In 2018, the first part of "Dajiang Dahe" was broadcast, arousing people's attention to the passionate years of reform and opening up, Song Yunhui, Lei Dongbao, and Yang Xun were typical representatives of state-owned enterprises, township enterprises, and self-employed people, vividly reproducing to the audience the struggle of all levels of Chinese society from the late 70s to the late 90s of the last century.
From the resumption of the college entrance examination, the distribution of production to households, and the discussion on the issue of the standard of truth, to the convening of the Third Plenary Session of the 11th Central Committee, the rise of township enterprises, the development of Sino-foreign joint ventures, to the reform of state-owned enterprises, the reform of the fiscal, taxation and foreign trade systems, the reform of the medical and housing systems, and then to the southern talks, the establishment of the socialist market economic system, the return of Hong Kong, the Asian financial crisis, and ......The fate of the characters in the play is closely linked to these major historical events.
At the beginning of this year, the third part of "Big River", "The Years of Big River", also met with the audience, which can be regarded as the end of this series.
When I watched "Years Like a Song", it coincided with the broadcast of "Flowers", and the timelines of the two dramas were in the early 90s. Of course, at that time, the author's remote control always couldn't help but watch "Flowers" first, and then taste "Years Like a Song" after watching it.
On the one hand, it is because I am already familiar with the story of "Big River", and the story line in the original book is also very familiar, so I am not in a hurry to watch it; On the other hand, it is also because compared with the first two films, "Years Like a Song" gives people too few surprises, and many times the story direction even has some inexplicable feelings.
Not only does the author think so, but many viewers complain that the plot is regressive, the rhythm is slow, and the depiction of the first two parts is not as detailed as the first two parts, the emotional line increases, and the career line is sloppy.
In the first part, Song Yunhui has been busy studying and building factories, and many people like his rivalry with Secretary Shui, and they feel that it is wonderful and enjoyable.
As the person in charge of the Jinzhou Factory, Secretary Shui has read countless people, and he has become Song Yunhui's **, it must be because Song Yunhui has the characteristics he likes, he is Song Yunhui's nobleman, and he can always objectively point out Song Yunhui's shortcomings, which are corroborated by relevant plots in the first and second parts.
And in the third part, Song Yunhui and Jinzhou Factory have completely lost the camera, and Secretary Shui no longer appears. The plot devolved to Pengyang Pesticide Factory took up more than a dozen episodes, and when the audience finally stayed up until he returned to Donghai as a factory director and wanted to see how he continued to engage in his career, Song Yunhui began to fall in love with Liang Sishen.
It's not impossible to say that it's impossible to fall in love, but Liang Sishen's audience is really bad. Plus when they met, Liang Sishen was still a primary school student, which always made the audience have a strange feeling.
Moreover, the result of falling in love is that the career line is not filmed, and it is hastily explained after a few meetings, which is really not enjoyable.
Let's talk about Yang Xun's line, In the second part of "Big River", Yang Xun met Liang Sishen and was deeply attracted to her and fell into unrequited love. In "Time Like a Song", the two partnered to do business, but Yang Xun was discovered by Liang Sishen's father for making false accounts, and the partnership broke down.
Judging from the plot in the play, although Liang Sishen also contributed half of the capital, Yang Xun was busy with things such as building shopping malls and running relationships, and there were invoices of 20,000 yuan or 30,000 yuan that were not reported to his partners, so he was sent to prison by the Liang family, and he wanted to swallow Yang Xun's assets. Such a stress response is not too great.
Later, he ran to the downstairs of Liang Sishen's house and knelt down, but he failed to save the partnership. Yang Xun was kicked out of the management of the mall by Liang Sishen's father, and he beat Liang Sishen again, saying that he hated them for the privileged class.
As a result, the two met on a flight to Hong Kong, and Yang Xun licked the dog again. After returning from Hong Kong, Yang Xun inexplicably became *** and kept changing girlfriends. The previous plot can be understood as how these bureaucratic capitalists are high up and playing with power, but Yang Xun is not a love brain all the way, doesn't the director think that such an arrangement is a play?
Finally, there is Lei Dongbao's scene, which is probably the most coherent scene filmed in the third part. From the initial brick factory and construction team, to the later wire factory, and later merged with other township enterprises to make clusters, there are countless such types of township entrepreneurs behind Lei Dongbao, and in the end they are lost in the next era because they can't keep up with the torrent of the times.
And the plot of Lei Dongbao looking for the son of the third child, although many viewers feel very uncomfortable, but in fact, look around, maybe there are many prototypes, even Wei Chunhong, who never gives up on life and death, can find a similar shadow in life, it should be said that Lei Dongbao's story is the most complete and easy to believe.
Although the plot is much inferior to the first two films, the texture of "Big River" is still there, which is why this drama can still have a score of 8. However, presumably many people will sigh like the author: this tail is almost meaningless.
February** Dynamic Incentive Program