In the blink of an eye, the Spring Festival has passed, but the discussion of the Chinese New Year films continues.
While many people are marveling at Jia Ling's inspirational loss of 100 pounds, "Article 20" directed by Zhang Da next door has become a dark horse with its consistently high standard.
Many people believe that although the promotion of this movie is low-key, in the Spring Festival, it won the applause of many fans with its story of tears and laughter.
After watching "Article 20" for the second time, watching a "sexually suggestive" shot of Zhao Liying, everyone couldn't help but sigh that it was really produced by the national teacher, and every detail was worth revisiting repeatedly.
What kind of charm does this movie have that will make it stand out in the Lunar New Year file where the gods fight?
In recent years, with the occurrence of similar cases such as the "Yu Huan Humiliation Mother Case" and the "Kunshan Anti-Homicide Case".Justifiable defense is no longer just a boring law, but also a social hotspot that arouses public thinking.
This movie is to put this question on the big screen, making everyone think about the rights and wrongs of these questions and the true meaning of life.
In the film, three stories, two main lines and one dark line are used to describe how to determine the grand theme of the legitimate defense of "Article 20" in the Criminal Law.
The story unfolds,A thin figure appeared on the big screen, she was the mute girl Hao Xiuping played by Zhao Liying.
Hao Xiuping and migrant worker Wang Yongqiang came from a poor family, and in order to let their congenitally deaf and dumb daughter go to school, they had to borrow usury from the village tyrant.
Later, because he couldn't pay the money, the village tyrant came to collect debts and not only violently beat and scolded his family, but also carried out ** against Hao Xiuping.
The whole process was full of malice, and the village tyrant locked Wang Yongqiang with a chain and turned to his wife Hao Xiuping.
Afterwards, Wang Yongqiang scuffled with the village tyrant, and the village bully pointed at his nose and threatened again, and wanted to go to the car to get a knife, saying that he wanted to give Wang Yongqiang some color to see.
Wang Yongqiang, who is usually honest, finally broke out, he picked up the scissors and caught up with the village tyrantAfter a series of wild stabs, the village tyrant finally died.
The second story is also a story adapted from a realistic theme, Zhang Ke's campus bullying case.
The cause was that Zhang Ke took a group of his little brothers to violently attack a classmate in the toilet.
At this time, Han Ming's son Han Yuchen passed by and stepped forwardOne punch broke the bridge of Zhang Ke's nose.
Zhang Ke's father was none other than the director of the school's teaching office, and when he saw his son being beaten, he didn't care about the whole incident, he called the police and asked Han Yuchen to apologize.
If Han Yuchen does not apologize to Zhang Ke, it is likely that he will be expelled from the school, and it is more likely that he will not be able to enter his ideal university.
So this apology, should he say it?
The last story takes place on a bus.
There were two hooligans in the car who unscrupulously ** a girl,Zhang Guisheng, the bus driver, couldn't look past it, so he stepped forward to stop it, but he didn't expect to be beaten by two hooligans.
Seeing this, Zhang Guisheng picked up a fire extinguisher on the bus, fought back against them, and hit one of the hooligans to the point where he was injured.
Zhang Guisheng was imprisoned for this.
These three stories take Han Ming, the protagonist in the play, as the core, and diverge into three main linesThey are the main line of work, the main line of life, and an emotional dark line to tell about Han Ming's changes.
At the beginning, he was a rational judge, and he could dismantle all of Zhang Guisheng's actions very rationally, which step was legitimate defense and which step was mutual assault.
Han Ming dealt with Zhang Guisheng's disbelief with an attitude of calming things downWith consistent experience in dealing with Wang Yongqiang's anti-murder case, but he didn't know that one day he would also fall into the same predicament.
In the face of his son's affairs, he also realized that man is always a living individual with feelings, and those laws and rational attitudes no longer seem to be suitable.
However, Han Ming is also an old judge who judges cases with reason and law, and in the face of what happened to his children, he, like everyone else, chose to seek justice.
But can you get things to be settled by going down to the bottom of things?
Reality once again taught Han Ming a lesson, just as he spared no effort to avenge himself for Zhang Guisheng, his son Han Yuchen received revenge from Zhang Ke.
This is where things start to get "interesting".At this moment, the values that Han Ming, as a father, had previously constructed, collapsed little by little.
It is often said that it doesn't hurt because the whip is not whipped on one's body.
When Han Ming changed from a third-person perspective to a party to the matter, he realized how cold-blooded and ruthless he was in the past, and how ridiculous the four words were to do things according to the rules.
At this point, Han Ming was forced into a corner by reality.
Hao Xiuping's ending once again struck Han Ming's heartstrings, and he also understood a truth.
Seeing this, I can't help but think of a work in Zhang Yimou's early years, "Qiu Ju's Lawsuit".Use the perseverance of a village woman to arouse everyone's deep thinking about law and love.
Of course, the later processing of "Article 20" is paler than the previous "Qiu Ju's Lawsuit".
But the flaws are not hidden, and the whole story is still smooth and full and thought-provoking.
Of course, all this is inseparable from director Zhang Yimou's handling of details.
Among them, the most impressive is Hao Xiuping played by Zhao Liying, as soon as her "sexual innuendo" scene came out, she expressed her admiration for Zhang Yimou's skills.
The year before last, Zhao Liying starred in a "Happiness to Ten Thousand Homes".Many people complained that her appearance was too delicate and did not have the roughness of rural people.
And in Zhao Liying in this drama, her image has obviously been carefully shaped.
A village woman from the countryside, she has a rough background, her family conditions are poor, Zhao Liying here, her eyes are tired, her mouth is dry, and her clothes are shabby.
Although she is a mute girl, everything also shows the hardships of Hao Xiuping's half of her life.
After Hao Xiuping walked out of the house, her empty eyes, neck scars, and bare shoulders, although the director didn't shoot anything, this full of hints shows everything that happened just now.
This kind of impact seems to be far higher than the film that makes everything, and the audience can also bring the perspective of the victim and understand the desperate struggle of a low-level people.
She faltered, weak and helpless, and seemed to have no more choice but to shed tears.
And after that, Hao Xiuping's situation was even more distressing, although there were also people on her side, but the village tyrant's group chased and beat her fiercely, which made her understand a reality.
Maybe the justice of other people's mouths will not favor herEven if there is, there are limitations, but the unfortunate thing is that ** will follow.
In other words, hatred and revenge are endless, and those who are righteous may be able to help her.
However, this help is not forever.
Realizing this, Hao Xiuping's face was bitter, and her eyes were full of despair, so in the incomprehension of many people, she chose to jump into her life and end her life.
This jump, Hao Xiuping has too many feelings to express, whether she is desperate or helpless, she understands that only when she disappears into this world will this matter be completely resolved.
Many people will feel a little too excited when they see Hao Xiuping's extreme responseBut this is also a very clever narrative of the director.
He used Hao Xiuping's despair to illustrate the fact that justice is like the sun, although there are many places that can shine, but where there is light, there are also shadows.
And Hao Xiuping thinks that she is in the shadows, so her choice may be the only way out in her opinion.
But it was this jump that Han Ming was ignitedHe also slowly transformed from a rational bystander to a sentient and law-informed case-handling officer.
As a Chinese New Year film, I have to say that such a topic seems to be very heavy, but the big director still has a way, and he has added a lot of light-hearted scenes to the film.
So a lot of people ** time,Not only empathize with every character in the play, but also be full of laughter.
This is exactly what director Zhang Yimou is best at, using a witty and satirical shooting method to tell the story to everyone.
The strong collision of comedy and tragedy often makes the fate of the characters more tragic, and it also leads to deeper thinking in society.
Especially for such a drama with a very heavy topic, telling it in a relaxed way will make the discussion more high, and it will be more able to promote the justice system to cover every corner and promote the development of society.
I think that's why these works exist.
When a drama has a grand theme and a solid script, the audience often ignores one pointThese are inseparable from the accurate interpretation of the acting school.
In this movie, both the leading and supporting roles have played their own roles.
Zhang Yi finally got rid of the decent image of pursuing justice and played a school leader who is calculating and deep-minded.
When he spoke, he was actually a sinister villain who bullied the weak and used his power.
Zhang Yi's grasp of this character is very good, which makes people addicted to it.
This time, the most surprising thing is Zhao Liying's acting skills, which are not weak in this group of dramas, she simply played a desperate village woman.
Of course, when it comes to the best acting skills in the play, Fan Wei should be the only oneHe is gentle and humble on the surface, but in fact he is just a mask, and the moment he asked Zhao Liying to sign was even more cunning.
Therefore, a good work presentation must be very satisfactory in all aspects, including these actors with explosive acting skills.
It is true that the movie "Article 20" is not a perfect movieFor example, the handling of the forced "reunion" at the end of it, many viewers also think that there are some fakes, just like a fairy tale.
However, there are also a lot of "real" things in many movies, wrapped in those seemingly funny scenes.
Director Zhang used his way to express his perseverance, and this bravery is also very valuable.
[Disclaimer]: The article describes the process, **all** on the Internet, this article aims to advocate positive social energy, no vulgarity and other bad guidance. If it involves copyright or character infringement issues, please contact us in time, and we will delete the content as soon as possible! If there is any doubt about the incident, it will be deleted or changed immediately after contact.