In the past year, Zhao Liying, who did not have any film and television works, did not expect to release a big move in this Spring Festival file.
In the movie "Article 20", another breakthrough and subversion of the self is impressive.
Hao Xiuping, who plays the role of a hearing-impaired person, does not have many scenes, but as soon as she appears, she is amazing.
Facing the village tyrant and desperately protecting his daughter, this scene is like a game of eagles catching chickens.
The importance of her daughter to her cannot be overstated.
Her husband's future is uncertain, and her daughter has become her most important person and her bottom line.
After that, when her daughter was lost, Hao Xiuping's eyes were wet with tears, she was so anxious that she couldn't help herself.
Then, she ran to the side of the tall building, comparing her helplessness and despair, she couldn't trust anyone anymore, she knew that the only one who could save her daughter at this moment was herself. Although at some point, the audience will also be deceived by her, thinking that she has figured it out and been persuaded when she reaches out her hand. As everyone knows, this is a complete farewell. Then he turned around and jumped downstairs.
Fortunately, she didn't deserve to die, and finally waited for justice.
The emotional transformation of this scene is natural and smooth, relaxed, and extremely layered, showing the complexity of a desperate and helpless mother's heart. But at the same time, it also has the tenacity of a woman and the greatness of a mother.
Of course, there is also the scene where Hao Xiuping was ** at the end, with an injured face, messy hair, and torn clothes. Looking at her husband who was chained by dogs, at that moment she was in great pain, aggrieved and desperate, helpless, struggling to compare and even slap herself, at that time she really didn't want to live.
She couldn't figure out why a miserable person like herself had suffered all this, Heaven was so unjust that it was pointless to live.
We really haven't seen such a Zhao Liying.
In this play, crying is her norm, and as a hearing-impaired person, crying is also the most powerful and direct expression of emotions, but every cry is different.
Zhao Liying grasped the emotions of the characters and interpreted the state of the characters in different states well.
Although this is a tragic character, it still has a strong vitality, and in the confrontation with the injustice of fate, it is helpless at first, and then resolute and tenacious.
We may not have experienced Hao Xiuping's situation, but we must have experienced despair and powerlessness against reality, and Zhao Liying's performance really resonated with the character.
Whether it is the characters, or the modeling and makeup, as well as the performance, this time Zhao Liying has once again subverted and broken through herself.
This is just as director Zhang Yimou saidIn this performance, she broke through her ceiling and was no longer the Zhao Liying of the past. ”
Who's to say it isn't?
This time, Zhao Liying is acting more with her body, eyes, and expressions, which is obviously difficult.
Zhao Liying also said during the roadshowIn addition to sign language learning, it is more important to grasp the inner emotions of the characters, and how to express Hao Xiuping's inner pain, helplessness and tenacity without passing the lines, which is the most relevant to the soul of the character. ”
In the past, the lines were all expressions of her more important characters, but this time it is completely different, and it is more necessary to mobilize all organs in the body to interpret and express.
Although it was not easy, Zhao Liying succeeded.
Every time Hao Xiuping appears, it can always make us feel pity, sympathy, and distress, although most people have not experienced what she has experienced, but through such a character, it makes us feel pity, as well as hatred for the underworld forces, concern for the fate of the people at the bottom, and a call for fairness and justice.
Zhao Liying is again.
Following "The Wind Blows in the Summer" and "Happiness to Ten Thousand Homes", Zhao Liying challenged herself again and won applause and recognition for herself!
As an 85 actress, Zhao Liying is undoubtedly the most thorough and successful transformation.
And it's changing every year, especially these years, every work, every character, is a different type.
She is becoming more and more difficult to define, has long broken through the age limit, and does not seem to have her own bottlenecks and shortcomings. The path of an actor alone is full of vitality. Although he had a bad background and had a long time of struggle, he still persevered, and finally ushered in the explosion of his acting career and became a recognized queen of popular ratings.
And it is precisely because of her bad background that she has already recognized herself, found the right direction, and has a clear positioning.
Starting from the commercial, to the small supporting role, and then to the big heroine, step by step, steady and steady, not only accumulating resources for himself, but also polishing his acting skills and improving himself, he has achieved a big leap.
As she herself once said:"I don't have a backer, I'm a mountain! I don't have the world, I fight the world by myself! I don't have capital, I earn my own capital! When I am weak, all difficulties are strong. When I am strong, all obstacles are weak! To be alive should be to open roads in the mountains and build bridges in the water. ”
Yes, she knows how difficult it is for an actor like her to gain a foothold in this circle, and she must pay more for it and work harder to have a place.
However, even after the great success, it did not stop.
At a time when all actors of her age are looking for transformation, she has long been at the forefront, and she is thorough and successful enough.
She did not return to the old path, but took a step forward and leapfrogged every year. What she pursues is not the size of the role, but the difficulty and value of the role. is like Hao Xiuping, who does not have much of such a scene in "Article 20". is not an absolute heroine, but it is difficult and more valuable, and this is the transformation she is seeking at the moment.
In addition to "Article 20", there is also the abduction-themed film "The Road of the Tiger and Wolf", and the suspense-themed film "Qiao Yan's Heart".
36-year-old Zhao Liying has gone further and further on the road of a powerful actor!