Censorship or market? Explore the unspoken rules behind the withdrawal of Spring Festival movies

Mondo Entertainment Updated on 2024-02-22

On the evening of February 16, "Mr. Red Carpet" directed by Ning Hao and starring Andy Lau announced its withdrawal, becoming the third film to bid farewell in advance during this year's Spring Festival. This incident has triggered people's in-depth thinking about the competition and unspoken rules of the film market.

Prior to this, "Let's Shake the Sun Together" starring Director Han Yan, Peng Yuchang, and Li Gengxi also announced a file change, while the animated film "Huang Pi: The God of Wealth Cat from the Sky" chose "There will be a period later". Although films such as "Mr. Red Carpet" and "Let's Shake the Sun Together" performed well at the box office, their decision to withdraw early is puzzling. At the same time, remakes or sequels such as "Hot and Hot" and "Flying Life 2" have soared at the box office, triggering reflections on market choices and socialist values.

First, we need to examine the motivation behind the early withdrawal of films. Films such as "Mr. Red Carpet" have high-quality production and plots, why did they choose to withdraw when the box office is still growing? Does this imply unfair competition in the market or other unspoken rules? Viewers can't help but ask, what forces are blocking the release time of these promising films, and what is the logic behind this?

Second, we need to focus on what's behind the hits. The box office surge of remakes or sequels such as "Hot and Hot" and "Flying Life 2" has raised questions about the driving force behind the film and the operation of the market. Do these films really conform to the core values of socialism? Does their success reflect market preferences, or does it imply the influence of market advocacy?

Finally, we need to think about how to promote the healthy development of the film market. The film market is an important part of the cultural industry, and should follow the laws of the market and fully respect the fruits of creators' labor. At the same time, the regulatory authorities should strengthen supervision of the market, ensure a fair competition environment in the market, and prevent distortions in the market. Only in this way can the film market truly become a prosperous place for the cultural industry and provide more diversified and high-quality film and television works for the audience.

To sum up, the driving force behind the movies and popular films that were withdrawn ahead of schedule has triggered thinking about the competition and unspoken rules of the film market. We need to face up to the problems existing in the market, strengthen supervision, promote the healthy development of the film market, and provide better film and television works for the audience. February** Dynamic Incentive Program

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