The spring breeze is proud, and the dragon takes off when the new year comes. On February 10th, the first day of the first lunar month, the Chinese New Year Exhibition of Long Yue-Zhao Guangjin Books was launched in Taiyuan Academy of Taiyuan Library. On the first day of the exhibition, it attracted nearly 200 calligraphy and painting enthusiasts to stop and watch.
Walking into the Taiyuan Academy on the fifth floor, I saw a crowd of people. People who came here walked in groups, crowded to see the exhibition and take pictures. Standing at the entrance of the corridor hall of the academy, as far as the eye can see, both sides of the corridor hall are full of new works by Zhao Guangjin. The first thing that catches your eye is the flying dragon, the sleeping dragon, the swimming dragon, and the standing dragon ...... with different fonts and different colors, each dragon has a different demeanor and elegant charm. Some dragon bodies are meandering, as natural as flowing water, and their posture is elegant and calm, showing the tenacity and vitality of life; Some are free and easy, like flowing water, revealing an indescribable confidence and calmness; Some bodies dance in the clouds, like a flowing picture, telling ancient and mysterious legends.
On the right side of the corridor hall is the very individual Zhao Guangjin ** calligraphy, carefully examined, each word has inherited the style of the master Li Keren, the gestures are connected and round, and the glyphs are wild and changeable. **The picture is ups and downs, majestic, such as a whirlpool and a heartbeat, such as a mountain peak and a ravine, steep and cold, its momentum is elegant and full of tension, smooth and without losing the luxury of the vastness, giving people an infinite sense of space beauty.
At the end of the gallery are several paintings of different shades of ink.
1. Dry and wet Chinese paintings. Works such as "As Intention", "Fu Lufu" and "Bamboo Shadow and Breeze" give people an ethereal artistic conception, which is not only a visual enjoyment, but also a spiritual touch. At the same time, it is also endowed with profound cultural connotation and emotional expression, and it is free and contented.
Entering the exhibition hall, each exhibition area is rich in works and has different styles. Ice and snow paintings, Zen paintings, fan paintings, rooster series, shrimp fun, etc. can be seen at a glance. Some of the calligraphy and painting works are as large as several meters long, and some are as small as a ruler, and each painting and calligraphy shows Zhao Guangjin's attainments in calligraphy and painting and his will to devote himself to creation from different angles.
Standing quietly in front of the Zen paintings, Mr. Zhang was amazed. He said that this Zen painting has only a few brushstrokes, but it gives people a kind of tranquility, simplicity, quiet and quiet detachment of spiritual bearing, like a beautiful picture scroll unfolding in the heart, making people indulge in it, and forget about things and me.
In the midst of this praise one after another, the audience rushed to take photos with Zhao Guangjin. Zhao Guangjin said that this book exhibition is really to fulfill Li Keren's last wish. Due to the limitations of my knowledge, there should be omissions and improprieties in it, and I am fortunate that everyone will not hesitate to correct them. May all the people in the world have a prosperous Year of the Dragon, a happy Year of the Dragon, and a happy Year of the Dragon.