The most eye catching actress in Flowers has a material figure, and the buttons of her shirt are a

Mondo Entertainment Updated on 2024-02-07

Recently, Wong Kar-wai, a famous director who focuses on the field of film, filmed a film and television drama called "Flowers".

The play takes the business war as the main background and tells the story of the old Shanghai in the 80s of the last century.

It continues Wong Kar-wai's usual film style, with dim lighting, blurred outlines, and beautiful scenes.

It can be said that every frame is comparable to the texture of the screen, giving a dimensionality reduction blow to many TV series and ushering in countless praises.

In addition, the play seems to be a big male lead drama with the male protagonist Bao as the main body, in fact, each character is vivid and three-dimensional, and has its own complete and clear story line.

It is one of the few good group portrait dramas now, especially the performance of the three actresses in the play, which can be described as a highlight in the play, allowing everyone to see the diversity of beauty.

First of all, the one who appeared earlier was Reiko played by Ma Yili, although she still has ultra-short hair, but it is obviously different from the rustic aging feeling of her previous activities, under the lens effect of Wong Kar-wai, her eyes are bright and her flesh and bones are close.

Coupled with a fluent classic Shanghai accent, from beginning to end, it presents a delicate taste of a little Shanghai woman, pretentious but not annoying.

Moreover, in terms of clothing design, it is also in line with her boss's fashionable identity, the clothes are exquisite and daily, changing the style of the past, and proving that she is not an aunt with her strength.

Tang Yan, who played Miss Wang, also made a bold breakthrough and once insisted on the silly white sweet direction. With long curly hair, he is always in the middle of the Yellow River Road, always lively and cheerful, like a little sun that will not dim.

Compared with the character image that she used to only stare blankly, it is much more three-dimensional. With Mr. Bao's brothers and sisters and above, the limit of the lovers is not yet full, which enriches the overall plot a lot.

Of course, the most eye-catching of them is the role of Xin Zhilei's Li Li, who set up the boss of the strategizing in just one turn in the play.

In the play, she has become a spokesperson for beauty, with retro Hong Kong-style curly hair, with flaming red lips, beautiful and very aggressive, and very powerful aura of the big heroine.

Moreover, her figure is also very **, as a northern woman, she has a natural large bone mass, and at the same time, she also has an obvious S-shaped curve. This allows her to perfectly control her outfits, whether they are ornate furs or tight skirts.

In particular, when director Wong Kar-wai shifted the camera to the back, Xin Zhilei's backless dress was not kitsch, but very **.

One looks up and the other raises the eye, and it will make people feel targeted. And then with a casual smile, all the charming, ** sultry are dissolved.

makes the bones of her whole body feel crispy and numb, it can be seen that Xin Zhilei's appearance is as high as her acting skills, of course, behind this is her own efforts.

It is understood that the original director Wong Kar-wai did not let Xin Zhilei play the role of Li Li, thinking that she was not charming enough. Xin Zhilei began to repeat the audition, giving herself a chance to use her acting skills to add points to her appearance.

After successfully getting the role, he danced ballet for three months in a row, just to practice an elegant posture and interpret the role of Li Li in the best state. So, when the hard work reached a certain level, she ushered in the best reward.

Overnight, countless people were fans of Xin Zhilei's Li Liquan, and a wave of imitation makeup was set off on the whole network. Let everyone see the charm of Xin Zhilei.

In addition to the actors' own efforts, Wong Kar-wai's aesthetics are the most successful reason for the show.

He has a white and thin aesthetic that is different from the simplification of internal entertainment, and under his lens, women can be beautiful in a thousand ways. It can be cute and sunny, or it can be domineering.

It is precisely because of this that the actresses in Wong Kar-wai's films and television can always break through the stereotypical image and burst out with new beauty. I hope he can shoot more so that people can discover the diversity of beauty.

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