Today I finally feasted my eyes and saw the true face of the long-awaited "Painting the Rivers and Lakes: Tiangang", which was really beyond my expectations, and I couldn't help but feel excited after reading it!"Painting the Rivers and Lakes: Tiangang" is personally designed by the director of the third season, Zhou Feilong, and he is really the man who knows Gangzi best, and his understanding and presentation of the role can't help but make people amazed!Now that I go back and rewatch the opening episode, I feel that every detail makes my heart pound, full of emotion and shock. As an old fan of the bad guy series, I have to say that "Painting the Rivers and Lakes: Tiangang" is really good, and it is completely worth squeezing out time for the big guys to take a look!
Painting Tiangang is like a time machine, taking us back to the time when Yuan Tiangang was more than 100 years old. At that time, Wu Zetian was still in power, An Lushan had not yet raised troops, and Li Chunfeng was already in his last years. Our bad handsome, Yuan Tiangang, is tired of the intrigue of the court, he threw down his official hat and chose to get drunk and dream of death like mud on the street, allowing the world to laugh at him. In his opinion, a hundred years of life is like a play, and only old friends are worth cherishing. But fate always likes to joke, and Li Chunfeng brought him the countdown to his life - his time was running out. This reunion, in addition to the aroma of wine, there is also a farewell to life and death. This also kicked off the story of "Painting the Rivers and Lakes: Tiangang".
Painting the Tiangang of the Rivers and Lakes leads the main line of the story with two axes, one is the confusion of "eternal life", and the other is the "ordinary" life of Qiao'er, whose fate is tragic and miserable on the edge, and her fate is hovering on the edge. It's like the two ends of the scales, the generalissimo is tired of life, but Qiao'er hates to live. Da Shuai is exploring the meaning of life, and Qiao'er is his answer, and the encounter between the two of them is as exciting as a predetermined fate. Looking at their respective lives, you can't help but be moved. I think this may be what this drama wants to convey: they find resonance in their respective worlds, find beauty in each other's souls, and see the scenery of each other's worlds!
In "Painting the Rivers and Lakes: Tiangang", we not only see a handsome man who does his best for Li Tang Jiangshan, but also an ordinary but powerful character. In his stories, there is a deep friendship with his best friend, a love with Qiao'er that transcends family affection, and the most realistic depiction of ordinary people's lives. People may have become accustomed to the fact that the handsome man acted decisively and arbitrarily, and always expected him to break through the limits and go against the sky. But I think we can't forget to understand the starting point of this character, and understand his hardships along the way, just like Li Xingyun, who has gone through hardships and tasted the warmth and coldness of the world.
In this world, two souls struggling on the brink of life and death each make a utopian wish. Fan Qiao'er is looking forward to a world full of peace, and there is no longer a need for people like Dashuai. And Yuan Tiangang also has the same understanding, he knows that his existence is to protect people like Fan Qiaoer. However, these longings and hopes are, in the final analysis, just a martial arts dream. In the real world, we may never find the utopian heart of Fan Qiaoer, but at least, I think we can choose to be a Fan Qiaoer to witness the world and the footsteps of history.
The last fight scene of the film is my favorite part, I can feel the passionate passion, and at the same time, I can't help but shed sad tears. I really feel sorry for Dashuai. He always died in battle, but he was full of sorrow about his life. Because he has no attachment to the world, he reflects that tragic emotion more intensely. However, in this environment full of decay and darkness, he grew tenaciously like a weed in the desert, illuminating the world and his bad heart again. I feel that it is like the miracle of the revival of dead trees and the blossoming of iron trees, and the strong emotional outburst makes people can't help but cry.
The heavy reality in the film, the tragic fate of the characters, and the dark side of the world are like a big rock pressing on the chest and making people breathless. The image of those heroes is like a canoe trapped in a storm, either heroic or tragic. I feel that those so-called "happy endings" seem to exist only in bedtime stories, coaxing children like candy. Battles without heroic sacrifices cannot be burned, and strong emotions are nothing but sandcastles in the face of cruel reality, blown away by the wind. It is only after experiencing great pain that the childishness can fade away.
A good drama that has been watched n times