In the course of studying, he came into contact with many famous calligraphers, and Mr. Meng Xianchun humbly sought advice, absorbing the strengths of each family like a sponge, and integrating them into his own calligraphy creation. In addition, he pursues with his heart and hands, and learns to think and practice. Regardless of spring, summer, autumn or winter, as long as he has time, he will practice at his desk.
Mr. Meng Xianchun's works have also softened into the charm of vigorous, rough, simple and vigorous, and the aesthetic taste has a deeper and more perfect connotation. He said that books are "divine and interesting". Yes, a closer look at his works, the pen and ink are expressive, the charm is profound, and it is very interesting.
The brushwork of cursive calligraphy is very rich, with both the peace and smoothness of cursive calligraphy and the uninhibited uninhibited cursive calligraphy. In the evaluation, it is necessary to pay attention to whether the calligrapher's use of brushwork is appropriate, and whether he can skillfully integrate various brushstrokes to show a unique charm.
Cursive calligraphy has very high requirements for structure, and requires calligraphers to be very proficient in glyphs. In the evaluation, it is necessary to see whether the calligrapher's treatment of the glyphs is reasonable, and whether he can arrange the structure of each character in a staggered manner, showing a unique artistic beauty.
The pen and ink are in harmony with each other, with a wave of the pen, the dry ink flies white, the force and the intention are combined, and the desert is lonely and straight, and the sun sets over the long river. With a turn of the reaming pen, the fine pen moistens the ink, and the silk is written, and the slender is like a crescent moon out of the world. Mr. Meng Xianchun writes the grass, and the calligraphy lines are like the image of all things, which can be the thrilling feeling of the autumn eagle chasing the rabbit, or the fluttering and free and easy of the written waves. Mr. comprehensively absorbs the pen and ink imagery of the literati calligraphy of the past dynasties, expresses the humanistic atmosphere of calligraphy from a cultural perspective, and makes the courage of chivalry and the elegance of Confucianism complement each otherKeeping this book at all times is the natural shaping of the Tao.
Mr. Meng Xianchun writes seal scripts and cares very much about the writing effect of pen and ink. Take the Fayi Mountain Stele, but not only feedback back the spirit of the stele, but also show the expressive charm of pen and ink writing through the intensive study of Qin Si!It has both form and spirit, especially more precious than God!The characters have the personality posture of jumping, soaring, running and lying, so that calligraphy completely returns to the realm of art. Therefore, when you look at his seal script works, you will definitely be greatly impressed by the exclusive creativity condensed by inheritance and innovation!
Mr. Meng Xianchun sharpened his calligraphy and had the consciousness of exhaustive study. Take the Zhengda atmosphere of the Taishan stele, refer to the elegant round life of the Yishan pen, write the seal book as a whole full and round, rich and multi-spirited. Very good at penmanship to make the strategy, turn the pen more, escape and pass, is not the turn of the vulgar pen into a stagnation, from the beginning to the end can be the center of the line of the pen control with ease. Therefore, his seal calligraphy is very smooth, there are no knots and knots, which is the foundation of expensive penmanship, and it is also an important resource for the seal to be rigid and soft. Those who are good at making seal calligraphy have found the origin and source of calligraphy pens!According to the source of the enlightenment of the book, the water comes naturally!
Mr. Meng Xianchun's calligraphy is both passionate and rational. Looking at his cursive writing, his eyes are involuntarily pulled, and with his cursive lines and brushes, sometimes tight and sometimes dense, sometimes fast and sometimes slow. Shrouded in the "aura" created by his cursive writing, it is like watching him wave his pen and ink in reality.
A real calligrapher, in the back and forth tempering of truth, grass, li, and seal, must finally find his own style. With his unique views on art, Mr. Meng Xianchun has embarked on a path of his own art. Subordinate to the book in the five bodies, the upper bearing seal, the lower Kai grass, both no seal, grass reading difficulty, and less regular script of the law of the strict, its nature is slightly the same as the line of books. Its positive, then can be temple tablet;Its rate can be simplified by the people;Retract and release freely, and take it as you like. It is possible to write the interest in the chest and express the deep affection at the bottom of the pen. Therefore, with its artistic characteristics, the integration of Lishu can be more in line with the times.
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