After the film and television industry ushered in the "fast food economy", "assembly line actors" became the beneficiaries, and the audience became the victims of the real "suffering".
Regardless of whether you have the skills to "act on the stage" or not, just stand in front of the camera and make some movements, such as frowning and opening your mouth to say a few words of "1234567......"."You can complete a performance.
Actors only need to have good looks and popularity to get paid, without even considering the feelings of the audience.
When these "alternative actors" become common, the audience also begins to find that those old actors who really love acting and have created classic roles are gradually fading out of the screen.
Pu Cunxin once said that his works are no longer interested.
The market's impermissibility leads to the audience is not unwanted.
These old actors are not only faced with the reality that the halo of "red and purple" has faded, but also have to face the dilemma of "no drama to film", and they choose between life and ideals.
Some people focus on bad movies and dig deep into the value of them; Some people become influencer spokespersons and promote products;
Others have disappeared, as if in seclusion in another world.
Many people know that Li Youbin became popular for his role as "Li Yunlong" in "Bright Sword", and this role is still known as a classic until now.
However, after completing this drama, he said: I will no longer appear in TV series like "Bright Sword".
The reason why it is easy to understand is that the role of "Li Yunlong" is too eye-catching, and when playing a similar type of role again, the audience will be more likely to associate with "Li Yunlong" rather than actor Li Youbin.
His worries are actually quite normal, but apparently he is not out of the situation.
In fact, it was not Li Yunlong who was originally selected to play Tang Guoqiang.
He has played many emperors and generals, but later he was worried that playing this open-mouthed "head of the regiment" would affect his image, so he chose to withdraw from the show.
Li Youbin finally became the starring role of "Bright Sword".
In Li Youbin's performance, "Li Yunlong" can be described as eye-catching. The regimental leader he plays is full of swear words and exudes gangsterism, which is both real and emotional.
Many of his classic lines have been made into memes, which are still widely circulated on the Internet.
In addition to "Li Yunlong", the role played by Li Youbin also has many classics, such as the businessman he played in "Crossing the Guandong", which has moved the audience many times.
However, it is easy to see that before 2010, almost all of Lee's critically acclaimed and popular works were his masterpieces.
Since then, however, he seems to have turned into an expert who "specializes in making bad movies."
Although this violates the bottom line of "choosing a good script and identifying the role" that he has always insisted on, it can also be observed that in the era when traffic is king, it is very difficult to enter the group by relying on acting skills and old routines.
In dramas such as "Punishment" and "Life and Death", Li Youbin once again played the role of a soldier, and when the audience saw him, they would think of the "Li Yunlong" who often sweared.
Despite being mired in a bad film, Li Youbin still adhered to his respect for his identity as an actor and did not participate in the live broadcast of the goods.
He is also awkward and sad, acting in a group of idols.
Pu Cunxin is not only an actor, but also known as the "first generation of grandma killer".
He is 43 years old, and in the movie "Heroes Without Regrets", with a handsome face and wonderful acting skills, he quickly became a popular star.
Despite his fame, he is not complacent, still focused on improving his acting skills, and is meticulously responsible for each role.
The outside world is almost all against him starring in "White Deer Plain", after all, no one believes that a person born and raised in Beijing can interpret the essence of a Northwest man.
In order to create a better character in "White Deer Plain", Pu Cunxin has lived in Shaanxi for a long time.
He not only interacted with his peers in the literary and artistic circles, but also went deep into the streets and markets, with the aim of becoming proficient in the local dialect.
Whenever he appears on the TV screen, Pu Cunxin doesn't look like an actor, but more like an authentic man from northern Shaanxi.
Pu Cunxin, a person who has worked in the field of literature and art for many years, is known as "the embodiment of China's 5,000-year-old walk", whether it is a prince or a general, a literati or a Taoist monk.
His image in "Romance of the Three Kingdoms" is particularly eye-catching, and his eyes reveal the domineering spirit of the king.
Pu Cunxin is active on the drama stage, in addition to TV series, he also performs "Li Bai", "Thunderstorm" and other plays, bringing different touches and experiences to the audience.
However, the actor, known as the "Grandma Killer", said: "I can't find my place in the entertainment industry, and I have no chance. ”
He is not complaining, but in the capital market, they are more inclined to choose some non-professionals with no acting talent, rather than looking for a senior actor with superb acting skills.
After seeing the current situation clearly, Pu Cunxin also began to appear in the public eye like a "** person", but spent more time with his family.
When it comes to the name Chen Chuang, many people may not be familiar with it, but once they see his face, I believe many people will sigh: It turned out to be him!
The dog he played in "The Lotus Lantern", known as the "Howling Dog", is one of his most famous characters.
Although he was only a supporting role, Chen Chuang was remembered and admired by many audiences for his excellent performance: how could anyone be able to interpret the image of a dog so vividly!
He has been observing and imitating for a long time to achieve such success.
In order to better interpret a dog, Chen Chuang often observes the behavior of stray dogs.
For example, he noticed that they barked wildly when they were in danger and were coquettish when fed by well-wishers.
After learning a series of actions such as wagging his tail and begging, baring his teeth, protecting food, and being obedient, he cultivated a "roaring dog" that is difficult to surpass.
He is also the ill-fated "Young Master Fugui" in "Fugui". Moreover, in addition to this.
He can show the pride of Jin Gui during the young master's period, and at the same time, he can also interpret the fear of resignation when he is criticized.
He interpreted the "Young Master Fugui" in the original work "Alive" to the fullest, showing the interweaving of various emotions such as nobility, despair, helplessness, pain and numbness.
However, the actor didn't get more opportunities as a result; On the contrary, under the impact of traffic, he became an actor who was plagued by depression and had unambitious ambitions.
Although Chen Chuang has debuted for many years and has superb acting skills, he can still only play some marginal supporting roles in some film and television dramas.
But he doesn't seem to care about this, as if as long as he can act, he is already satisfied.
Due to his poor face, Wei Zongwan had experienced feelings of discouragement.
However, he did not give up acting because of this, but concentrated on his acting during that period, and eventually shaped the classic roles we later saw.
The aroma of wine is not afraid of deep alleys, this saying is quite appropriate for Wei Zongwan.
During the filming of "Sanmao Wanderings", Zhang Jianya thought that the image of the "veteran oil" in the film was very compatible with Wei Zongwan, so he finally found Wei Zongwan after several twists and turns.
Wei Zongwan was not good at horseback riding, so he flatly rejected the proposal.
When Zhang Jianya saw this scene, he directly knelt down and asked him to star in his own movie, and as a result, a "veteran oil" appeared on the screen, and Wei Zongwan also attracted attention and won many awards.
Wei Zongwan created some classic characters in the four famous novels, such as the villain Gao Yu in "Water Margin", and Sima Yi in "Romance of the Three Kingdoms". There are also other characters.
Director Zhang Jizhong asked many times before he succeeded in letting Sima Yi appear.
Wei Zongwan is not putting on a show, but is influenced by traditional dramas, and is not interested in the "big traitor" with a white face.
Zhang Jizhong promised many times that he would not paint his face white, and said that he would make adjustments, so that he had the image of Sima Yi and Zhuge Liang fighting wits and courage on the screen.
Especially in the section of "Empty City Strategy", "Sima Yi" faced the open city gate, and Zhuge Liang, who stroked the piano calmly, made him suspicious, but he didn't say a word. His eyes seem to reflect thousands of troops, which can be called the pinnacle of acting skills.
He has created many classic characters, but instead of using his popularity for money, he chose to return to a calm and ordinary life.
He believes that having the title of a national first-class actor, being able to receive a salary of more than 4,000 yuan per month, and being able to engage in the career he loves is enough for such a life.
The old gentleman's style and bones really have the temperament of an artist, which is admirable!
One of Li Baotian's most striking characteristics is that he is known as a "drama bully".
He dedicated many excellent film and television works to the audience in his early years, such as Yang Tianqing played in "Ju Dou", facing the depression of the times and his aunt's **, showing the coexistence of pain and boldness.
In the movie "Phoenix Qin", the private teacher "Principal Yu" performed vividly and movingly, so he won the Hundred Flowers Award, the Golden Rooster Award and the Best Actor Award in one fell swoop.
He impressed the audience with his portrayal of Liu Yong in "Prime Minister Liu Luoguo", his image is short, hunchbacked, but resourceful, and brings historical figures to life in front of the audience.
This work catapulted him to fame, but it also marked the beginning of a conflict between him and the entertainment industry.
Due to the success of "Liu Luoguo", the management is preparing to prepare a second film, and the plan still invites Li Baotian, Zhang Guoli and Wang Gang.
But Li Baotian directly rejected the invitation after reading the script.
He thinks that the script of the second part is purely emotionally consuming, shoddy, and not polished with heart.
He also said that "some people will no longer cooperate in this life".
If he had accepted that role at that time, maybe Zhang Tielin wouldn't have had anything to do in "Iron Triangle".
During the filming of "The Minister", it was almost a true display of him being "beaten by a group".
The management originally promised 30 episodes, but after many "water injections", it became 33 episodes.
For investors, this is a normal phenomenon, but for Li Baotian, this is an irresponsible performance to the audience.
He opposed it several times, but without success. In the end, he took the filmmaker to court in a fit of rage.
Although he finally won the lawsuit, he was also "blacklisted" by more than a dozen companies
As the number of performance opportunities decreases, so do the deformities and awkwardness.
Li Baotian gradually withdrew from the entertainment industry and devoted more time to painting, which can be regarded as pursuing a sense of tranquility.
For various reasons, those old actors with acting skills and integrity have gradually moved away from the screen, which is really regrettable.
Not only do the actors on the screen feel more and more unfamiliar, but even basic acting skills no longer exist.
Feel free to make some expressions in front of the camera and say a few words, whether it is positive or negative, there will be fans who will come to chase after you.
In film and television dramas, is it the purity of art or the trust of the audience that is consumed the most?
This is a food for thought. Is the age of fast food influencing our relationship between art and the audience?
Are more and more people losing the desire to turn on the TV?