As an important musical instrument in ancient China, the copper tripod not only carries profound cultural connotations in history, but also has unique value in the political field. Since the ancient Xia, Shang and Zhou dynasties, the copper tripod has been a symbol of royal power, and its emergence and evolution are closely related to political developments.
First of all, Tongding embodies the orderly social structure of respect and inferiority in politics. In ancient times, tripods were utensils that only nobles could use, and the number and size of tripods represented the identity and status of nobles. The emperor uses nine tripods, the princes use seven tripods, and the ministers use five tripods. This rule makes the tripod a symbol of status and power. The symbolism of the tripod is fully reflected in politics. It strengthens the orderly social order of dignity and inferiority and maintains political stability.
Secondly, the copper tripod carries the sacrificial function of the state politically. In ancient times, the tripod was an indispensable and important utensil in the sacrifice. It carries the reverence for ancestors and gods. Through rituals, rulers can consolidate their dominance and strengthen their spiritual ties with their people. As an important carrier of sacrifice, the tripod not only reflects the close integration of ancient politics and religion, but also demonstrates the ruler's dual control over divine power and royal power.
In addition, Tongding also embodies the unity of the country politically. In ancient times, the tripod was an important weapon of the state, and its casting and use were strictly controlled. The shape, ornament and inscription of the tripod contain rich cultural connotations, and these cultural elements have become the link connecting various regions and ethnic groups. Through the transmission and display of the tripod, the ruler can demonstrate his authority and the unity of the country, and enhance the cohesion and centripetal force of the nation.