is about to be released is the Spring Festival movie "Article 20".
The audience is full of expectations for the deaf and mute played by Zhao Liying, which can be felt just through the promotional clip.
The skills of powerful actors are undoubtedly admirable.
Whether it is Shinong Industry and Commerce, or fairies and demons, it is like a fish in water to interpret any role, as if every role is tailor-made for her.
Some actors, even if their roles are ever-changing, can't express any essence.
When acting, he always behaves too naturally, making it difficult for the audience to believe the character he presents.
Let's summarize today the characters who often appear in the series with "hypocrisy".
It is an indisputable fact that Mr. Huang used to be a representative of the acting school in the past.
He chose to stay in school to work as a teacher at a young age, and many powerful actors were his students.
What a glorious glory, what a noble position, what a decent situation.
However, these contents have been completely drowned out by reality TV variety shows.
In "Extreme Challenge", he appears as extremely intelligent, like an old fox, accurate in calculation.
In "Longing for Life", Chef Huang shows a versatile side, not only good at cooking, but also a person who can eat and cook.
After frequently witnessing the real side of Mr. Huang in life, he performed in the TV series.
"Little Farewell" and "Little Joy" both have the image of good family men, they are reasonable fathers, and considerate husbands.
When cooperating with Haiqing, they are like a real couple, showing a very vivid life scene.
His acting skills are good, and they are definitely not enough to praise.
These are all at Mr. Huang's fingertips, and they appear in their true colors.
Mr. Huang is out of his comfort zone and wants to play Lu Qingshan, the secretary of the county party committee who is full of helplessness, and wait until the release of "County Party Committee Compound".
Huang Lei's performance in the play makes people feel that he is pretending to be deep, and his frowning expression makes people feel very unnatural.
Netizens complain about Huang Lei's acting skills almost every day, from his online to offline.
Huang Lei's image at the moment is completely different from the sophisticated, ruthless, and resolute Wei Qing in "Singing in the Middle of the Night".
Huang Lei is definitely not the only bastard in the county party committee compound. mentioned "County Party Committee Compound", the actor who played the bastard in it is not only Huang Lei.
Liu Tao plays the head of the propaganda department in this drama, which is also one of the reasons why the show has received bad reviews.
Almost all of the scenes where Li Tang appears occur during a meeting.
Liu Tao kept a straight face, squinted his eyes, and looked expressionless every time he had a meeting.
Liu Tao's expressionless state is not the first time she has shown it.
Liu Tao played the role of Du Ju in the suspense drama "The Beginning", although there are not many lines, but she is responsible for conducting "drug tests" as soon as she appears.
Liu Tao changed into a short hairstyle in the play and wore a pair of rimless glasses.
Every appearance has an impatient expression, and the eyes seem to be deep in thought, but the facial expression is consistent.
Liu Tao may have left this "sequelae" because he has played too many strong women and female overlords.
It seems that everything is played with a lofty attitude, and there is no feeling of integrating into real life at all.
Liu Tao was undoubtedly a powerful actor before.
Bai Suzhen's image in "The Legend of the White Snake" and the image of Nihuang County Lord in "Langya Bang" are unforgettable.
Since Liu Tao starred in "Ode to Joy", she has become the target of Internet infamy more and more frequently.
In all or nothing, the 40-year-old actor tried her best to play a teenage girl with an exaggerated expression and emotional hysteria.
After the release of "Hurricane", it is not surprising that netizens thanked Liu Tao for not starring in this movie.
As we all know, Liu Tao and Haiqing are both well-loved national daughters-in-law.
Zhang Kaili can be said to be a representative of the first generation of national daughters-in-law.
Zhang Kaili ended her training at the sports school and gave up her job as a museum docent to join the Coal Mine Art Troupe and began her career as a drama actress.
The performances of the actors in the drama are impeccable, and there are no ng shots.
Liu Huifang's role in "Longing" was the "perfect wife" in the minds of many men.
Zhang Kaili grew older and was promoted from a national daughter-in-law to a national mother.
The Age of Naked Marriage", "Let's Get Married", "Kung Fu Mother-in-law" and so on.
Zhang Kaili is deeply rooted in the hearts of the people and has become a national mother image.
As she grew older, Zhang Kaili's performance shortcomings became more and more apparent.
Zhang Kaili turned her strengths of articulation into shortcomings, which was particularly prominent in the drama performance.
The pronunciation of the heavy words always gives people the feeling of being playful, and it can sound a little awkward.
In addition, Zhang Kaili always uses frequent hand movements when performing.
She was described by netizens as emotional, shaking her head, her eyes wide with anger, her expression arrogant, and her performance being too intense.
The acting school, which was once known for its excellent performances, eventually became the target of netizens' attacks, and they were drowned in saliva.
is obviously not good at acting, but he has resources against the sky.
Jiang Shuying can always have a place in various popular TV series.
However, Jiang Shuying has attracted a lot of criticism every time.
Her acting skills are mediocre, her facial expressions lack variety, and her inability to navigate dramatic roles are the most authentic evaluations of her.
Jiang Shuying, Tong Yao and Mao Xiaotong showed superb acting skills together in the TV series "Thirty Only".
The acting skills of the other two are not very superb, but Jiang Shuying's performance is undoubtedly unsatisfactory.
Whether it's a hard-working counter salesperson in Shanghai, or an unmarried older woman returning to her hometown.
Jiang Shuying always had a blank expression, twisted and uneasy, and lifeless.
She is the niece of He Yun, the black umbrella behind the scenes, and plays an important role in "Sweeping the Black Storm".
Jiang Shuying obviously couldn't hide her shock at the true appearance of the two actors when she saw He Yun and Sun Xing.
How can such an actor with poor acting skills get such an important role, it's really confusing.
He is a well-recognized actor, but he inevitably fell into the "elite pit".
Since playing Ming Lou in "The Pretender", most of the characters Jin Dong has been in contact with have similarities.
No matter how his profession changes, he always stands at the top of the pyramid and looks down on all beings.
In social and business activities, it is possible to maintain one's independence and kindness even when dealing with various people.
After a long time, Jin Dong has become familiar with this kind of role, as if he is playing himself.
As soon as the camera opens, he gushes about the standard sense of the elite, and his movements and expressions are all appropriate.
At the end of "The Pretender", the old cadre played by Jin Dong was highly praised and in a happy mood.
After Jin Dong starred in "Ode to Joy", "Elite Lawyer" and "The First Half of My Life", his reputation fell again and again.
Seeing too many similar images will inevitably make people feel bored and unreal.
Winners are elites, and losers are elites.
If Jin Dong does not play a breakthrough role in the future, he may be complained about by people for the rest of his life.
She is the vane of fashion, and the airport is the stage for her to show her charm; And on the red carpet, she became the center of attention.
When it comes to acting, she always disappoints.
When he was 4 years old, he starred in "Tang Ming Huang", and his performance was skillful and full of femininity, which was amazing.
However, her acting career has not been improved because of her debut as a child star, on the contrary, she has formed a set of mechanical performance models.
Crying when he's in pain, and laughing when he's happy.
The lines lack emotional expression, they are just told mechanically, and there is no sincere emotional investment.
She lacks elite temperament in the workplace, and her performance is not beautiful enough and lacks domineering.
Yang Mi pursued self-breakthrough and resolutely decided to star in the movie "Baby" with zero pay.
In the play, Jiang Meng is played by Yang Mi, she is a disabled person with congenital ** atresia, and has been abandoned by her parents since she was a child.
I heard that in order to star in this drama, Yang Mi has made great efforts.
Whether it is the characters or the lines, they have undergone tremendous changes.
Despite the good theme, Yang Mi's performance has always made it difficult to really immerse oneself in it.
Feeling uneasy in the cinema, barely "enjoying" the whole movie.
At the end of the film, a gentleman sitting in the back row asked me, "Do you understand?" ”
The literary film undoubtedly failed.
After that, Yang Mi never considered changing his image again, and continued to keep his comfort zone from the outside world.
Yang Mi is 40 years old, but he is still competing with young Xiaohua for the opportunity of idol dramas.
It is not that there is no market for middle-aged actresses, but because many actors are crowded into the same market, the market is in short supply.
Zhao Liying has made great progress on the road to becoming a powerful actor, and has gradually won the real recognition of the audience and become an idol.
In addition to these actors, there are also Hu Yuzhen, a major in the Anti-Japanese War, Chen He, who was possessed by Zeng Xiaoxian, as well as Li Naiwen, Yang Zhigang, etc., all of whom are full of drama masters.
No matter what role you play, it's as if you're playing yourself.
It is not easy to successfully create a character, but in the end, it ruined the once classic image because of mediocre performances.