The ancients were good at using things to support their feelings, and expressed their emotions through the description of scenery. There are beautiful, fresh, bold, graceful, and so on.
These poems are all impressive and catchy to read.
"Into the Luodi Step Moon".
- Don Shangguanyi
The veins and rivers flow, driving the horses to Changzhou.
The magpie flies to the mountain and the moon dawns, and the cicadas make noise in the wild wind and autumn.
Shangguanyi (c. January 4, 608 665) was a native of Shaanxian County, Shaanzhou (present-day Sanmenxia, Shaanxi, Henan).
This poem describes the scene when the author passed by the Luoshui River embankment. The whole poem skillfully combines various natural landscapes, and the poet's triumphant mood is particularly vividly reflected through the description of the scenery.
The Luoshui flows far and endlessly into the distance, and I calmly drive my horse along the long embankment of the Luohe River. The dawn is twilight, the moon hangs on the western mountains, the magpie birds come out of the forest, and the cicadas hiss and roar in the wild morning breeze in early autumn.
"Jade Rank Resentment".
—Don Leebai
The jade step is white dew, and the night invades Luo socks for a long time.
But under the crystal curtain, looking at the autumn moon.
Dew rose on the jade steps, and after a long time of independence in the middle of the night, the dew soaked the socks. I went back to the room and put down the crystal curtain, still looking at the exquisite autumn moon through the curtain.
This poem describes the loneliness and melancholy of a noble lady whose beloved has not returned for a long time, and is still looking forward to it until late at night. A lonely woman, waiting for the return of her beloved under the moon but never fruitless, the loneliness and sadness are vividly embodied.
"Book Matters".
- Don Wangwei
Light Yin Pavilion light rain, deep courtyard open daytime.
Sit and look at the moss, and want to come to the clothes.
The drizzle stopped at the beginning, and the sky was still slightly cloudy. Even during the day, I didn't bother to open the courtyard door. Sit back and look at the moss, the lovely green color is almost dyeing people's clothes.
In the poet's pen, the small courtyard, the drizzle, and the moss are all full of fun, interesting to read, and full of charm.
"Sitting Alone on Jingting Mountain".
—Don Leebai
The birds flew high, and the lonely clouds went alone.
I don't get tired of seeing each other, only Jingting Mountain.
The birds flew high, and the lonely clouds went alone", the birds and white clouds did not want to stay, and slowly went away. It reflects the scene of the author sitting alone in the mountains, with no obstacles and leisurely affection.
The flock of birds flies high without a trace, and the lonely clouds go alone and leisurely. We didn't feel satisfied when we looked at each other, it was just me and Jingting Mountain in front of us.
"What I See in the Book of Boat Night".
-- Clearing, investigating and prudence
The moon is dark and you see the fishing lantern, and the lonely light is a little firefly.
The breeze is full of stars.
Cha Shenxing (1650-1727) was a poet of the Qing Dynasty and the ancestor of the famous contemporary writer Jin Yong. The first name is Silian, the word Xia Chong, the number Chatian; After changing his name to Shen Xing, the word repentance, the number of his mountain, the number of smoke wave fishermen, in his later years, he lived in the early white hermitage, so it is also called the first white.
There was no moon in the dark night, only the light on the fishing boat, the lonely light in the vast night, like a firefly. The breeze gusted, the river was flooded with waves, the glimmer of fishing lanterns spread out on the water, and the river seemed to be scattered with countless stars.
The fishing fire reflected in the water turned into a sky full of stars, and in the dark night, a little fishing fire, one black and one bright, stark contrast. It's full of pictures to read.
"Looking for Hu Yinjun".
- Ming Gao Qi
Crossing the water and crossing the water, looking at the flowers and looking at the flowers.
On the road of the Chunfeng River, I didn't feel the Jun family.
Gao Qi (1336 1373) Han nationality, a native of Suzhou, Jiangsu, a famous poet in the late Yuan Dynasty and early Ming Dynasty, was known as the "Four Masters of Wuzhong" with Yang Ji, Zhang Yu and Xu Ben, and was also known as the "Ten Friends of Beiguo" with Wang Xing. The word Jidi, No. Chaxuan, Pingjiang Road (Ming changed to Suzhou Mansion) Changzhou County (now Suzhou City, Jiangsu Province) native.
Crossing a water is still a water, and after watching a heavy flower is still a heavy flower. The spring breeze blows on the river, and before you know it, you will arrive at Jun's house.
In today's words, there is a scene in the heart, and there is a scene everywhere.
Flowing water, flowers, spring breeze, paths, ordinary scenery constitute a picture of spring scenery in the south of the Yangtze River under the poet's pen, which makes people overwhelmed. It reflects the poet's brisk and leisurely mood.
"The Book of the Jingshi Family".
- Ming Yuan Kai
The river is 3,000 miles, and the family letter is fifteen lines.
There is no other word, only to return to the hometown early.
Yuan Kai, the year of birth and death is unknown, the word Jingwen, the number Haisuo, a poet in the early Ming Dynasty, is famous for the poem "Baiyan", known as Yuan Baiyan.
This poem is a homesick poem.
The river is 3,000 miles long, and the family letter is 15 lines long. It reflects the poet's longing for his hometown.
Pillow Stone - Ming Gao Panlong.
The heart is pure and pure, and the body is light with the white clouds.
Lonely deep mountain twilight, faintly hear the sound of bell chime.
My heart is as pure as flowing water, and my body is as light as a cloud.
I reveled in the enchanting evening scene, and heard only the faint chime of the chime.
Gao Panlong (1562-1626) was a writer and politician in the Ming Dynasty, and one of the Eight Gentlemen of Donglin. The first word cloud is from, and the word is saved, alias Jingyi. Nanzhili Wuxi (now Jiangsu) people.
"Quatrain".
- Yuan Wang Tingyun
Bamboo shadows and poems are thin, and plum blossoms are fragrant in dreams.
Pity tonight and the moon, and refuse to get out of the West Chamber.
The thin bamboo shadow and poetry, the fragrance of plum blossoms accompany me into dreams.
It's a pity that my mood is like the moon tonight, and I refuse to set in the West Wing.
Wang Tingyun (1151-1202) was a writer, calligrapher and painter of the Jin Dynasty. The word end, the name Huanghua Mountain Lord, Huanghua Old Man, Huanghua Laozi, alias Xuexi.
"Sending Inside".
- Song Kong Pingzhong
Let's talk about the scene on the way, and then I know what to do.
There are few pedestrians in the twilight, and the wind and snow are deep in the mountains.
Kong Pingzhong, born in the fourth year of Qingli (1044), is the father of Yi, and his brothers Kong Wenzhong and Kong Wuzhong. In the second year of Zhiping (1065), he was awarded the main book of Fenning (now Xiushui, Jiangxi) County.
I'll try to talk about the scenery during the journey, so that you can know how I feel after parting with you.
The sunset is in the west, the twilight is vast, there are few pedestrians on the road, and the wind and snow are misty in the depths of the chaotic mountains, and it is bleak and lonely.
This poem was written on the poet's journey to Huizhou and was written to his wife. The mood of farewell is fully and implicitly expressed in the poem.
Taking the scenery on the way, seeing the parting after seeing the parting, this is the most commonly used lyrical method in ancient poetry. Reflecting the mood with scenery, the same scenery is a different taste in the eyes of different people.
"In the Mountains".
—Don Wangbo
The Yangtze River has been stagnant, and thousands of miles will return.
The situation is high and windy, and the yellow leaves of the mountains are flying.
The Yangtze River is rolling eastward, and I have been stranded for too long. My hometown is thousands of miles away, and I miss it all the time. What's more, the autumn wind has been blowing strongly, and the mountains are scattered with withered yellow autumn leaves.
This is a small poem that expresses homesickness. The poet uses the scenery to express a sad and strong momentum.
The Yangtze River has been stagnation", literally understood as a long-term stay on the Yangtze River and lamented, the poet saw the Yangtze River in the east of Shuzhongshan, touching the long-term stay in a foreign land.
"People Think of Returning Every Day".
- Sui Xue Daoheng
It's only been seven days since spring, and it's been two years since I left home.
After the people return to the geese, they think in front of the flowers.
Xue Daoheng (540 609) was a poet of the Sui Dynasty. The word Xuanqing. Han nationality, a native of Fenyin, Hedong (now Wanrong, Shanxi). Lishi Northern Qi and Northern Zhou. After the establishment of the Sui Dynasty, he served as a waiter in the internal history, and added the three divisions of the Fuyi.
It's been seven days since the beginning of spring, and it's been two years since I left home. The day of going home is about to fall after the flock of geese flying north in the spring back to the earth, but the idea of going home is there before the spring flowers bloom.
"The edict asks what is the poem in the mountains to answer".
——Tao Hongjing, Northern and Southern Dynasties
There is nothing in the mountains, and there are many white clouds on the mountains.
can only be self-pleased, unbearable to hold the gift.
You ask me what I have in the mountains.
Then I will tell you, there are only white clouds in this mountain, and I have white clouds.
Only in the mountains do I have it, and as long as I see it, I feel good.
So I won't and can't give it to you.
The edict asks all the poems in the mountains to answer" is a poem written by Tao Hongjing in response to the emperor's edict after his seclusion, which expresses the author's feelings of being born lofty.
Tao Hongjing, a native of Danyang Moling (now Nanjing, Jiangsu) during the Liang Dynasty of the Southern Dynasty. A famous thinker, known as the "Prime Minister of the Mountains".
"Thoughts on the Border City".
- He Xun, Southern Dynasty
The willow yellow does not spit out the leaves, and the water is green and half mossy.
The border city in spring is moving, and the guest thinks of his hometown.
The willow buds are a little yellow, and they have not yet spit out new leaves; The water turns green and moss grows.
The boundless spring color sprouts in the small city of Biansai, and the thoughts of leisurely guests float from their hometown thousands of miles away.
Liang poet of the Southern Dynasty, the word Zhongyan, a native of Donghai Tan (now Changcheng Town, Cangshan County, Shandong Province), the great-grandson of He Chengtian, the grandson of He Yisun of Song Yuanwailang, and He Xunzi of Qi Taiwei who joined the army in the Chinese army.
Literati throughout the ages have liked to use willow to express their lovesickness. The poet borrowed what he saw in the Tao, and used his words and deeds to express his nostalgia for a long time.
"Twenty-two Members of the Autumn Night".
—Don Wei Yingwu
Huaijun belongs to the autumn night, walking in the cool day.
The pine nuts fall on the empty mountain, and the ghost should not sleep.
I miss you for walking on this late autumn night and sighing about what a cold frosty day.
Thinking that pine nuts are falling in the empty mountains at this moment, the friends who live in seclusion must not be sleeping yet.
Wei Yingwu (737 792) was a Chinese poet of the Tang Dynasty. Han nationality, a native of Chang'an (now Xi'an, Shaanxi). Jingzhao Wannian people (now Xi'an, Shaanxi) poetry style is elegant, famous for landscape idyll, and Liu Zongyuan is called Wei Liu.
"Ancient Meaning".
—Don Choi Kok-suke
Sweep the ** level, and the frost is as bright as snow.
Under the curtain, I can't bear to see the autumn moon.
The moonlight that poured down from the sky, as clear as frost and snow, reflected the steps piled with golden fallen leaves as if they had been swept by a person.
But the girl lowered the curtain and went to play the gonghou, this is because she can't bear to see this beautiful autumn moon again.
Yang Liu Yingchun Jiang Cui Guofu, Tang poet. A native of Wu County (now Suzhou), a native of Shanyin (now Shaoxing, Zhejiang).
"Wang Sun You".
- Xie Hao, Northern and Southern Dynasties
The green grass is like silk, and the miscellaneous trees are red and hairy.
Whether you return or not, you have rested.
The ground is covered with silky green grass, and the trees are full of splendid red flowers, don't say that you don't come back, even if you come back, spring has passed.
If your beloved is not around, no matter how beautiful the scenery is, you can't get into the eyes of the poet.
Xie Hao (464-499): Xuanhui, a native of Yangxia, Chen County (now Taikang County, Henan). The famous landscape poet of the Southern Dynasty Qi, born in the scholar family, is the same clan as Xie Lingyun, and is known as "Xiao Xie".
"Singing in the Night".
- Song Shao Yong
The moon is at the heart of the sky, when the wind comes to the water.
Generally clear, few people know it.
A bright moon rises in the middle of the night sky, and a breeze blows through a pool of blue water. The two same tranquil and elegant artistic conceptions are expected to be appreciated by few people.
The moon to the heart of heaven and the wind to the surface of the water have a different meaning. But not all people can feel this subtle feeling.
Shao Yong (December 25, 1011 - July 5, 1077), the word Yaofu, Zhen Kangjie, a famous physicist, mathematician, and poet in the Northern Song Dynasty, was born in Shanggangzhuang, Linxian County (now Shaokang Village, Liujiajie Village, Linzhou City, Henan, and was born in Fanyang, now Dashao Village, Zhuozhou, Hebei), and Zhou Dunyi, Zhang Zai, Cheng Hao, and Cheng Yi are called "the five sons of the Northern Song Dynasty". He was a philosopher and scholar of the Northern Song Dynasty, and had the reputation of being an inner saint and an outer king.
"Miscellaneous Poems in the Mountains".
- Wu Jun of the Northern and Southern Dynasties
The smoke comes from the mountains, and the sunset is seen in the bamboo.
Birds fly up the eaves, clouds come out of the windows.
Where the mountain meets the sky, there are clouds and smoke, and you can see the sunset from the gap in the bamboo forest. The birds flew happily towards the eaves, and the white clouds floated softly out of the windows.
This little poem describes the scene of a small mountain village, full of charm, like a sketch.
Wu Jun (469-520), the character Shuzhen. Liang historian of the Southern Dynasty, literary scholar, and the main book of the official Wu Xing.
"Spring River Flower Moonlit Night".
- Sui Yang Guang
The twilight river is not moving, and the spring flowers are in full bloom.
The waves will go away from the moon, and the tide will bring the stars.
The flowers on both sides of the river are gorgeous, the plants and trees are flourishing, and the spring color of the river is moving and vibrant. The bright moon reflects in the river, and as the sparkling river gently swayes, the passing time is as short as a hundred flowers blooming in spring. The moonlight is shining, reflecting the stone pond very clearly and brightly, and the Huansha people at the water's edge are busy all the time.
It is hard to imagine that such a beautiful poem was actually written by Yang Guang, the emperor of the Sui Dynasty, who was rumored to be extravagant in history. The rhetoric of the whole poem is not gorgeous, simple and plain, but the combination gives people a very aesthetic feeling.
"Birdsong Stream".
- Don Wangwei
People are idle and osmanthus falls, and the night is quiet and the spring mountain is empty.
The moonrise frightens the mountain birds, and the spring stream sings.
Silence, fragrant osmanthus, gently falling. The green mountains and green forests are even more empty. The bright moon rises, alarming several perched mountain birds. Crisp chirp, echoing the empty mountain stream for a long time.
Wang Wei (699 761, a 701-761), a native of Puzhou, Hedong (now Yongji City, Shanxi), ancestral home of Qi County, Shanxi, a famous poet and painter in the Tang Dynasty, the word Maha, the name Maha, known as "Wang Youcheng", because of his belief in Buddhism, there is a "poetry Buddha" said.
"Quatrain".
- Don Du Fu
In the late days, the rivers and mountains are beautiful, and the spring breeze is fragrant with flowers and plants.
The mud melts and flies the swallows, and the sand warms the mandarin ducks.
The rivers and mountains are bathed in spring, how beautiful, and the spring breeze brings the fragrance of flowers and plants. Swallows are busy building their nests in the wet mud, and pairs of mandarin ducks are sleeping on the warm sand.
Through the description of the scenery, the poet highlights the characteristics of the warm sunlight and the prosperity of all things in spring, forming a bright and harmonious spring picture.
"Spring Outing".
—Don Wangbo
There are endless thoughts, and spring tears are doubled.
Today, under the flowers and trees, I don't feel in love with the years.
When I was away from home, my thoughts were chaotic and I couldn't stop, and my tears multiplied during the spring outing.
Today, under the red flowers and green trees, I feel that the years are fleeting.
Spring Dawn" - Don Meng Haoran.
I don't know when I sleep in spring, and I smell birds everywhere.
The sound of wind and rain comes at night, and the flowers fall to know how much.
In the spring, before I know it, the day has dawned, and it is the chirping bird that disturbs my sleep. Last night, the sound of wind and rain continued, and I don't know how much the delicate flower was blown off?
This little poem, the first reading is plain, and after reading it repeatedly, I feel that it is full of fun.
Meng Haoran (689-740), male, Han nationality, poet of the Tang Dynasty. His real name is unknown (one says that he is known as Hao), a native of Xiangyang, Xiangzhou (now Xiangyang, Hubei), and is known as "Meng Xiangyang".
"Ikegami".
- Don Bai Juyi
The little baby propped up the dinghy and secretly picked the white lotus.
I don't understand the hidden traces, and the duckweed opens together.
A child propped up the boat and secretly picked the white lotus and came back. He didn't know how to hide his tracks, and the duckweed on the surface of the water left traces of a boat rowing.
The innocent child went into the lotus pond to steal lotus flowers, thinking that no one knew, but the duckweed that was rowed away by the boat when he left betrayed him, which made people laugh. The child's innocent, naïve, lively and mischievous cute image comes to life and leaps onto the page.
Bai Juyi (772 846), whose name is Lotte, was known as Xiangshan Jushi in his later years, also known as Mr. Zuiyin, a native of Xinzheng, Henan (now Xinzheng City, Zhengzhou, Henan), is a great realist poet of the Tang Dynasty in China and one of the three major poets of the Tang Dynasty.
"Painting".
- Don Wangwei
From afar, the mountains are colored, and the water is silent.
The flowers are still in spring, and the birds are not surprised.
From a distance, the mountains are brightly colored, but when you get closer, you can hear the water but there is no sound. Spring has passed, but there are still many flowers and plants competing for beauty, and people are approaching, but the birds are still not alarmed.
The mountains in the painting have always been verdant, and the flowing water seems to be murmuring but there is no sound of water. The flower on the painting is in full bloom no matter what season it is. The birds in the painting do not fly when they approach.
It seems to be silent better than sound, and it makes people feel full of life when they read it.
"Gangnam".
—Han Anonymous
Jiangnan can pick lotus, lotus leaves He Tiantian.
Fish play among lotus leaves.
Fish play lotus leaf east, fish play lotus leaf west,
Fish play lotus leaf south, fish play lotus leaf north.
You can pick lotus on the water in the south of the Yangtze River, how lush the lotus leaves are, and the fish frolic among the lotus leaves. Fish play on the east side of the lotus leaf, fish game on the west side of the lotus leaf, fish game on the south side of the lotus leaf, fish game on the north side of the lotus leaf.
The endless green lotus leaves, the fish swimming in the lotus leaves, and the laughter of the people picking lotus on the small boat that cut through the lotus pond constitute a beautiful scenery in the south of the Yangtze River!
"Gift Fan Ye Poems".
- Lu Kai of the Northern Wei Dynasty
Fold flowers and send them to Longtou people.
Jiangnan has nothing, talk about giving a spring.
When I met the messenger who went north, I went to fold plum blossoms and asked him to bring them to friends in Longshan. Jiangnan has no better gift to give, let's send a plum blossom to the spring.
Jiangnan has nothing, talk about giving a spring. It not only expresses the spring color of Jiangnan, but also conveys the reluctance to say goodbye to friends.
Lu Kai (?) c. 504), the name Zhijun, the grandson of Lu Qian, was a native of the Northern Wei Dynasty (now Shanjiankou Village, Zhuolu County, Zhangjiakou), and a member of the Xianbei tribe. It is a native of the Northern and Southern Dynasties.
"Bamboo Pavilion".
- Don Wangwei
Sitting alone in the secluded grate, playing the piano and howling.
People in the deep forest don't know, and the bright moon comes to take pictures.
Sitting alone in the quiet bamboo forest, sometimes playing the piano and sometimes howling. Who in the jungle knows I'm here? Only a bright moon quietly accompanies me. People in the deep forest don't know, and the bright moon comes to take pictures.
Secluded fence, deep forest, bright moon, sitting alone, playing the piano, long howling, natural and unremarkable, but depicting the artistic conception of the moonlit night forest, the night is quiet and the silence is integrated, conveying the poet's quiet and indifferent mood, reflecting the quiet and quiet, elegant and vulgar realm.
"Sending the Venerable Master Lingche".
- Don Liu Changqing
Cangcang Bamboo Forest Temple, the bell rings late.
The lotus hat brings the slanting sun, and the green mountains return far away.
In the green bamboo forest temple, there is a far-reaching bell in the evening. Under the reflection of the setting sun, he returned to the green mountains alone and gradually drifted away.
The whole poem expresses the poet's deep friendship with Lingche. Most of the farewells are gloomy and sad, but this farewell poem has an idle artistic conception.
Liu Changqing, a native of Tang Hejian (now Hebei), a native of Xuancheng (now Anhui), Hejian is its county wang, and the word is a scholar.
"Autumn Night Sending Qiu Outside Autumn Night Sending Qiu Twenty-two Members".
—Don Wei Yingwu
Huaijun belongs to the autumn night, walking in the cool day.
The mountain is empty and the pine nuts fall, and the ghost should not sleep.
In this late autumn night, I miss you, take a walk and sigh about this cold frosty day.
Thinking that pine nuts are falling in the empty mountains at this moment, the friends who live in seclusion must not be sleeping yet.
Faint ink, but the language is shallow and deep, concise and long, making people feel the charm of leisurely and endless.
"Early Spring Wild Hope".
—Don Wangbo
The river is white in spring, and the mountain is long and green.
The other country is in the eye, and the flowers and willows reflect the side pavilion.
The river is extremely empty, and the spring tide is flooded with white waves, one wave after another. The mountain peaks stand tall and steep, and in the morning light, the mountains are green. I was alone in a foreign place and looked far away, and saw the pavilion covered by the red flowers and green trees by the river, so a beautiful spring.
This poem describes the mountain scenery and water color in early spring, expressing the wanderer's faint homesickness. Describe spring in the same way as a vista. The whole poem is full of a touch of nostalgia.
"Bi Bang Yi Xiao Si".
—Don Wen Tingjun
Incense lamps accompany residual dreams, and the country of Chu is at the end of the world.
The moon sets and rests, and the garden is full of apricot blossoms.
The lonely lamp accompanies my unfinished dream, and the country of Chu is thousands of miles away from the end of the world. When the moon fell, the cuckoo stopped crying, and I saw that the courtyard was full of apricot blossoms.
The language of this poem is tactful and beautiful, containing a faint joy caused by seeing beautiful scenery when the sorrow calms down a little, and there is a sense of strangeness and loneliness in a foreign land in the seemingly joyful joy.
Wen Tingyun (yún), also known as Wen Tingyun (c. 812-866), was a poet and lyricist of the Tang Dynasty. His real name is Qi, the word Feiqing, Han nationality, Taiyuan Qi County (now southeast of Qi County, Shanxi).
"Sujian Dejiang".
- Don Meng Haoran
Move the boat to park the smoke, and the sunset is new.
The wild sky is low and the trees are low, and Jiang Qingyue is close to people.
The boat was docked on the smoky island, and at dusk, new sorrows came to the hearts of the guests. The wilderness is boundless, the sky is lower than the trees, the river is clear, and the bright moon is close to people.
This is a poem that expresses the thoughts of detention and travel.
The boat docked on the edge of a hazy island in the middle of the river, and the poet was alone in the face of the empty four fields, the river, the cold moon and the lonely boat, which reminded the poet of his past, coupled with the longing for his hometown, and complex emotions came to his heart.
"Autumn Wind Leads".
—Don Yoo Yu-seok
Where is the autumn breeze? Xiao Xiao sent a flock of geese.
Towards the courtyard tree, the lonely guest is the first to hear.
The autumn wind is blowing from **. Xiao Xiao sent flocks of geese. Early in the morning, the autumn wind came to the trees in the court, and the lonely traveler was the first to hear the sound of the autumn wind.
Liu Yuxi lived a long degrading life in the remote south; This poem may have been written in a degraded place, because the autumn wind rose and the geese flew south, and it touched the homesickness of being alone in a foreign land.
The wind blows the trees, the fallen leaves drift away, and the autumn wind has come to the courtyard, and the lonely person is often the first to know.
"Three Miscellaneous Poems: Part II".
- Don Wangwei
If you come from your hometown, you should know about your hometown.
In front of the window in the coming day, the cold plum blossoms?
You have just come from our hometown, and you must know the people and the world in your hometown. When you came, in front of the window of my house with carved patterns, did the plum blossom bloom?
The wanderer has been away from home for a long time, and he can't help but feel homesick. When I met someone from my hometown, I couldn't wait to inquire about family affairs. He cares about a lot of things, but he cares about his wife but doesn't ask about his wife's situation, but asks if the cold plum in front of the window has bloomed, which seems incredible. However, it vividly reflects the poet's eagerness to know the current situation at home and the feeling of homesickness that cannot be returned.
"Le You Yuan, Deng Le You Yuan".
—Don Li Shangyin
Xiang was unwell at night and drove to the ancient plains.
The sunset is infinitely better, just near dusk.
In the evening, I was not in a good mood and drove up the ancient plain. The sunset is infinitely beautiful, but it is close to dusk.
Since ancient times, poets and lyricists have been sentimental and thoughtful, and whenever they climb high and look far away, they are more likely to trigger endless thoughts: the sorrow of their family and country, and the sense of their life experience.
Li Shangyin lived in the late Tang Dynasty, a period of turmoil in the country. Despite his ambitions, Li Shangyin was unable to realize his ambitions, so he felt lost and sad. This poem is also a true portrayal of his emotions.
The sunset is infinitely better, but it is just near dusk", these two poems express Li Shangyin's deep emotion and helplessness about the times.
"Climbing the Stork's Tower".
- Don Wang
At the end of the day, the Yellow River flows into the sea.
If you want to be poor, go to the next level.
The setting sun slowly sinks against the western mountains, and the surging Yellow River rushes towards the East China Sea. If you want to see enough of the scenery for thousands of miles, you have to climb a higher floor.
The extraordinary ambition of the poet in this poem reflects the enterprising spirit of people in the Tang Dynasty.
Wang Zhilian (688-742), a famous poet in the Tang Dynasty, was a native of Jiangzhou (now Xinjiang County, Shanxi) with the name Ji Ling, Han nationality.
"Twenty-three Horse Poems: The Five".
—Don Lee
The desert sand is like snow, and the moon is like a hook.
How to be a golden brain, walk quickly and step on Qingqiu.
Thousands of miles of flat sand, like a layer of white frost and snow in the moonlight. On the continuous Yanshan mountain range, a bright moon is in the sky, like a hook. When will I be appreciated by the emperor and give my horse a bridle made of **, so that I can gallop on the battlefield in autumn and make a contribution?
This poem uses Malay lyricism to express the poet's ardent desire to be unappreciated, but to be eager to realize his ambitions and contribute to the country.
"Plum Blossom Plum".
- Song Wang Anshi
There are a few plums in the corner, and Ling Han opens it alone.
I know that it is not snow, but there is a dark fragrance.
A few plum blossoms in the corner of the wall bloomed alone in the bitter cold. Why do you know that white plum blossoms are not snow when you look at them from afar? Because the plum blossoms faintly came from the fragrance of bursts.
Through the description of plum blossoms, the poet expressed that he was not afraid of the eyes of others, and in the harsh environment, he still stood tall and still insisted on his own beliefs.
In the ninth year of the reign of Emperor Xining of the Song Dynasty, Wang Anshi was deposed for the second time. Disheartened, he abandoned the reforms and retired to Zhongshan. The author's difficult but always self-contained attitude is similar to those plum blossoms that stand proudly in the wind and snow.
"Evening View of the Willow Bridge".
- Don Lu You
Xiaopu heard the fish jumping, and waited for the crane to return in the forest.
Idle clouds do not become rain, so the mountains fly.
On the shore of the creek, you can hear the sound of fish jumping into the water, and the trees crisscross the river, waiting for the white cranes to fly back. A few idle floating clouds are always difficult to converge into a light rain, so they have to stick to the green mountainside and fly slowly.
This poem was written by the poet in his later years when he was at home in Shanyin, writing the scenery "smelling the fish jumping", "waiting for the crane to return", "idle clouds", etc., expressing the faint sorrow of not being idle and unpaid ambition.
It expresses the poet's desire to benefit the people, but the reality makes him helpless to do nothing like idle clouds and wild cranes.
"Lu Chai".
- Don Wangwei
There is no one in the empty mountain, but there is a sound of people's voices.
Return to the deep forest, and revisit the moss.
No one could be seen in the quiet valley, only the voice could be heard. The shadow of the setting sun reflected in the deep forest, and shone on the moss in the darkness.
This is a poem written by the scene. Describe the quiet scenery of Luchai in the evening.
"What I Saw".
- Don Yuanmei
The shepherd boy rode the ox, and the song vibrated the forest.
Intending to catch the cicada, he suddenly closed his mouth.
The shepherd boy rode on the back of the oxen, and the loud song echoed in the forest. Suddenly he wanted to catch the chirping of the tree, so he immediately stopped singing and stood silently beside the tree.
In the poet's pen, the innocent, lively and carefree appearance of the little shepherd boy jumps on the page.
Yuan Mei (1716-1797) was a poet and essayist of the Qing Dynasty. The word Zicai, called Jian Zhai, in his later years, he called himself Cangshan Layman, the owner of Suiyuan, the old man of Suiyuan, and a native of Qiantang (now Hangzhou, Zhejiang).
"Jiang Xue".
—Don Yanagi Sowon
Thousands of mountains and birds fly away, and thousands of people disappear.
Lonely boat, fishing alone in the cold river and snow.
There is no trace of flying birds in thousands of mountains; There are no pedestrians' footprints on thousands of paths. On a lonely boat, a fisherman wearing a hat and a lily coat; Fishing alone in the snowstorm.
After Liu Zongyuan was demoted to Yongzhou, he was mentally depressed. He used the description of landscapes and songs, and the fishermen who lived in seclusion between the mountains and rivers, to express his lofty and arrogant feelings, and to express his depression and distress of political frustration.
"The Hermit Doesn't Meet Sun Ge's Poem on Visiting the Sheep Honored Teacher".
—Don Ja Island
Panasonic asked the boy, and the teacher went to collect medicine.
Only in this mountain, the clouds are deep and do not know where.
Under the pine, I asked the hermit's boy that his master had gone to **? He said that the master had already gone to collect the medicine. He also pointed to the high mountain and said, "It's in this mountain, but the forest is deep and cloudy, and I don't know where he is."
The author searched for the hermit but did not get it, so he asked the hermit's apprentice about this series of processes, and the deep layer implied that the hermit was loose and made friends, rendering the hermit's noble life.
Jia Dao (779 843), Zilang (Lang) Xian, was a poet of the Tang Dynasty. Han nationality, a native of Fanyang County, Youzhou, Hebei Province (now Zhuozhou City, Hebei Province) in the Tang Dynasty.
"Farewell".
- Don Wang
Willow east wind tree, green and green sandwich the river.
Recently, it has been difficult to climb and suffer, and it should be more parting.
In the spring breeze, willow trees show a patch of green along the banks of the river. Recently, it is not so convenient to climb, it should be because there are too many people away.
"Willow" is synonymous with farewell, so when you see willow, it makes people think of parting. The green willow trees are interspersed on both sides of the river, which seems to be tranquil but reflects the poet's reluctance to part with his friends.
"Ask Liu XIX".
Green ant new brew wine, red clay small stove.
If you want snow in the evening, can you drink a glass of nothing?
The pale green rice wine was brewed, and a small stove was burned. It's getting snowy, can you take a look at the humble house and drink a glass of warm wine?
There is no flowery rhetoric in the whole poem, but the words are full of warmth and cheerfulness, and the friendship between the poet and Liu Shijiu is warm and fiery. It is warm and cheerful to read, and it is pleasant to read both physically and mentally.
"Acacia".
- Don Wangwei
Red beans are born in the south, and a few branches are sent in spring.
May you pick more, this thing is the most lovely.
Bright red and round red beans, growing in the sunny south, in the spring season, I don't know how many more? I hope that the people who miss will collect more, and the little red beans will attract lovesickness.
The author expresses the emotions vividly and vividly through the description of red beans, which is subtle and euphemistic.
The master of Furong Mountain in the snow
- Don Liu Changqing
The mountains are far away at dusk, and the white houses are poor in the cold weather.
Chaimen heard the dog barking, and returned to the people on a snowy night.
As twilight fell, the mountains became more and more farther away, and the thatched huts seemed poorer in cold weather. Suddenly there was a sound of dogs barking outside the chaimen, and the family who had returned to the house on a snowy night had returned.
The poem depicts a picture of returning home on a snowy night. From what travelers feel when they travel on the mountain road at dusk, what they see when they arrive at the host's house, and then what they hear at the host's house after nightfall. Although the characters are not explicitly written, they are directly lyrical, but when they are read, they feel that they are about to come out, and their feelings emerge on the page.
"Overnight Stay at the Mountain Temple".
—Don Leebai
The dangerous building is 100 feet high, and you can pick the stars by hand.
I dare not raise my voice, for fear of frightening the people in heaven.
The tall buildings of the temple on the mountain are so tall that they seem to be 100 feet tall, and it seems that people on the upper floor can pluck the stars in the sky with their hands. Standing here, I didn't dare to speak out loud for fear of alarming the gods in the sky.
The poet uses exaggerated techniques to set off the towering clouds of the mountain temple. The words lead the reader's aesthetic gaze to the starry sky, arousing people's yearning for the towering "dangerous building".
"Sitting Alone on Jingting Mountain".
—Don Leebai
The birds flew high, and the lonely clouds went alone.
I don't get tired of seeing each other, only Jingting Mountain.
The flock of birds flies high without a trace, and the lonely clouds go alone and leisurely. We didn't feel satisfied when we looked at each other, it was just me and Jingting Mountain in front of us.
The birds that flew away, the clouds that drifted away, left only the poet sitting alone and the wordless Jingting Mountain. It is the emotional embodiment of loneliness and loneliness that the poet has with his talents. 、
"The Fisherman on the River".
- Song Fan Zhongyan
People come and go on the river, but love the beauty of sea bass.
Jun looks at a leaf boat, haunted by the turmoil.
People who come and go on the river only love the delicious taste of sea bass. Look at the poor fishermen, who are tossing and turning in their boats in the wind and waves.
No one pays attention to the hardships of the fishermen, and people only notice the deliciousness of the sea bass, but ignore the efforts of the fishermen.
The charm of the five-character poem lies in its simplicity and vividness, and the few words can convey deep emotions and artistic conceptions. It's both catchy and thought-provoking to read.
What other five-character poems do you know, welcome to leave a message to communicate.