In ancient legends and folklore, there is a saying deeply rooted in people's hearts: "It is difficult to make friends with thin cheeks, and all faces are happy." This is not just a simple judgment of human faces, but a condensation of the profound insight of our ancestors into human nature and destiny.
It is said that in ancient times, there was a man named Shen Gongbao, and his image was vividly portrayed in "Romance of the Gods". His cheeks are thin, and his eyes reveal a cunning and insidiousness, which is exactly the portrayal of "thin cheeks are difficult to make friends" in that sentence. In ancient books, his image and behavior make people instinctively wary of such faces.
In stark contrast, those with round cheeks and a harmonious complexion. Their figures, which seem to resemble the gods of good fortune, exude an aura of comfort and intimacy. In ancient societies, such a face was often regarded as a "blessed face", and it was believed that such a face would be a sign of good fortune and good karma in life.
However, on a warm spring afternoon, Lao Zhang, the wise man of the village, said to the young people in the village: "You must know that although a person's face can be glimpsed, the real blessing or not depends on his behavior and heart. The amount of flesh on the face is just a natural form, and people's morality and wisdom are the key to determining the happiness of a lifetime. ”
Lao Zhang's words are like a clear spring, which makes those young people who are prejudiced against their faces think deeply. They are beginning to realize that a person's fate and well-being should not be judged only by appearances. Physiognomy can be used as a reference, but it is more important to look at a person's behavior and heart.
After the story spread, the people in the village began to pay more attention to understanding and communicating with each other, rather than simply determining a person's character and destiny based on their faces. This history has become a good story for future generations to tell and think about, reminding people that true blessings come from a person's inner beauty, not from their external form.
In ancient legends and literature, physiognomy was often used to reveal the mysteries of a character's character and fate. Among them, there is a saying that is particularly eye-catching: "The face is full of flesh, and such characters should not be approached." This sentence is simple and profound, and it expresses people's wisdom and vigilance against certain facial features.
Take Li Kui in "Water Margin" as an example, his image vividly reflects the deep meaning of this sentence. Li Kui, known as the "Black Whirlwind", has a face covered with thick horizontal muscles, giving people a strong sense of deterrence and ferocity. In ancient societies, such physiognomy was often considered a sign of viciousness and unapproachability.
Another example is Zhang Fei in "Romance of the Three Kingdoms", which is also a classic representative of this face-to-face statement. Zhang Fei, whose name is Yide, is known for his bravery and straightforward personality. His face was also full of flesh, giving him a natural majesty and an inviolable presence. On the battlefield, Zhang Fei's bravery terrified the enemy, and his image was deeply engraved in people's hearts, becoming a typical example of "cross-cutting flesh as a murderer".
In the concept of the ancients, such a physiognomy was not only a display of external form, but also a symbol of inner character and destiny. For example, bandits and thieves often become vicious because of their evil deeds over the years, and the horizontal flesh on their faces has become the external manifestation of their ** nature.
During the Three Kingdoms era, there was a person named Pang Tong, alias Feng Xiao. His appearance did not conform to the traditional impression of heroes at that time, and it can even be said that, at first glance, he was more like one of those little people, with no heroic spirit on his face, but a little inconspicuous.
However, Pang Tong's wisdom and loyalty far exceeded what his appearance could limit. His lord, Liu Bei, was a king who could see through the outside and see the inside. Liu Bei did not ignore Pang Tong's talent because of his appearance, but regarded him as his confidant minister and planned the world's major events together.
Once, Liu Bei was faced with a crucial battle, and the situation was extremely unfavorable to him. Just when he was anxious, Pang Tong came to offer advice and proposed an unexpected plan. Under Pang Tong's ingenious arrangement, Liu Bei not only turned the crisis into safety, but also won a complete victory, which further strengthened Liu Bei's trust and dependence on Pang Tong.
This story teaches us that appearance doesn't determine a person's totality. In a civilized society, we should pay more attention to people's inner qualities and abilities. In the face of those whose appearance may not conform to traditional beauty, we should not rush to conclusions, but should understand and accept them with an equal and open heart.
As the stories of Pang Tong and Liu Bei demonstrate, true wisdom and virtue are often hidden beneath ordinary or even inconspicuous appearances. In our interactions in modern society, we should also abandon the prejudice of appearance, feel the uniqueness of each person with our hearts, and discover those talents and virtues that may be overlooked.
In this era of peace and civilization, relationships between people are no longer based on strength and appearance, but on mutual understanding and respect. Everyone deserves to be treated fairly, regardless of their physical appearance. After all, behind every face, there is a unique soul and story.
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