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With the rise of contemporary film and television dramas, audiences have begun to put forward higher requirements for the appearance of the actors in the works. However, in recent years, with the popularity of plastic surgery technology, plastic surgery faces have become more and more common in film and television works. This has sparked a controversy between the authenticity of the play and the artistic expression. The recent period drama "South to North" broadcast by CCTV has also caused a lot of controversy among viewers and critics. Some actors in the play are accused of using plastic surgery faces, resulting in a mismatch between the character's appearance and background and emotions. This phenomenon not only makes the audience unable to immerse themselves in the plot, but also puts forward higher requirements for the acting skills of the actors.
The popularity of plastic surgery is closely related to the TV industry's pursuit of audience eyeballs and market benefits. For actors, plastic surgery can make them more in line with social aesthetic standards and increase their beauty when on camera. However, this aesthetic often contradicts the background and emotional depth of the characters. For example, in "South to North", the plastic surgery face of Ma Yan played by Jin Chen contrasts sharply with the background and hardships of the era she plays, making the audience feel unreal and unnatural. This mismatch between the appearance and the character not only makes it difficult for the audience to substitute for the character, but also questions the authenticity of the work.
The famous director Zhang Yimou has made it clear in many interviews that he does not prefer actors who use plastic surgery faces. He believed that cinema was a representation of art and should be as close to reality as possible. The actor's facial expressions and subtle muscle changes are an important way to convey the character's emotions. Cosmetic surgery, on the other hand, often restricts these natural changes in expression, making the actor's performance appear stiff and difficult to convey the character's emotions and stories realistically.
Zhang Yimou's work is often praised as works of art with authenticity and depth. The audience can see the characters who are closer to life in his films, and their faces, expressions and even body language appear more natural and powerful. This naturalness is one of the important reasons why Zhang Yimou insists on not having plastic surgery. He believes that film is not only an entertainment tool, but also an art form, and the authenticity and depth of art should be pursued.
The controversy of the drama "South to North" is not only a discussion of plastic surgery, but also a deep reflection on the authenticity and artistry of contemporary film and television dramas. The film and television industry is often faced with a choice between business and art. Zhang Yimou's persistence has set a benchmark for the industry, reminding creators not to forget authenticity and depth while pursuing commercial success. The audience wants to be able to see real life in film and television dramas, not just some false beauty.
When casting, the director and production team should pay more attention to the authenticity and inner character of the character. The character's appearance should match its background and emotional depth, so that the audience can truly immerse themselves in the plot and feel the character's story. The success of film and television dramas depends not only on market effects, but also on the essence of the work of art - authenticity and depth.
As a knowledgeable editor, I have in-depth thinking about the presentation and artistry of film and television dramas. The popularity of plastic surgery faces in film and television dramas does bring visual beauty, but it often falls into the dilemma of character authenticity and emotional expression. Personally, I very much agree with Zhang Yimou's casting principles, and believe that artworks should be as close to reality as possible, so that the audience can better substitute for the plot.
In my work, I also often pay attention to the authenticity and artistic expression of film and television dramas. I will talk to the creators about the importance of character building and remind them to pay attention to the inner character and authenticity of the character when casting. I believe that only works that are authentic and deep can touch the hearts and minds of the audience and make them resonate.
All in all, there is indeed some controversy about the use of plastic surgery faces in film and television dramas. The audience has put forward higher requirements for the authenticity of the characters, and they are looking forward to seeing works that are closer to life. Zhang Yimou's casting principles provide us with a revelation that artworks should pursue authenticity and depth, and only in this way can they win the recognition and love of the audience.
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