The first thing to mention is,TVDoes the peak brightness really make sense. Either wayTVThere is a big disagreement on this topic between producers and content producers. MostlyTVOr the production of the film is done on a monitor with a peak brightness limit of 1000nits, and a few on a monitor with a peak brightness of 4000nits. AlthoughTVManufacturers are launching one after anotherHighlightdegree products, even some reach 10000nits, 4000nits and other levels, but in fact, under most contents, the brightness of more than 1000nits does not have much practical significance. Content producers, on the contrary, are superbHighlightdegreesTVSkeptic, believing that this technique is not necessary for the expression of the picture.
AlthoughlgwithSamsungetcTVThe brand is always trying to improveTVeven turns their attention to miniLED technology, but that doesn't change the content maker's perception of ultraHighlightdegreesTVview. Some domestic brands such as:tclHisense, Changhong has launched a peak brightness of up to 10000nitsTV, but this kind of superHighlightIt is worth pondering whether degree is practical for content producers.
Expansion: In fact, one possesses polesHighlightdegreesTVIt doesn't always lead to a better viewing experience for users. It's like a cupCoffee, no matter how good the beans are soakedCoffeeIt also needs the right temperature and proportions to match it to bring out the best taste as wellTVNo matter how high the brightness is, if the inappropriate picture content cannot be matched, it will also cause a reduction in the viewing experience. Therefore,TVManufacturers should not only focus on improving brightness, but also on how to maintain image quality and achieve the perfect combination of image and content.
ForTVFor manufacturers, increasing brightness has become the focus of fierce competition between them. However, from a content producer's point of view, ultraHighlightIt doesn't necessarily give them more creative space. A lotHollywoodThe makers of the UltraHighlightThe content of the degree is not interested, believing that this technology does not bring significant improvement to film and television works.
Expansion: Content producers have unique insights into the use of light and shadow, and they pay more attention to how to use the limited range of brightness to express the texture and layering of the picture, rather than blindly pursuing higher brightness. In terms of the expression of the plot and the conveyance of emotions, just the right brightness treatment may beCriticalLocation. Therefore, inTVIn the competition for brightness, it should be more balanced to take into account the real needs of content producers, rather than blindly pursuing numbersHighlightdegrees
In someProducerIn interviews, they made it clear that not everything needs to be extremely high peak brightness. Take the two Dolby Vision series produced by Netflix as an example, their brightness is only 250nits and 750nits respectively, although it is less than 1000nits, but it is completely sufficient for the producers. Producers pay more attention to how to express the work through appropriate brightnessArteffect, rather than deliberately pursuing superHighlightdegrees
Expanding: The makers know that in some situations, too much brightness can disrupt the balance and harmony of the picture. In their opinion, the right brightness can better bring out the details and emotions of the work, so that the audience can better immerse themselves. Therefore, not all productions need to be ultraHighlightFor most producers, a moderate amount of brightness processing can add a lot of color to the work.
For the audience, the ultimate focus is stillTVWhether it is able to faithfully represent the image created by the content producer. In different light environments,TVThe brightness margin is particularly important to ensure that the picture performs well in various conditions. Considering that a lot of the content is made on a monitor with a peak brightness of 4000nits, the brightness of 4000nits can be said to be a limit value for a long time to come.
Expanding: The audience is choosingTV, perhaps you might as well let go of the excessive pursuit of brightness, and pay more attentionTVPerformance, ability and applicability of the company. In the not-too-distant future,TVIt is still necessary to maintain a certain level of brightness, 6000nits, 8000nitsHighlightFor most users, it may only be a digital improvement, and it does not directly bring a better visual experience. Therefore,TVThe balance between the manufacturer and the content producer is what really serves the end audience.