Irrigation of the ancient rhyme, rebuilding the memory of the Dacheng Palace

Mondo Culture Updated on 2024-02-03

Back in time 895, we came to the third year of Jianyan in the Southern Song Dynasty (1129). At that time, a blend of culture and history was brewing in the land of Guanyang. At the border of Quanzhou on Jinghu South Road, a county magistrate named Xiong Xun joined forces with Sijiao Fan Ang to leave an immortal legend for this land - "The Story of Rebuilding Dacheng Palace".

Guanyang, although it is located in a corner, has a flourishing literary style and many Confucian scholars. When the iron hooves of the Jin soldiers have not trampled on this land, the scholars here have adhered to their dedication to culture in the wind and rain. Xiong Xun and Fan Ang, these two great Confucians from Jinshi, did not choose to be silent in the troubled times, but resolutely shouldered the heavy task of rebuilding the Dacheng Palace, in order to highlight the weathering and inherit the context.

Dacheng Hall, as the main hall of the ancient Confucian Temple and the Temple of Literature, is a symbol of Confucian culture. Here, the icon of Confucius is enshrined, as well as the tablets of the sages and Confucians of the past dynasties. It is not only a building, but also a kind of spiritual sustenance and a cultural inheritance.

With the efforts of Xiong Xun and Fan Ang, the reconstruction project of Dacheng Hall was successfully launched. They gathered craftsmen and carefully constructed the temple, and in less than ten days, the relocation and placement of this temple were completed. The red and blue decorations reflect the icons of Confucius, and the portraits of the ** people come to life on the walls. This hall has become a sacred place in the hearts of Guanyang students, where they recite classics, remember the sages, and inherit the essence of Confucian culture.

However, with the changes of the times, the Guanyang County School Complex gradually disappeared into the dust of history. Today, we can only imagine the majestic Dacheng Hall in the remaining buildings. But in any case, Xiong Xun and Fan Ang's "Reconstruction of Dacheng Palace" has been forever engraved in the long history of Guanyang and has become the most precious cultural memory in this land.

When we stand in the long river of history and look back, we can't help but sigh for the vision and perseverance of Xiong Xun and Fan Ang. With their own actions, they have left an immeasurable cultural wealth for Guanyang. This wealth is not only a building, but also a spirit, a belief, and a kind of adherence and inheritance of culture.

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