In today's era of booming commercial film and television markets, high-quality dramas are as hard to find as scarce pearls.
The orientation led to commercial interests leading many works to focus too much on box office and dazzling effects, while ignoring cultural heritage and artistic expression.
However, in this bustling jungle of business interests,An internationally renowned film master - Zhang Yimou, was born out of nowhere, stepped into the field of TV dramas, and created his ** work "The Protagonist".
The protagonist is based on the theme of traditional Chinese Qin dialect, which profoundly recalls Qin E's life experience for nearly half a century, which not only highlights the uniqueness of traditional Chinese cultureIt also shows the depth of artistic expression
The source of this work comes from Chen Yan's ** "The Protagonist".
In an era of commercializationChen Yan's works are based on the Qin dialect and are full of originality.
Chen Yan worked at the Shaanxi Provincial Opera Research Institute, an experience that gave him fullness and rationality in his depiction of the Qin dialect and the setting of the main characters.
Through **, "The Protagonist" shows the process of the protagonist Yi Qin'e gradually becoming the protagonist of the troupe from an ordinary cowherd baby.
In this process, Yi Qin'e's pure love and persistence for Qin Yan showed a true understanding and return to art under the trouble of economic development and the struggle for fame and fortune.
The whole ** spans forty years, skillfully showing the fate of Qin Yan and the choice of the protagonist under different social nodes.
Although there is only one protagonist in **, the unique perspective that everyone in life is both a protagonist and a supporting role is emphasized through the technique of each character competing to be the protagonist in life.
Just when "The Protagonist" caused a sensation in the literary world, Zhang Yimou saw its potential and was determined to put it on the silver screen.
Zhang Yimou's ultimate pursuit of every detail is admirable.
From the playFrom the selection of actors to the design of costumes and sets, he strives to achieve a high level of artistic and cultural heritage
This investment is not only a tribute to The ProtagonistIt is also a deep understanding and expression of traditional Chinese culture.
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Under Zhang Yimou's care, "The Protagonist" glows with amazing vitality.
Zhao Liying's Yi Qin'e shows the character's inner world vividly through her excellent acting skills.
Yi Yang Qianxi showed his transformation in the entertainment industry in this play.
He got rid of the label of idol traffic and became a powerful actor favored by directors.
**10,000 Fans Incentive Plan
Zhang Yimou's cross-border attempts and extreme pursuit of details have undoubtedly injected new vitality into film and television creation.
However, despite the acclaim for The Protagonist, commercial interests remain a factor that cannot be ignored.
In this era dominated by IP hype, classic works are adapted into commercial IP dramas, and commercial benefits have become the yardstick for judging the value of a work, so that excellent dramas may be weakened by commercial considerations.
The Protagonist is perhaps the best of the casesBut we also have to thinkUnder the tremendous pressure of commercial interests, can the sincere pursuit of cultural heritage and artistic expression be maintained.
In the audience and comment area, there are different opinions on the evaluation of "The Protagonist".
Some people regard it as a clear stream in commercial film and television works, praising it as an expression of traditional Chinese culture; while others pointed out that its commercial atmosphere was too heavy, distorting the profound connotation of the original **.
This controversy is a microcosm of the commercial film and television marketIt is also a dilemma that needs to be carefully considered between the pursuit of commercial interests and cultural heritage
In this era of conflicting business interests, "The Protagonist" is a beacon to explore the light, and it is also an artistic flower in the commercial film and television market.
Zhang Yimou's cross-border attempts and extreme pursuit of details have undoubtedly injected new vitality into film and television creation.
Whether it is ** or TV series, more similar works are needed to call our attention to cultural inheritance and artistic expression.
Perhaps, it is precisely by finding a balance between commercial interests and cultural expression that we can usher in more wonderful works, not just a passing cloud in the commercial film and television market.
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