hersCalligraphyThe road is undoubtedly a glorious road, and at the age of 19, "Orchid Pavilion Preface" has already shown extraordinary talent and talent, making her a high-profile star in the book world. And now, she has shown ".Preface to the Pavilion of King Tengis even more eye-catching, and its vast and spicy style is breathtaking. The flowing font is free and easy, as if every stroke contains rich connotations. The personality in this work is full of personality, and it is not only inherited from antiquityCalligraphyThe essence is also integrated into Zhou HuijunCalligraphyThe brushwork makes the overall temperament more simple and elegant. It is worth mentioning that the tilt of each character in the work is different, creating a sense of unevenness and showing the beauty of a unique layout. At the same time, the original ecological display in the glyph processing shows her rightCalligraphyPrecise grasp and control of the structure. The rich changes in ink color form a strong visual contrast, and the contrast between the thickness of the lines is obvious, showing an excellent contrast effect, and the overall style is very prominent.
This ".Preface to the Pavilion of King TengThe salient point of the book is not onlyCalligraphyThe majestic old and spicy lies more in the treatment of ink color and lines. The changes in ink color are rich and varied, with both a warm and jade-like side and a vigorous and powerful side, forming a strong oneHapticsImpact. The performance of the lines has reached the extreme, the contrast between thickness and thickness is obvious, and the visual effect is strong and fullTensionand dynamic. The handwriting is eloquent, and every stroke is carefully arranged and displayedCalligraphyArtheight and depth. Overall, this work is not only very beautiful in form, but also has both classical and modern characteristics in connotationCalligraphyArtThe diverse charm of .
Xu Jingleias shownCalligraphyThe level is undoubtedly admirable, and her writing works always give people an intriguing feeling. Savor this paintingPreface to the Pavilion of King TengIt seems that you can feel the precipitation of the years and the accumulation of wisdom. Each stroke contains a wealth of emotions and thoughts, making people seem to be able to see the author's perseverance and perseverance in the fragrance of ink. Perhaps, it is this kind of pairCalligraphyThe love and dedication to makeXu JingleiThe work exudes a unique charm and is fascinating. Hope soCalligraphyThe beauty can continue to be passed on, bringing more joy and emotion to people.
In appreciationXu JingleiThis amazing ".Preface to the Pavilion of King TengIt feels like you're in one placeArtistic conceptionIn it, I feel the warmth of the years and the precipitation of history. What she showedCalligraphyArtIt is not only the inheritance and promotion of tradition, but also the challenge and innovation of contemporary aesthetics. Each font is carefully crafted, and each ink mark carries the author's thoughts and emotions. This perfect combination of classical and modern shows a unique styleCalligraphyThe style is breathtaking. HopefullyXu JingleiAble to continue inCalligraphyArtOn the road to move forward bravely, bring us more surprises and touches.
To sum up,Xu JingleiofCalligraphyThe work ".Preface to the Pavilion of King Tengshows her inCalligraphyArtThe unique charm and talent of the school, its simple and elegant style and vigorous and spicy brushstrokes are unforgettable. Through the appreciation and taste of her works, we can not only feel the collision and integration of tradition and modernity, but also appreciate itCalligraphyArtThe infinite charm of the world. Looking forward to itXu JingleiThe future is inCalligraphyThere can be more wonderful performances in creation, which will bring us more surprises and touches. Let's cherish this beauty and feel togetherCalligraphyArtBring a feast for the soul.