China's film industry seems to have fallen into a predicament in recent years. Although the box office numbers are climbing and billions are often in the billions, the problems behind it are worrying. We see too much plagiarism, nonsense, and funny, while the real art and connotation are gone.
Actors flock to sketch performances, and those who make a name for themselves on the sketch stage turn to film, often lacking professional training and acting skills. They rely on popularity and traffic, rather than strength and talent, to become the guarantee of the box office. Such a phenomenon can't help but make people think: What is the future of Chinese films?
Well-known directors have also begun to experiment with crossovers, from animated films to live-action films, but these works often lack depth and innovation. They are looking for commercial success and high box office, rather than love and pursuit of art and film. This makes one feel sad: has Chinese cinema been reduced to a vassal of commerce?
Let's take a look at the high-grossing films, which tend to be shallow, vulgar. They briefly delighted the audience without leaving any lasting impact. They have no connotation, no thoughts, only brief laughter and pleasure. How can such a film go to the world and gain international recognition?
In this day and age, what we need are real artists and filmmakers who shoot for art, for film, for honor. They are looking for depth, connotation, and innovation, not ephemeral profits and box office. We need their work to influence and inspire more people. Only in this way can Chinese films go abroad and go to the world.