One, Cao Gong weaves a wonderful mythological story as the beginning.
Nuwa mends the sky and leaves a stubborn stone under the peak of the nonsensical cliff and the green ridge, after years and months of aura, it has an aura, and is brought into the mortal dust by a monk (the vast master and the real person) after the experience is engraved, and after several generations and several catastrophes, it is copied down by the passing empty road people, so as to spread the folk.
The stubborn stone was taken away by a monk? It turned out that this stone had been to the Chixia Palace, and was left by the police fairy to be a Shenying attendant, and often watered the Zhuzhu fairy grass on the bank of the Ling River with nectar. The bead fairy grass has been cultivated into a female body, and the five are entangled with lingering meaning, and they will repay their kindness with a lifetime of tears. A monk and a monk spent a dry merry ghost in the next world, thus achieving this story.
Second, Cao Gong repeatedly expressed that he felt that there were people in the boudoir, and the purpose of writing the book was to make the boudoir known.
Third, although Zhen Shiyin and Jia Yucun are said to be "real things hidden" and "fake village dialects", they must have prototypes.
Otherwise, there are no need for many details, such as Jia Yucun accepted Jiaoxing as a concubine, and Zhen Shi defected to his father-in-law after being down. What's more, Jia Yucun had a relationship with Jiafu because of his role as Lin Daiyu's teacher, and Zhen Shiyin's only daughter Yinglian was robbed by Xue Pan and became a hard-working concubine.
Fourth, before Tongling Baoyu was born in Jia Baoyu's mouth, Yinglian was three years old.