How do you draw the right and good-looking shadows? Detailed tutorial on how to draw bisected shadows! People who draw well don't worry about running out of manuscripts. To put it bluntly, the basic skills are not up to par, resulting in insufficient picture expression! The dark style reveals a strong sense of atmosphere, which will make people feel weird, mysterious, cold, and dark.
From a Japanese illustratorThe coloring has its own style, mainly red tones, but the overall picture coloring is still harmonious. The foundation of the human body is solid, the texture is in place, and the materials such as glasses, blood, and clothing are distinguished, and the whole picture makes people feel comfortable and infectious.
This is the author's logical "self-consistency", even if it does not conform to the normal human body shape, the author follows a certain law to transform the whole picture, so that the pen works form a unique style.
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In other words, you need to master the basics of painting in order to transform the picture as you like, and still maintain the harmony and beauty of the picture.
What the subject currently lacks is the foundation, such as the foundation of the human body is not solid, the lines are too hard, it is impossible to distinguish between the material of clothes and **, and the folds of clothes are simple.
Reference: The material is distinguished by the thickness of the line, the hair is relatively thin, the clothes are thicker, and the whole line is too smooth and not very stiff. The folds of the clothes are clearly depicted, and the structure of the human body can be clearly seen. **The material can also be accurately expressed. Even if it's just a black and white line drawing, it has a strong aesthetic value.
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The dichotomy in the work is not drawn accurately and beautifully.
The characters are flat and have no three-dimensional sense, and a very important reason is that the relationship between light and shade is not well drawn, and the sense of volume cannot be shaped.
Here's how to draw the right and good-looking shadows to make your characters three-dimensional.
Let's take a look at this cylinder first, and assume that the light is coming from the left side, and the right side is not shining with light, so there is a dark part. In this way, only the light side of the object is distinguished from the dark side, which is the most basic dichotomy in the picture.
No matter what dichotomy you paint, it's an essential step. The same principle applies to characters. For example, this beautiful girl, although it looks much more complex than a cylinder, we can understand the girl as a block.
The head is summarized by a ball, and the neck and limbs are replaced by a cylinder instead of the torso, which is seen as a spliced number of cubes. It would be nice to think of it as two drop-shaped semicircles. The Block Girl appeared.
The first step in drawing dichotomy is to determine the position of the light source, and follow a uniform lighting relationship when depicting light and dark.
Suppose the light comes down from the upper right, then the right side is the dark part that cannot be illuminated, and the shadow is drawn according to the structure of the geometry.
In addition to its own shadows, Opai also produces a projection of the body
The head will also block the raised arm
After explaining these relationships clearly, the body block person has a three-dimensional sense. So how does it apply to the characters? You might as well hide the volume, display the line drawing of the character, change the layer mode of the shadow of the volume to the multiply layer, and fill in the missing shadow on the right side of the character, and then you can refine the dark part according to the structure of the character.
In addition to the relationship between light and dark caused by light irradiation, the shadows produced by various elements occluding each other must not fall behind. For example, the hair covers the face, and the head blocks the left arm, so it's all dark here.
Opai has volume, so the bottom is the place where the light can't shine, and there is a relationship between the faces of the small skirt and skirt that squeezes each other, and it is necessary to draw a small dark side, so that the dichotomy of the character is drawn.
As long as you learn this basic dichotomy drawing method, you can come up with more complex objects in the future, as long as you understand them as simple geometry, you can introduce bipartite shading step by step.