich; At the same time, it also seems that the thatched hut is approachable, rather than high up and rejects people thousands of miles away, and the thatched hut exudes a peaceful and warm atmosphere, which attracts the lyricist to take refuge. The lyricist set his eyes on the stream next to the house, and used "green" to describe the grass, depicting the lush and dense grass, as well as the joyful posture and vigorous charm. Here, the lyricist uses the posture and rhyme of the grass and trees to write the joy and tranquility in his heart. The poet has been tossing and turning all his life, wandering and displaced, worrying about the country and the people, sad and agitated, it is rare to have this moment of quiet time, he should look at all this with joyful eyes, and walk briskly to the scenery and walk into this "village map".
The lyricist met two old men and women sitting and chatting by the hut, speaking softly and a little drunk. Wu Nong's soft language is thick and sticky enough, and the word "drunk" is also used here to make it more cordial and pleasant; At the same time, it also writes about the leisure and serenity of country life, they don't have to be too busy, so they have a little time to drink a little wine. Isn't this kind of leisurely and scattered village life what the poet has always pursued and longed for? Not only that, the lyricist also used the word "charming" here, which also portrayed the harmony and harmony, cheerfulness and beauty of the village atmosphere. At this point, the lyricist should also be drunk, drunk and hazy, and naïve.
In the end, the poet cast his eyes on the distance, near is a picture of leisure, tranquility, and happiness, and in the distance is another scene, another kind of picture: the eldest son is hoeing beans and grass by the stream, the second son is weaving chicken coops by the house, and the younger son is peeling lotus flowers. The first half of the word is mainly written quietly, mainly highlighting the leisure and tranquility of the countryside, while the second half is mainly written moving, and the whole poem has achieved the combination of movement and stillness. At the same time, it writes about the comfort and leisure of the village life of the elderly, which contrasts with the busyness and excitement of young people's production and labor, and also shows that the quiet and leisurely village life will not be waiting and waiting for nothing, it needs the villagers' hard work and hard work to obtain, "happiness comes from struggle." In the quiet, leisurely, happy and harmonious village life, everyone should fulfill their responsibilities according to their own abilities, especially in the "favorite child scoundrel, the brook head lying on the lotus canopy" is the most prominent.
Children are naturally minors, influenced by the working adults, but also doing something within their ability, in the whole village life picture in a "eye" position, a "lying" word to portray the child both form and spirit, a lying by the stream peeling lotus pod to eat the image of a child, his innocent, lively, naughty image jumped on the paper, distinctive characteristics, which also portrayed the countryside leisurely, vivid and lively life interest, the artistic conception is intriguing, so that the second half of the word is not boring, boring. This style of writing is actually evolved from the "Zhuangzi Horseshoe Chapter", which is "fed and hesitant (frolic), and swam with a bulging belly", but it is more vivid and vivid than that of "Zhuangzi". In this poem, the lyricist uses a side pen to contrast the technique, reflecting a quiet and leisurely side of rural life, a few fragments of life, but leaving a lot of room for the reader's imagination, the words and sentences seem to jump out of the ethereal, beautiful and graceful, like a hibiscus out of the water.