1, "Big Man".
"Big Man" is very good in the presentation of local customs, especially the repeated setbacks encountered by Bao Bell left a deep impression. Wang Qianyuan's character won the audience's affection with his trademark chili slap, and although Bao Bell's character growth seems to be lacking, his performance is still commendable. Yoo Ah-in successfully portrays an elegant villain as a comical little character. At the same time, Du Yuan and Wang Yanhui's performances were unexpectedly eye-catching, and together with the always steady Wang Qianyuan, they took the quality of the film to a new level.
2, "Manslaughter 1".
The first half of the film is highly consistent with its original work, but the reversal at the end and the disclosure of the cause of death bring an unexpected twist, skillfully completing the presentation of the theme and bringing unexpected surprises to the audience. The film is very shocking in terms of shooting techniques and visual effects, especially the scene where the protagonist worships the Buddha, which makes people feel a kind of spiritual purification. The film profoundly reveals that there are no absolute good and evil people in the world. Although the protagonist is lucky to escape the predicament in the end, the ending in which he chooses to turn himself in is full of irony.
3, "The Richest Man in Xihong City".
The comedy ends in a lighthearted way, although the ending may not be too prominent. Shen Teng's performance is undoubtedly a highlight of the film. Some viewers may think that it might be better if the heroine is played by Ma Li, but I think the current actors are very consistent with the character setting, which is in stark contrast to the style of Shen Teng and Happy Twist. If Ma Li plays the role, although it may not be bad, the style will definitely change, and it is difficult to judge whether it is good or bad.
4, "Crazy Call".
The film is a successful localized adaptation, and it does a great job in both story and performance. The movie incorporates many characteristic elements of Chinese society, such as live broadcast rewards, mother-in-law and daughter-in-law relationships, pension issues, divorce and buying a house, etc., which are all hot topics in current Chinese society.
5, "The Big Winner".
In this film, it seems that everyone except the main character is acting or watching the play, and this stark contrast produces an absurdist comedic effect. The film is surprisingly engaging, and the structure of the play within a play has a strong ironic tinge. Dapeng has always maintained a grassroots simplicity and persistence in the movie, although he plays an ordinary person, but he shows the determination and adventurous spirit of the rich.
6, "Twelve Citizens".
The film was shot in just one classroom, which is impressive. I once stayed up all night ** on this movie, captivated by its unique theme. The characters in the movie, such as the little security guard, the grocery store owner, the taxi driver, etc., are very vividly portrayed. The role of prosecutor, in particular, is very appealing with his almost demanding focus. Every time I hear Xiaoliang's theme song, it reminds me of this masterpiece that makes me excited after **. Through simple techniques, the film amplifies the tension of words, bodies, and expressions, as if it were a full bow about to be launched.
The 6 most successful remakes so far, the last one can be directly canonized