The language programs of the Spring Festival Gala seem to disappoint the audience again, whether it is Shen Teng and Ma Li's jokes or the performances of other programs, they all make people feel a little embarrassed and embarrassed.
Those untimely stalks and bad performances can't help but make people wonder if the Spring Festival Gala can still meet the audience's expectations.
Of course, watching movies is also an essential activity during the Spring Festival. After all, the Spring Festival is the most important time of the year. Especially this year, the films of Shen Teng, Ma Li and Jia Ling will be released at the same time, and the all-star comedy lineup will feast the audience's eyes.
Although it is still too early to make a conclusion, the most competitive ones are undoubtedly Jia Ling and Shen Teng. "Flying Life 2" and "Hot and Hot" starring them both exceeded 300 million box office in less than a day, even surpassing the works of the famous director Zhang Yimou, fully demonstrating the power of the Spring Festival stalls.
Flying Life 2 is entangled with the fate of the movie, would you rather choose to start or give up? The movie is blood-pumping and inspirational. Although the theme seems old-fashioned, the surprises it brings us one after another can't help but make people marvel at the ingenuity of the screenwriter.
Let's take a look at which of these two movies is more worth watching.
Shen Teng's comedic talent is unique, he plays the driving school instructor Zhang Chi, who leads the three partners of the repair shop to jointly create a small factory, and once again embarks on the journey of the Bayingbrook Challenge.
In the first half of the movie, the laughter is dense, the story is complete, and the group portraits are very well shaped, especially the characters of Zhang Chi are deeply rooted in the hearts of the people, successfully showing the firm mentality of the old man in the face of reality.
Zhang Chi and Sun Yuqiang (Yin Zheng) on the track, from a luxurious racing car to a small "old man's music". Same track, different feelings. In a friendly match, when I saw the opponent's car door falling, it was "stable, and the opponent's drag coefficient became larger".
And when the door of my car is dropped, it becomes "stable, our weight is reduced". These unique feelings gave them a deeper understanding of racing.
It was expected that Zhang Chi would win the championship, but the ** about reality and dreams in the race made me feel novel. When everyone advised Zhang Chi to give up because he looked "ugly", he replied firmly: "Then lose beautifully." ”
Although I just wanted to mix up points at first, the moment Zhang Chi and Sun Yuqiang really stepped on the accelerator, their eyes met, and I felt that they were going to compete seriously.
Zhang Chi has worked hard countless times, but he understands that there are only so many opportunities, so when he returns to the track again, although I doubt, he uses the way of director Han Han to perfectly integrate the veteran's dream chasing and passionate racing, and every second firmly grasps the hearts of the audience, and the visual and auditory impact is unforgettable.
Burning with emotion, real. From Li Xiaohai galloping all the way, full of youthful vitality, to Zhang Chi's encounter, being targeted by the tricks of the second team of other teams, and then to the challenge in bad weather.
I have seen the remarkable progress of director Han Han in recent years, and watching it on the IMAX big screen is extremely refreshing. In a comedy, what more could you ask for to be able to enjoy such a high level of sound and visual effects?
Jia Ling's perseverance is amazing, and she is not only thinner, but also more powerful, which makes people admire the results of her efforts.
"Hot and Hot" is not a simple ** movie, it is about a fat house of more than 200 catties - Le Ying (played by Jia Ling) moved out of the house after being sarcastically ridiculed by her sister.
She meets fitness trainer Haotian (Lei Jiayin) and then begins to have a crush on him. However, the relationship was not reciprocated, and Le Ying's self-esteem was frustrated.
In order to "win once", she decided to step into the boxing fighting ring.
Le Ying lost weight, won herself, and even rejected Haotian, but the essence of her life has not changed. Although the counterattack in the movie is touching, it makes me feel a little strange to shed tears just because the actor has lost more than 100 pounds.
Le Ying is in her thirties, but she still relies on her parents to live, and her younger sister has some personality problems, but she has no big problem talking. She chooses to be a waitress, has a crush on a gym trainer, and looks like she's waiting to be taken advantage of.
After a drink, she took the other party directly back to her house and took the initiative to lie down opposite him, this series of behaviors is incomprehensible and shocking.
Although Jia Ling's work has put a lot of effort into being funny, compared with the original Japanese film, it seems more sensational and less deep, so the sense of emotion has become a little superficial.
Most of the pain Le Ying experienced stems from herself, and she hopes to take revenge on the people who bullied her before through victory, but the crux of the problem is actually herself.
Despite losing weight, she still had to face the challenge of finding a job, as if she was back on the trajectory of her previous life. However, what I am most disappointed about is that Jia Ling's movies always revolve around a fat man with low self-esteem, who only becomes confident after losing weight, and the protagonist's transformation is not actually brought about by boxing, but because of the change in body brought about by boxing.
Therefore, the ultimate focus is still on the word "thin".
The theme of this work is too archaic and lacks the depth and power that a female subject matter should have. Women feel deep anger and disappointment at the betrayal of the male protagonist, which stems from the beauty of their hearts and the real contempt for him.
By depicting their lives with their sister and mother, the work shows the mutual help and support between women, while also hinting at the difficulties of her sister's life. However, the ending induces tears through reminiscences, and while the audience may shed tears, it is difficult to make a deep impression afterward.
Although "Flying Life 2" and "Hot and Hot" did not bring much surprise, they are more suitable for young audiences. However, "Hot and Hot" is even more disappointing in terms of content.
In contrast, "Flying Life 2" became more and more energetic the more I watched it, especially in the second half of the whole movie was full of passion, and I was a little excited to watch it.
Of course, the Spring Festival file is not only these two films, Zhang Yimou and Ma Li, Zhao Liying's "Article 20" and Ning Hao and Andy Lau's "Mr. Red Carpet" are also worth looking forward to.
The cooperation between Shen Teng and Jia Ling is undoubtedly attractive, but it may also be challenged by the heavyweight directors of Shen Teng and Jia Ling.
In the new year, which Spring Festival film are you most looking forward to?