Probably because the folk have watched too much, and the level of personal appreciation has become more critical, and in the past two years, I have lost any interest in Spring Festival movies. Not to mention buying tickets to enter the cinema, just looking at the title of the movie feels boring. What "Hot and Hot", "Mr. Red Carpet", "Flying Life 2", and a few Spring Festival stalls, I don't remember the name. Since I haven't seen a movie, why do I write something about the movie?
In fact, according to the following opinion, to comment on a movie, you don't necessarily have to go to the cinema**, it's almost enough to watch more movie reviews, even if you go to the cinema**, the personal opinion drawn is also one-sided. Some people are definitely not convinced by this point of view, what is not convinced? Luke is in China, but he has insight into the psychology and strategic events of dignitaries around the world. Mr. Wei Zhou is able to read and analyze Chinese cities through the Internet. The reason why you don't have to buy a ticket to the cinema is because many movie reviews are far more exciting than the movie itself! Take "Hot and Hot", which is adapted from the Japanese movie "100 Yuan Love", as an example, the original bland life movie was "fought for" and "fried" by all sides, and it became an inspirational blockbuster. Jia Ling's assault of **100 catties has become the gimmick and selling point of the film, and it has become an inspirational story after "a lot of hardships". The most bizarre thing is that the rolling credits at the end of the film list Jia Ling's daily ** records in the form of a running account. Since the birth of film in 1895, it is estimated that the film industry has used this method to impress the audience for the first time, which can be described as a Chinese-style film innovation with good intentions. Through a large number of bloggers' film reviews and netizens' comments, it is not difficult to find that most netizens have a positive attitude towards Jia Ling** and the "Hot and Hot" movie itself. They think that Jia Ling has lost almost half of her weight for a movie, and her perseverance and spirit are good. Especially for those people who want to be **, but have never succeeded, Jia Ling has created a ** myth and driven a ** craze. But there are also some netizens who disagree and scoff, they think that the film marketing method is better than the movie itself, as if playing the emotional card of "Hello, Li Huanying" again. What's more, in some storylines, it is almost copied from Japanese movies, and there is no originality at all. Behind the differences in comments are vastly different values PK. Even if it is mixed, it does not affect the fact that the box office of "Hot and Hot" is already nearly 3 billion. Who contributed to the box office? Of course, I don't want to question the audience's values, turnip and cabbage, each has its own love. It's just a little curious, a person with undisciplined body management, a fat man of nearly 200 pounds, and then, through crazy **, it has become an inspirational story, and it has steadily earned a wave of attention and box office. Is the bar for motivation already so low? If ** has become inspirational, then how can those hundreds of millions of low-income groups be embarrassed? They may never have the chance to become fat in their lifetime. Obesity has become an internationally recognized factor affecting health, and a person's original intention should be to consider their own health. If "Hot and Hot" can also become an inspirational film, it can only be said that people have lived in a peaceful environment for too long. In comparison, the box office of "Mr. Red Carpet", which was withdrawn from the Spring Festival, was unsatisfactory, and the protagonist of the film is Mr. Andy Lau. Because on the Internet, affirmation and praise of Andy Lau's character can be seen everywhere, why can't this movie work? For Andy's movie, I have seen such an evaluation, Andy is very serious about filming, Andy Lau is a good person, and it is not good to comment on the rest, after all, people are at the level of kings. You see, Wu Jing's "The Wandering Earth" became popular, and Liu Tianwang participated in "The Wandering Earth 2". Dong Yuhui's live broadcast room became popular, and Andy was a guest again to "walk with Hui". In short, no matter what role Andy Lau plays in the movie, the audience can always recognize Andy at a glance, and his fame is too great. Let's not talk about Andy, let's talk about Lao Mouzi, some people say that Zhang Yimou's "Article 20" movie is bold enough to dare to shoot. This is a bit of a compliment, the movie "Article 20" is more like a legal science film from the title, and it is not like the movie "All or Nothing" that aroused the indignation of the whole people, thus promoting the action of many armed forces to clean up the Qing telecommunications fraud group in northern Myanmar, which can be said to be a great achievement.
Article 20 is stained with the light of the "Kunshan Longge Anti-Homicide Case", and it is this case that directly promotes the great progress of the judicial practice of "legitimate defense", which led to the birth of today's movie "Article 20". It was only with the correct verdicts of a number of justifiable defense cases and the progress of the legal system that there was the basic material for film production. Otherwise, how could Lao Mouzi have the courage. On the surface, there are too many people returning to their hometowns for the Chinese New Year this year, and no one in the city goes to the cinema.
In essence, in the short ** era, celebrities are not as good as Internet celebrities, and Wang Baoqiang's "In the Octagonal Cage" has to find Wang Qiye's traffic blessing. Some high-cost filmmaking is not as good as Wumao** special effects. The film capital and the producer are becoming less and less grounded, unable to touch the audience's appetite, and falling into a feel-good mode.
Therefore, in the eyes of more and more audiences, commercial films have an increasingly strong temperament of cutting leeks. Wouldn't it be nice for the audience to think to themselves, not to buy tickets, and then wait for the app to see the free ones!
So far, four films have announced their withdrawal from the Spring Festival file. chose to withdraw at this time, everyone knows what is going on, with the emergence of various film reviews, no one has bought movie tickets, and they can't cut it anymore. To be honest, now watching Spring Festival movies, it is better to have fun by brushing the free short ** of "Li Worm", "Conspicuous Treasure", "Ge Xiaoge Loves Fishing", and "It's OK Sisters".
cua!cua!cua!
Or take a look at the plot blogger "Yang Zhemo" and his bald boss. Oooh!