In order to build the first village of the national rural museum, the big collector He Ren will selflessly donate tens of thousands of pieces of Han pottery collected throughout his life, just to build the largest Han pottery culture and art museum in the country. Jiang Ming, an expert of the National Cultural and Museum Think Tank, former director of the Daying County Cultural Management Institute, and a famous writer and calligrapher, was hired as the honorary director.
Red is the soul, and folklore is the root. The red collection and the folk traditional folk collection complement each other and complement each other, helping the revitalization of rural culture and contributing to the strengthening of the city and the country with museums!
The National Han Pottery Culture Museum settled in Niujiaogou, and a beautiful style flashed in the first village of the Chinese Red Army in Niujiaogou.
Red culture is the soul, and traditional excellent culture is the root! The soul and the root complement each other, the root grows the leaf, and the soul is the leader and the direction of development!
The Han Dynasty lasted for nearly 500 years and was an important period in Chinese history. It was during the Han Dynasty that China completed its transition from the Bronze Age to the Iron Age, and at the same time completed the final transition from a slave society to a feudal society.
From the history of the development of Chinese ceramics, the Han Dynasty was a period of transition from primitive celadon to mature celadon, and by the time of the two Jin Dynasty, the original porcelain had been basically eliminated and completed the historic transformation. From the Western Zhou Dynasty to the early Han Dynasty, the porcelain-making industry did not develop by leaps and bounds, which may be related to the social background of the time: the princes and nobles used fine gold, silver or bronze products, while the general public mostly used bamboo, wood or pottery. In the Han Dynasty, the porcelain industry had a great development, when the kilns in the southeast were densely packed, and the pottery car drawing embryo molding replaced the mud strip disc construction method, making the porcelain embryo more refined. The glaze has also been greatly improved, the glaze layer is obviously thickened, the luster is strong, the vitrification is good, and the tire glaze is tightly combined. The scientific test and analysis of the Han Dynasty porcelain specimens unearthed in Zhejiang show that the porcelain carcass was dense at that time, with strong light transmittance, and was in a completely sintered state, and the porosity and water absorption rate were significantly lower than those of the original porcelain, and the bending strength had reached 710 kilograms per square centimeter, which was close to or equivalent to the standard of modern porcelain. Now in the Shangyu County Cultural Management Office of Zhejiang Province, a piece of Eastern Han Dynasty Yue kiln blue glaze four series jar, straight mouth, short neck, sloping shoulders, bulging belly, flat bottom, the tire is gray and delicate, the glaze is green and moist, the tire glaze is dense, and there is no trace of any original celadon characteristics.
The formation of the pottery art style of the Han Dynasty is related to the aesthetic trend that was popular at that time. The thinkers of the Han Dynasty believed that "if you seek beauty, you will not be beautiful, and if you do not seek beauty, you will be beautiful", and people should go to the vast external world to seek beauty and possess beauty. This aesthetic trend not only prominently expressed the ardent desire, perseverance and confidence and great power of the ruling class of the Han Dynasty in the ascending period to occupy and dominate the vast external world, but also made the entire Han Dynasty art, including pottery sculptures, pay attention to the vast real world. Therefore, all kinds of objects, all kinds of things, all kinds of scenes, and all kinds of life from history to reality were concerned and expressed by the artists of the Han Dynasty.
The first village of the Chinese Red Army in Niujiaogou, Dashi Town, Pengxi County, Suining City, Sichuan Province is the birthplace of Kuang Jixun's uprising on June 29, 1929 and other featured brands. At present, rural revitalization is being promoted, and the first village of the national rural red collection and folk collection museum is being built, so as to drive the common prosperity of the people in the old area.
Red culture is the soul, and traditional culture is the root. Han pottery art settled in the first village of the Chinese Red Army in Niujiaogou, adding a beautiful scenery to the inheritance of the traditional Chinese culture!
*: Guo Zhenhua).