In this exhibition, many representative works of Zhao Zhiqian are exhibited. The exhibition was done very carefully, and I sat next to the important seal to enjoy the reading and introduction. On the one hand, it is convenient for us to appreciate the works, and on the other hand, we also have an understanding of Zhao Zhiqian's life.
Zhao Zhiqian's seals did not deal with them, and many seals had clear provenances. For example, the tragic Xi began to be used after the death of his wife and daughter at the age of 30. Later, "The New Year" and "I want to be sad and have no choice", you can see his heart.
In the process of shooting, in addition to the shooting instructions and the original, most of the stamps are enlarged and photographed for later use. These original drawings are more direct and vivid than those in the book. As for the side sections, some are four-sided, and they can't be shot all, or they are placed in a position that is not conducive to shooting. Therefore, for the side paragraphs, I only took a part.
Zhao Zhiqian's prints, like his calligraphy, are full of gold and stone. Basically none of the threads are straight and smooth, whether it is his calligraphy or seal carving, which is very consistent on this point. If you don't go to the scene, it's hard to have a deep personal experience.
Because I watched Zhao Zhiqian's exhibition, I have a new understanding of seal scripts since the Qing Dynasty, such as Deng Shiru and Wu Rangzhi. It should be said that many people, including famous teachers, now write more than beautiful.
Friends who like seal carving, if you want high-definition original pictures, you can leave a message to me.