The review of "Dajiang Dahe 4" has indeed brought anticipation and curiosity to many audiences.
"Difficult Manufacturing" by the original author Anai became the cornerstone of the fourth season, inheriting the plot of the first three seasons and bringing new story threads to the audience.
In particular, this drama starring Zhang Xincheng and Song Zuer presents a picture full of challenges and opportunities for the audience by telling the story of the manufacturing industry surviving in the cracks between policies and markets.
However, for some viewers, accepting the review of this drama has brought some confusion and incomprehension.
Especially in the heroine, the bad actress who was suspected of tax evasion has attracted a lot of attention.
However, the actress was able to pass the trial, which caused some controversy.
The audience has expressed doubts about this decision, and there are doubts about whether the comeback of the bad actress in the entertainment industry is reasonable.
The broadcast of "Dajiang Dahe 4" made the audience feel some unexpected changes, especially the original starring Wang Kai, Yang Shuo, Dong Zijian, Yang Caiyu, etc. have become supporting roles for bad actresses.
Such a character adjustment undoubtedly makes people feel a little unacceptable.
The actors' brilliant acting and profound characterization in the first three seasons have been deeply imprinted in the hearts of audiences, so their sudden transition to supporting roles in the fourth season was indeed quite a challenging process of acceptance.
Actors such as Wang Kai, Yang Shuo, Dong Zijian, and Yang Caiyu have successfully deepened their respective character images through excellent performances in the first three seasons.
The characters they create are not only characters on the screen, but also heroes and idols in the hearts of the audience.
Therefore, when their roles in the fourth season changed, from starring to supporting roles, the audience felt an inexplicable sense of loss and discomfort.
This shift also makes people think about the direction of the plot development and the screenwriter's intentions.
Perhaps in order to introduce a new storyline, the plot needs such an adjustment.
However, it is difficult for viewers to accept such a change right away, as they have already developed a deep emotional connection in the first three seasons and have special expectations for these actors.
However, perhaps it is precisely because of this adjustment that the crew hopes to present a more diverse and thought-provoking storyline through "Difficult Manufacturing".
Perhaps in this manufacturing context, the role of a bad actress will be presented in a more realistic and resilient image, triggering the audience's reflection on social phenomena.
Perhaps this is also a bold attempt by the crew, trying to present a more real and complex life by changing the fate of the characters.
For the audience, although the review of the bad actress and the adjustment of the starring role may bring some discomfort, perhaps it is in this uncertainty that the series may bring more profound insights and thinking to the audience through new perspectives and storylines.
Through "Hard Manufacturing", viewers may be able to see emotional expressions and social reflections that are different from those of the previous three seasons.
The review and starring adjustments of "Big River 4" are indeed surprising, but perhaps it is in this change that the audience can find a richer and deeper story experience.
It is expected that this drama will bring a new audio-visual enjoyment to the audience in the future broadcast, and at the same time arouse more discussions and thoughts.
The TV series "Big River 3" has attracted the attention of the audience with its deep storyline and vivid characters.
In the finale of the plot, the audience witnessed the three main characters, Song Yunhui, Lei Dongbao and Yang Xun, each going to a completely different destiny trajectory.
This difference is not only a difference in the fate of individuals, but also a profound reflection of the diversity and complexity of the development of enterprises under different economic systems in China.
First of all, as a representative of state-owned enterprises, Song Yunhui's success is not only reflected in his career, but also in the fulfillment of his family life.
Married, having children, and indirectly owning my grandfather's family business, this series of happy pictures shows the thriving side of state-owned enterprises in the reform and opening up.
Song Yunhui's career is rising, and his family is also smooth, which seems to perfectly combine the success of family and career.
Yang Xun represents a typical example of individual and private enterprises, and his ending is also full of happiness and success.
got married, had a daughter, and had a thriving career, the company had the final say, and the wife could be independent in the company.
This demonstrates the strong position of individual and private enterprises in the market economy system, as well as the reality of numerous successful cases.
Yang Xun seems to be a representative of individual and private enterprises, and the double harvest of career and family also makes the audience feel gratified.
However, compared to the success of Song Yunhui and Yang Xun, Lei Dongbao is the only character who is going to fail.
As a representative of the township collective enterprise, his fate changed greatly and he fell into a difficult life.
Lei Dongbao's failure is not only reflected in the enterprise, but also in the family.
One of the two children was not biological, and in the end he collapsed, half of his body was paralyzed, and he couldn't go back to his home, so he could only borrow Yang Xun's old mansion.
This series of predicaments and failures highlights the pressure and dilemma faced by township and town collective enterprises in market competition, as well as the competitive advantages of individual and private enterprises and state-owned enterprises.
Perhaps, this ending is a deep reflection and unique expression of the screenwriter's fate of enterprises under different economic systems.
Through the development of diverse and complex enterprises, this story shows the multifaceted nature of China's economic take-off since the reform and opening up, as well as the various difficulties and opportunities faced in market competition.
Each enterprise becomes a miniature social laboratory, revealing the vastly different fortunes of enterprises under different economic systems.
Through the different endings of the three main characters, the TV series "Dajiang Dahe 3" profoundly reflects the diversity of enterprise development since China's reform and opening up, presents the different fates of state-owned enterprises, individual private enterprises and township collective enterprises in market competition, and arouses the audience's deep thinking about the current situation of China's economic development.
In the play, the fate of each character represents a path of economic development, and these paths reflect the diversified exploration of China's reform and opening up.
While paying attention to the fate of the characters, the audience is also guided to pay attention to the economic system, policy and social environment represented behind them.
Through this narrative, the TV series successfully provides viewers with a window into China's economic development process.
Through the portrayal of the life experiences of the three main characters and the development process of enterprises, the TV series "Dajiang Dahe 3" successfully reflects the diversity of enterprise development since China's reform and opening up.
Through this work, the audience can not only feel the opportunities and challenges brought about by economic reform, but also think deeply about the current situation and future of China's economic development.
Such works not only entertain, but also imperceptibly convey a deep insight into social changes, so that the audience can better understand and participate in the development of China's economy.