Zhang Dongbin, a native of Hefei, Anhui Province, studied at the China Academy of Art under the tutelage of Lu Yanshao, and is now a member of the Chinese Artists Association, vice president of the Hefei Painting Academy, and a distinguished painter of the Ink and Wash Danqing Column Group of the China Education Platform.
Zhang Dongbin is good at painting landscapes, especially good at using the pen to give full play to the effectiveness of the brush, using the different uses of the nib, the belly of the pen, the root of the pen to express the different changes of natural mountains and rivers. The lines are sparse and smooth, and the rigidity and softness are combined. Yunshui is its masterpiece, and there are ups and downs in the majestic show. Hook the clouds and water, the smoke and waves are vast, the clouds are steaming and the fog is endless, and the method of creating a large blank space and ink block.
The contrast is enlarged in the pen and ink, and the shape changes from a circle to a square, so that the ancients can also infiltrate their own intentions and learn their spirit, and grasp their charm between the similarity but not the similarity, and the similarity but the similarity. He realized the blank ink block in the sky after the rain in Xin'an River, realized the method of hooking water from experiencing the dangerous water of the Three Gorges, and realized the method of freehand painting and participating in the cloud from the traditional Gongbi Daqing and green method. The painters of the past dynasties have basically adopted the method of four flats and eight stable forms, with the center of gravity of trees and stones in the center, but Lu Yanshao can break the normalcy and place the center of gravity on the left edge of the image, which causes a sense of danger that it is almost about to collapse, giving the mountains and rivers in relative staticness a dynamic vitality, and the "potential" is also generated.