How about the sketches of this year's Spring Festival Gala? Which one is the best in your opinion?
As soon as he mentioned the sketch, he thought of Chen Peisi's "funny" appearance.
Many netizens are commenting on Chen Peisi's sketches, "Mr. Chen's sketches are very down-to-earth, and the acting skills are very good, which makes the audience laugh." ”
In Chen Peisi's previous Spring Festival Gala sketches, his humor was everywhere.
From 1984 to 1998, Chen Peisi and Zhu Shimao appeared on the Spring Festival Gala eleven times, each time before 12 o'clock.
In the nineties, it is not an exaggeration to describe it as a sketch, Chen Peisi and Zhu Shimao are both Chen Peisi's world.
As long as Chen Peisi stands on the stage, everyone will laugh, and after laughing, it will make people think about it.
Today, I'm going to take you to take a look at Chen Peisi's previous Spring Festival Gala sketches.
In 1984, Chen Peisi and Zhu Shimao staged a sketch of "Eating Noodles" on the Spring Festival Gala.
Chen Peisi plays the "dragon set" of Chen Xiaoer in it.
He took this invisible performance to a new level, and that is when he took an empty bowl and ate it in large gulps.
He put his chopsticks into the bucket, picked the noodles into the bowl, and then held the bowl full of noodles in his arms.
Don't forget to pick out all the noodles on the side of the bowl, then pick up a noodle that is about to fall out of the bowl and put it in your mouth.
After eating, he also sucked the remaining soup and saliva on his fingers, and the whole process went smoothly.
Seeing that he eats noodles more fragrant than the delicacies of the mountains and seas, the audience in the live broadcast room also wants to eat a bowl of hot noodle soup.
In the end, because Ng ate too much, she couldn't eat anymore.
He "pinched" the noodles with chopsticks, and acted vividly, making everyone laugh.
In fact, the two are also under a lot of pressure.
Because the director of the Spring Festival Gala is not sure whether this form of performance can be moved to the stage of the Spring Festival Gala, it has not been finalized until the performance starts.
In the end, the director compromised.
No one expected that Chen Peisi would perform the role of "funny" vividly on the stage, making the audience can't help but laugh with Chen Peisi.
As soon as the program aired, this novel form of artistic expression immediately attracted the attention of the whole country.
This is the first time Chen Peisi has appeared on the stage of the Spring Festival Gala in history, and it is also his pinnacle work.
Overnight, Chen Peisi and Zhu Shimao became famous overnight, and no one could stop them anymore.
In 1985, Chen Peisi and Zhu Shimao were invited to the stage of the Spring Festival Gala and presented the sketch "Making a Movie", which feasted the audience's eyes.
Compared with "Eating Noodles", "Making a Movie" has a much richer plot, and there are many more lines and body language.
This is the first time and the first time it has been held outdoors.
Chen Peisi was not less guilty outside.
In cold Beijing, Chen Xiaoer applied to Zhu Shimao again for a movie in order to realize her dream of being an actor.
The director asked him to wear only a vest and a single coat during the performance, and wipe his sweat with a towel.
The director also made him sweat and used a sweat towel as a symbol.
However, how could she sweat on such a cold day?
Director Zhu Shimao asked people to bring a basin of cold water over, splashed the water on Chen Peisi's face, and then pretended to splash cold water on Chen Peisi's body, pretending to be sweating profusely.
Chen Peisi's whole person froze, and the director realized that something was wrong, and quickly picked up Chen Peisi and sent him to the ambulance.
The sketch uses a simple and funny way to show the experiences of the two people, so that the audience can better understand the difficulties of the actors.
Although this sketch is not Chen Peisi's best work, his performance still left a deep impression on the audience.
The sketch "Lamb Skewers" is another classic play after "Eating Noodles".
Chen Peisi plays a cunning peddler in "Lamb Skewers", a character who has both affinity and affinity.
is mainly about Chen Peisi playing a vendor at an unlicensed kebab stall, who was bumped into by the chengguan played by Zhu Shimao and found that there was a problem with his stall selling mutton skewers, but he was warned for the first time.
Then, Chen Peisi became a Xinjiang uncle, continued to sell things, and when he was caught, he was still pretending to be stupid.
In order to better play the role of urban management, Zhu Shimao deliberately went to the industrial and commercial market to observe the management situation here.
In order to play this role well, Chen Peisi squatted on the side of the road and watched the stall owner barbecue.
Chen Peisi's performance is very humorous, especially when he is holding a bamboo stick, holding a skewer, and fanning the wind with a piece of clothing, the expression on his face is imitating the taste of barbecue.
It is said that drama is derived from life, and he has brought his acting skills to the extreme.
After a few days, the children on the street began to learn Chen Peisi's Xinjiang accent and shouted: "Xinjiang's mutton skewers!" ”
The response to "Lamb Skewers" was much better than that of "Making a Movie" because it not only brought joy to the audience, but also made people feel the hardships of life after laughing.
Pepper Noodles", Chen Peisi broke the tradition and performed in a pantomime for the first time, and there were few lines.
Chen Peisi was wearing a Lei Feng hat on his head and a military coat on the outside, which caused a burst of laughter as soon as he appeared.
Wearing high-heeled leather boots and a pair of nondescript pants on his feet, he yelled at the waiter, "Bring me a pound of ravioli!" ”
Obviously there was an empty bowl in front of him, but Chen Peisi put on a wonderful performance, he swallowed the hot wonton, then swallowed the wonton again, then swallowed the wonton again, and finally blew and sucked it.
Chen Peisi and Zhu Shimao glanced at each other, and snatched the pepper noodles.
On the stage of the Spring Festival Gala, he "boldly" took off his military uniform and went naked.
Chen Peisi can always use his body language and his expression again and again to make everyone laugh.
In "The Protagonist and the Supporting Role", Chen Peisi plays a "traitor", with a ruffian face and a stubborn character.
The sketch is about Chen Peisi, who played smart in order to be the protagonist, and finally won the support of the audience and became the protagonist of the Eighth Route Army, but in the end, he returned to the role of the traitor.
At the beginning of the sketch, Zhu Shimao was holding a gun, but he didn't expect that after less than two minutes of practice, the belt broke, and Zhu Shimao tried to tie the strap to Chen Peisi while saying lines to him.
When the two switched roles, because the strap was too short, Chen Peisi hung the pistol diagonally on his shoulder, which made him look more funny and funny.
In Chen Peisi's sketches, there are many classic lines, many of which young people like to listen to.
Chen Peisi said: "What is there to be proud of, the role on the stage is the most important. ”
As soon as these words came out, the audience erupted in a round of applause, which is also what everyone wants.
In order to determine the attribution of the protagonist and supporting characters, he has made a lot of preparations.
A "play" made Chen Peisi enter the state in an instant. It's me! ”
He stood aside, this little man who was born a supporting role, but was unwilling to become the protagonist, stood up like this.
While Chen Peisi was acting, he kept blocking Zhu Shimao's way, which made Zhu Shimao very annoyed: "Why do you keep stopping me?" ”
Chen Peisi said wittily: "Isn't this for you to face the audience, so I can only stick my head on the back of the audience's head." ”
Zhu Shimao said angrily: "You stole my limelight!" ”
Chen Peisi finally said the sentence: "I'm shameless, what role do I rob?" ”
This self-deprecating sentence made everyone around him laugh.
"The Protagonist and the Supporting Role" uses humorous and witty performances to vividly interpret the relationship between the male and female protagonists, which not only brings laughter to the audience, but also allows the audience to know how to protect the weak and expose social injustice.
This is also a classic work co-created by Chen Peisi and Zhu Shimao.
Some people say that the script and acting skills of "The Protagonist and the Supporting Role" are very good and impressive.
I really never get tired of watching it, it's a classic.
The policeman in "The Police and the Thief" played by Chen Peisi is actually a stupid thief, and Zhu Shimao plays a real policeman.
Chen Peisi's unique shape, coupled with his ill-fitting police hat, and the policeman's **, have become his laughing stock.
Between the questions and answers, the clumsiness of the thief and the wit of the police are unmistakable.
Chen Peisi played this "fake policeman" vividly.
From the fear and rejection at the beginning, to the later in-depth performance, he took the initiative to answer real police questions, and also helped ** catch his accomplices.
Chen Peisi used his rich and exaggerated movements to interpret this little character vividly.
From him peeking at others, to Zhu Shimao correcting his posture, to imitating the movements of the traffic police, everyone laughed.
What's even more unexpected is that Chen Peisi's opening sentence, "You are wearing this dress, you can be punished if you want to be punished, and you can be arrested if you want to." ”
This is CCTV's condolence activity, Chen Peisi is wearing a police uniform, and he arrogantly mocks everyone present.
At the end of the sketch, Chen Peisi's identity as a "fake policeman" was exposed, ** The cause was Chen Xiaoer's habit of stealing the police wallet, which made the audience laugh.
He gave a military salute with his left hand, which was impressive.
Netizens shouted: I didn't expect that the post-90s sketch will be so exciting in 2024, this is a classic.
In "Brother-in-law and Brother-in-law", Zhu Shimao plays the brother-in-law, and Chen Peisi plays the brother-in-law.
The sketch is about the policeman played by Zhu Shimao, when he was arresting a pornographic **, he met Chen Peisi, who played his brother-in-law, in order to escape the punishment of the law, Chen Peisi racked his brains and tried to get out.
Chen Peisi's three-inch incorruptible tongue made his brother-in-law very embarrassed.
In the sketch, Chen Peisi's eyes are very small and his bald head is also very bright, and he looks like a bad guy at first glance.
Especially when his eyes are slitted, it makes his face more prominent, which is what he does best.
This ** can be said to be an extension of "The Police and the Thief", but this time, the thief was replaced by a future brother-in-law, and his crime also changed from theft to pornography, from a stupid thief to a "thief".
Chen Peisi once again performed the oily noodles and the appearance of a hanger.
A few sentences from the sketch still linger in the minds of the audience today.
Once, his brother-in-law was arresting someone on the street and happened to meet his future brother-in-law, so the two began a game of wits and courage.
The brother-in-law asked the brother-in-law to let him go, and the brother-in-law said: This is a matter in the bureau, and I usually don't say anything.
The brother-in-law retorted, "No. ”
The brother-in-law continued: But as long as I speak.
The brother-in-law said, "It's better not to say it." ”
The brother-in-law said, "As long as I'm right." ”
The brother-in-law said, "No! ”
The two of you said a word, which caused the audience to laugh.
Netizens have said that the sketches of Chen Peisi and Zhu Shimao are worth recalling.
Sharp-eyed netizens said that although Chen Peisi and Zhu Shimao's sketches look funny, they are the dark side of society.
If you haven't observed all kinds of people in society, you won't have this kind of humorous performance, they are the real actors!
That year's "The Great Change", in the Spring Festival Gala, can be said to shine, Chen Peisi combined sketches and magic together.
The two can be described as "** partners", one positive and one negative, one positive and one evil, contradictions collide, and sparks fly!
In the show, Zhu Shimao conjured a beautiful one from the box like a trick"Chen Peisi", making the audience laugh.
Because the review of the Spring Festival Gala is very strict, on the stage of the Spring Festival Gala, everyone must follow the instructions above, and the actors cannot have any opinions, they can only obey.
is like "The Great Change", although Chen Peisi and Zhu Shimao never thought of adding dance and magic, but as people who love acting, they still work hard.
When Chen Peisi went to the Spring Festival Gala for the second time, he was shirtless, with only a pair of pants left on his body, and his face was black, only revealing a pair of eyes, and he couldn't help but laugh when he saw it through the screen.
This time, although it is not as exciting as before, there are still netizens who leave messages:
I've watched this sketch more than a dozen times, but every time I watch it, he is reluctant to leave, which is the real charm.
In 1998, they collaborated on "The King and the Postman", which was adapted from Yan Su's play "The World Games".
This is a film about Zhu Shimao, which tells the story of Chen Peisi, under the order of Cixi, taking a postman to participate in a sports meeting held by a foreigner.
Cixi originally wanted the postman to be a foil for the foreigners, but what she didn't expect was that the postman won the championship in the race.
At that time, the prince was the spokesman of the ruling class, and his words were full of fear and flattery of foreigners, and at the same time depicted the reality of admiring foreigners at that time.
The postman represented the lower classes of the era, who were full of pride in their country.
Compared with the previous works, both of them started from the little people at the bottom to interpret joys, sorrows, and sorrows, which greatly shortened the distance between them and the audience.
This time, they moved the entire era of the late Qing Dynasty to the stage, using black humor to inject more feelings of family and country in addition to personal joys and sorrows.
The King and the Postman can be said to be a very good **.
As a result, after the performance, Chen Peisi said with a handful of snot and tears: "Oh no, no! ”
Chen Peisi spent a lot of time and energy, starting to prepare in 91 and spending seven years, even the costumes were designed by him himself.
But because of the negligence of the staff, they were not prepared, not long after Chen Peisi appeared, he ripped off his fake braids, and the microphone on Zhu Shimao's body was also released, and the sound effects on the scene were not released.
But this does not affect the audience's love for Chen Peisi and Zhu Shimao.
After watching so many classic sketches by Mr. Chen Peisi, which one do you like the most?
Every year before the Spring Festival Gala, there is always a topic: which comedian do you want to see the most in the Spring Festival Gala.
On the Internet, there is also an indispensable call for Chen Peisi. Even if it's a skit from many years ago, everyone will watch it over and over again, and they won't be bored at all.
Chen Peisi has deeply influenced this generation.
We may not miss Chen Peisi, but we do miss the laughter he brought us on stage.
I also admire him for polishing his works so meticulously in this era of speed.
In troubled times, he can still maintain his pride, in troubled times, he knows how to give up, in troubled times, he knows how to persevere.
Finally, I also hope that Mr. Chen Peisi, an old artist, can bring you more wonderful sketches.