Jimu News reporter Xu Ying.
Correspondent Shainin.
On January 31, a Jimu News reporter learned from the provincial map that the arrangement of the Yangtze River Forum for February lectures has been released. Two lectures, one on the 24th day of the lunar month and the other on the 15th day of the first lunar month, the Lantern Festival. Both lectures focused on topics related to the Spring Festival. At 9:30 a.m. on February 3, Xu Shaozhou, associate professor of the Department of Sociology of Wuhan University, will share "The "Meaning" of Folk Events"; At 9:30 a.m. on February 24, Wu Jian, the representative inheritor of contemporary Hubei drums, will bring "Hubei Quyi Appreciation and Analysis".
Associate Professor Xu Shaozhou teaches courses such as "Chinese Folk Literature", "Chinese Cultural History", "Folklore and Society", "Folklore and Wisdom of Folklore" at Wuhan University. Associate Professor Xu Shaozhou will clarify the relevant concepts of "pan-folklore" for readers. Folk customs are the "living culture" created and enjoyed by the general public, but not all people's lives are folk customs, and the key depends on whether they have a spiritual and cultural "meaning". Just like pure "full-stomached" can only be regarded as "eating", and cannot be said to be "food folklore". A single "covering the body and keeping out the cold" can only be regarded as "dressing" and cannot be said to be "clothing folklore"; For example, "pseudo-folk customs", there are many phenomena of borrowing folk customs to set up a stage and sing "different" plays. With the development of the times, there are also "new folk customs", where the tradition is yesterday, it is today, and today can become the tradition of tomorrow. Whether some of today's new fashions can become a kind of folk phenomenon depends on whether they have a cultural ecology of inheritance.
Wu Jian, a young opera actor, is currently the deputy director of the Cultural Center of Huangpi District, Wuhan City, and he has used the "rap" method to create and perform excellent works such as "Rap Huangpi", "Ballads We Sang in Those Years", "Rap Caidian", "Rap Wuhan", "Rap Li Jiaji", "Mulan Love", "Xinyi Brothers" and other excellent works. Quyi performance is based on "speaking" and "singing" as the main means of expression, and its language must be suitable for speaking or singing, and must be lively, concise and incisive and easy to catch. Quyi actors must have solid speaking, singing, doing and superb imitation skills, and only with these skills can the actors portray the characters vividly, make the narrative of events fascinating, and win the appreciation of the audience. In this lecture, Wu Jian will start from the "Great Speech" and "Four Major Songs" of Hubei contemporary quyi, focusing on how Hubei drum inherits and innovates in Hubei quyi, and tells Huangpi, Wuhan, and Hubei in the form of Hubei quyi, and tells the stories of the city around him.
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