The youth-themed TV series "Love for a Long Time" recently ended, and the drama recently entered Peking University to hold a seminar, and discussed the expression characteristics of youth dramas with students, experts and scholars on the spot.
Since its broadcast, "To Love for a Long Time" has been widely discussed because of its unique warm and healing temperament and high degree of real resonance. The series uses a two-line narrative to tell a friendship across time and space, depicting the collision of youthful ideals and cruel realities under the changes of the times, and portraying a group of sincere and valuable youth portraits rich in time weight. The broadcast performance of the show has also performed well, with a significant long-tail effect, and the effective ** volume has exceeded the 1.5 billion mark so far.
The screenwriter of the play, Li Yang and Mu Zixin, believe that the core of this story at the creative level is the comparison and crossing, the hot and cold contrast of the characters' personalities in the play, the comparison of the original family and the comparison of life trajectories, etc., how to draw strength from the memories of the 17-year-old to create a "Truman's world", so that everyone thinks that Huang Yingzi is the promoter of time and the cohesion of the relationship between the characters. The "love" that the play hopes to express is not only the love of friends, romance and family, but also can be understood as a kind of kindness to society.
When reviewing the creative process, producer Yang Chao said frankly that there are many difficulties in the storytelling process of the series, and whether hardcore realism can be established in youth dramas is a problem that the creator has always hoped to solve. Although there were entanglements, in the end, I insisted on injecting the pain points of reality into the play, and put the word-of-mouth support point at the end. In order to clearly present the double-line narrative, the main creator spent three full days stitching together more than 100 plot point interfaces one by one, ensuring the integrity of the foreshadowing and comparison before and after the plot. This allows the final reversal plot of the show to be based on evidence, and brings the most unexpected ** effect.
Zhang Dexiang, vice chairman and professor of the China Literature and Art Critics Association, believes that the play truly captures the social environment, social background and atmosphere of the times in the growth process of the "post-90s" generation, and sincerely shows the growth process of this generation.
Comprehensive Beijing News Network, China Youth Network).