During the Spring Festival holiday, all major cultural venues in Guizhou are open normally, and "cultural menus" such as social and educational activities, reading activities, and Spring Festival activities are grandly released to enrich the holiday life of citizens.
On February 17th, when I walked into the Guizhou Provincial Library, I saw the fiery Chinese knots, Spring Festival couplets, and the Year of the Dragon ** doll ......The festive New Year decoration is full of strong New Year's flavor.
Yuan Xiao, who lives in Guanshan Lake, took his son to the library to read books, and the father and son each picked their favorite books, sat together, and read quietly. The sunlight shone in through the window, through the rows of bookshelves, just sprinkled on the faces of the two, warm and beautiful. "With the improvement of people's material life and the pursuit of spiritual and cultural life, it is necessary to cultivate children's reading habits. Yuan Xiao talked about the education of children, and paid more attention to the abundance of inner knowledge.
The number of cultural venues has increased significantly recently. According to the staff of Guizhou Provincial Library, from February 9th, the "Our Festival, Jiachen Year of the Dragon Series Activities" has been carried out to expose New Year's customs, visit relatives and friends, go to spring, recommend good books and receive Guitu cat badges, and inspire more people to fall in love with reading through online and offline interaction.
With the launch of "Humanistic Landscapes and Peaks of Time - Colorful Guizhou History and Culture Exhibition", as the first exhibition in Guizhou to interpret the 300,000-year general history of Guizhou in museum language, it has attracted many people to come here.
Up to now, nearly 10,000 people have come to the museum to watch the exhibition, and during the Spring Festival holiday, we also struck while the iron was hot, and carried out three social and educational activities in a row, from understanding Chinese Fu culture, Chinese dragon culture, and paleolithic culture to making Baifu wind chimes, clay prints, and stone collages, so that the public can better understand traditional culture and enhance cultural identity in the process of participation. Wu Jinyang, director of the Guizhou Provincial Museum Office, introduced.
I've never done this before, and it's the first time I've experienced it, and it feels quite novel. The citizens who were making clay prints were happily communicating with others while busy making the "dragon" in their hands, "Your 'dragon' eyes are crooked." "You dragon scales look like that! ”…In the midst of laughter and laughter, gradually participants completed the handicrafts and stamped a commemorative stamp at the exit to receive the exquisite small gifts prepared by the museum.
Many art museums are also closed during the Spring Festival, and watching art exhibitions "art" starts with the Spring Festival, which has become a different sense of New Year's ritual.
The most youthful art exhibition in the Guizhou Art Museum, "'New Qianfeng' Guizhou Painting Institute Art Works Jiachen Spring Exhibition" exhibited more than 100 pieces of excellent art works such as Chinese painting, calligraphy, oil painting, etc., many works of art with auspicious images into the painting, and the good luck of the New Year was discussed. In addition, there are also "Family Mountains and Mountains Soaring - Yang Changhuai Chinese Painting Exhibition" and "The Avenue is Not Lonely, Heaven, Earth and People - Lu Yushun Chinese Painting Exhibition" are also on display.
Exhibitions in the city and state are also abundant. Zunyi Art Museum's "Colorful Guizhou Art Competition Oil Painting Exhibition", "Holy Land Style - Yan'an Sketch Exhibition of Contemporary Painters", and Liupanshui Art Museum's "Thousands of Purples and Thousands of Reds - The Second Spring Festival Calligraphy and Painting Exhibition in Liangdu, China", etc., have welcomed many audiences.
Text: Guizhou ** Tianyan News reporter Jiang Yuxi.
Figure provided by the interviewee.
Edited by Chen Jiangnan.
Second Instance Comfort.
Third Trial: Chen Xi.