The domestic sequel is so magical, why bother to shoot it again?

Mondo games Updated on 2024-03-04

As a sword that has been eaten.

One and three viewers of this good meal, after suffering from the continuous bombardment of two bad dramas, four and six, I came to the following conclusion:

I'm not afraid that a good drama is not popular enough, but I'm afraid that the sequel will be too annoying.

I thought I was already a strong man who had "read countless films", but I still couldn't help but "look up to the sky and howl" when encountering the following situations:

Good dramas start high and go low, bad actors' acting skills affect perception, the drama is taken off the shelves before it is finished, plagiarism is done in a patchwork of things, and word-of-mouth masterpieces are big hits, and they are full of expectations for a sequel, but the dog's tail continues to mink, which is surprisingly rotten.

In the past 20 years, there have been many domestic masterpieces with sequels.

For example, in the early days, there were"Family with Children", "Six Groups of Serious Cases", "The Story of the Cooking Class".

If you put it closer, you have"Langya Bang", "Ode to Joy", "Big River".

Although there are many sequels that continue the glory of the first part and push the entire series to a new peak of word-of-mouth, there are also many who go crazy, destroy the character design, and lower the overall reputation.

For example, the sequels of "Ode to Joy", "Forensic Qin Ming" and "Heartless Mage", compared with the word-of-mouth score of the first part, are simply miserable.

Some works, obviously the plot of the first part is complete and brilliant enough, but why do you want to release a sequel?

And why are some viewers particularly resistant to a sequel to a good drama?

Today, let's start from the perspective of why the sequel is released, whether it is necessary, the reasons for the collapse of the sequel and how to avoid pulling the crotch

Let's talk about the sequel of domestic dramas.

There are actually many factors that affect the launch of sequels in domestic dramas:

One is that the drama itself is adapted from ** or anime, and the content of only one is not enough to finish the original work.

And most producers won the adaptation rights of the entire series of the original book when they signed the contract.

If the original work is hot, even if the first part of the drama is a bit of a hit, there is a probability that the sequel will continue before the contract expires.

is like "Fighting Horses, Terrifying", which is so bad that it is almost ridiculed by the whole network.

As for the reputation of the first film, which was ridiculed out of the circle, the filmmaker dared to make a sequel.

They are the courage to come!

Is it in the company's all-day ** Liang Jingru's "Courage"?

I still gave too much money when I signed the contract, so I simply broke the jar and broke it to see if I could hit the bottom**.

Under the backdrop of this drama, the first season of the anime, which was also ridiculed, as well as the adaptation of the same period, can be "proudly" said:

Hey, sprinkle water, it's reasonable

The behavior of the drama party of "Dou Po" can be called "boundless love and selfless dedication".

In addition to "Qingyunzhi", "Notes on Tomb Robbery" and "Douluo Continent", this kind of drama that blindly relies on the popularity of the original work to make a sequel.

There is also the first one with a good reputation, and the producer clearly rubs the heat traffic.

For example, "Forensic Qin Ming", "River God" and "Heartless Mage".

This is not difficult to understand, after all, the market has always been in a state of oversupply, more monks and less porridge.

The audience's energy and time to watch the drama are limited, and it is rare for a work to be popular, and the producer will naturally not let go of this popularity and high traffic.

And there are many sequels to works that are separate story content, so if you don't watch it, you won't be affected.

The first season of "Ode to Joy", which was launched in 2016, has a really good reputation.

As a work focusing on female group portraits, it tells the story of five women with different backgrounds and personalities running into each other, growing and transforming.

With the pioneering and freshness of the all-female protagonist, the show was a wave of female dividends at that time.

But since the second part, he has inexplicably embarked on the road of the protagonist's character collapse, the plot is flooded, and the reputation is self-destructed.

The original focus of the story has also shifted from women's independence and self-improvement to vulgar emotional entanglements.

Coupled with a large number of advertising placements, it completely destroyed the audience's perception, resulting in the entire series of word-of-mouth**.

In addition to the above points, one of the other reasons that prompted the filmmaker to launch a sequel is the original script, which is not finished.

And the audience who has eaten a good meal is urging more such masterpieces every day, looking forward to quickly completing the character story or world view.

For example, in 2022, two dark horse hit dramas, "Crime Hunting Guide" and "Tang Dynasty Legends".

Let's talk about the "Crime Hunting Guide" first.

When I saw the configuration of the protagonist of this play, I felt like I was suddenly out of this world.

After all, before that, my impression of the two-male lead drama was still stuck in the 20-year-old "** Detective" and "Sideburns Are Not Begonia Red".

Although "Crime Hunting Guide" focuses on two male protagonists, it is essentially an original group drama.

Every case in the play, the characters involved, no matter which side they are, are very distinct.

Especially Shen Yi, one of the male protagonists, is a complex character with a strong sense of contrast, gentle and arrogant.

It makes people want to ** the story and secret behind him.

plus the mysterious woman and the organization behind it that have not been explained in detail in the drama, as well as the tail left at the end of the first season.

At that time, countless netizens, including me, were very much looking forward to a second season to fill the hole, and even launch more sequels later.

After all, in recent years, there have been very few masterpieces of criminal investigation that can be watched!

As for "Tang Dynasty Legends", it can almost be regarded as an online drama that will be on the list in the past two years.

Whether it is the portrayal of the characters in the group drama, or the treacherous twists and turns of the case, the dark tide between the forces of all parties is surging.

or the chic and smooth martial arts scenes, the restoration of the scenery and costumes of the prosperous Tang Dynasty in the background of the story.

"Tang Wei" has no obvious flaws, and it is worth keeping fans thinking about.

Looking forward to my explanation, you might as well support a wave in the comment area with practical actions.

Now the second season of the show has entered the late stage, and according to reports from all parties, it may be released this summer.

And what I'm most concerned about at the moment is:

Director! Can the second season be cut and broadcast at the same time, and it will be broadcast early!

There is also the first. Third, fourth, when will the fifth, sixth, seventh, and eighth seasons start filming!

But in order to avoid the higher the expectations, the greater the disappointment, I decided to lower the expectations of all the unaired sequels a little more.

After all, today's domestic dramas, compared with a single finished work, are easy to start high and go low, and it is common for sequels to be unfinished.

The reasons for this phenomenon are also complex and diverse.

Next, let's talk about it:

What are the reasons for the unfinished sequel of domestic dramas, and how to avoid unfinished plays.

If there are unmentioned influencing factors and solutions, friends are welcome to communicate and supplement in the comment area

First of all, it is difficult for the original team to gather.

The actors of the sequel, especially the core protagonist group, have changed their names without changing their names, which is definitely the most difficult point for the majority of audiences to accept.

In a sequel created on the basis of the plot of the previous work, once the actors change, it will make the original story and characters have a sense of detachment.

The best examples are "River God 2" and "Forensic Qin Ming 2".

Before the filming of "River God 2" started, the male protagonist of the first season, Li Xian, was unable to participate due to poor physical condition, so he chose to be played by Jin Shijia.

In the first season, the emotional line of the four-person team was already very full, although only the male protagonist was replaced, but most of the audience was more difficult to accept.

When watching the drama, it is difficult to enter the plot, and the emotional drama of the male and female protagonists is even more awkward to watch.

After all, it is still the "Little River God" and "Little Goddess" of the first season, which are too good for the "enemy" CP, so that the audience just wants to see them complete.

Compared with "River God 2", the protagonist group of "Forensic Qin Ming" has been changed more thoroughly.

Starting from the second part, each sequel, it is a big change of blood for all members, and the protagonists are different.

As a result, in the end, it never had the flavor of the trio in the first season!

To this day, my impression of the film and television drama "Forensic Qin Ming" is still stuck in the first season.

It feels like waiting for them to get together again and remake the sequel to "Forensic Qin Ming" is even more distant than when I see the fifth season of "Sherlock" before 2030.

The well-known period series "Dajiang Dahe" is well arranged in terms of casting.

From the first season to the current final season, its protagonist group has always been the original cast.

And there is also a coherence between the stories of the three seasons, and the beginning of each part will connect to the end of the previous one.

Whether it is the character design or the plot, it will not make people feel inexplicably separated, and it is very friendly to the audience's perception and experience of chasing dramas.

and the series "Ode to Joy", which is also produced by Noon Sunshine, although the starring roles in the first three seasons remain the same, the plot is crazy.

It's a pity that word of mouth has collapsed all the way.

The reason why the sequel to domestic dramas often pulls the crotch is another very important point:

That is, in the early stage of production, the producer had no intention of making a sequel at all.

In fact, many domestic dramas started filming sequels after they were broadcast, because of good feedback from the audience.

However, the story and characters of the first season are complete enough in themselves, and the sequel will seem to be more than a snake.

It is not surprising that most of this kind of "pseudo-seasonal" works will be reduced to unfinished projects.

However, sometimes, in addition to the problems of the filmmaker itself, there are also some external force majeure elements that will affect the quality of the sequel.

For example, Pan Yueming starred in the ghost blowing lantern series "Return to the Ruins of the South China Sea".

Or similar, works with more sensitive subject matter.

Due to the restrictions on the content of the shooting, the original plot can only be modified.

Before the broadcast, it is even possible to delete and modify the finished film due to various unexpected circumstances, which will eventually cause the plot to be incoherent.

Anyway, I have been chasing from the first season of the series to the present, and I have the same concept as the majority of netizens about my feelings about "Return to the Ruins of the South China Sea".

Accurate. Yes, but it's a bit ugly.

In fact, domestic audiences have always had a high tolerance for domestic films to be "rotten".

It's not that everyone can't accept the sequel, it's just that there are many works, and the taste of the dog's tail sequel mink is too strong.

Especially for those word-of-mouth dramas, the audience's expectations for the sequel have risen to the ceiling.

As a result, after a long wait of several years, it was only in exchange for disappointment again and again, which left no one annoyed.

If you want to ask me for my opinion on the sequel of the domestic drama, then I can only say that it depends on the situation.

has a good reputation, just let it live in the form of an ending white moonlight.

Don't have a sequel to ruin each other's feelings!

And some dramas are still suitable for a few more seasons.

For example, last year's dark horse hit drama "Under the Prosperous City".

Chinese aesthetics, treacherous and mysterious cases, just 12 episodes are not enough to watch!

The director woke up and got up to write the script for the 2345678 seasons!

What do you think about the sequel of domestic dramas, or what are you looking forward to sequels?

Welcome to communicate with us in the comment area.

That's all for today, and we'll see you tomorrow.

Bye bye !

This article** is from the Internet.

Editor: Fengmo.

Related Pages