Removing the Three Evils Around the World is deeply involved in a plagiarism storm, why is the rep

Mondo Culture Updated on 2024-03-06

Recently, there have been some doubts about the plagiarism of the movie "Removing the Three Evils Around the World" on the Internet. Director Qian Renhao** Huang Jingfu plagiarized his script "Lawless".

However, despite the plagiarism accusations, the film still gained a high reputation and popularity among the audience. So why did the film stand out from the controversy?

First, the credit of the Spring Festival stalls.

The Spring Festival is one of the first schedules in the Chinese film market, and the audience's demand for movies is very high. Compared with other Spring Festival movies, "Removing the Three Evils Around the Week" has more advantages in quality and content, so it has attracted the attention of a large number of audiences.

Second, the impact of audit and scale.

Audiences have long been dissatisfied with film censorship and scale. "Removing the Three Evils Around the World" is relatively loose in this regard, bringing some novel perceptions to the audience, so it has been recognized by the audience.

3. The psychological expectations of the audience.

Due to the unsatisfactory overall quality of Spring Festival movies, the audience's psychological expectations have decreased accordingly. In this case, the appearance of "Removing the Three Evils Around the Week" surprised the audience, thus giving a high evaluation.

Fourth, the inflated score and controversy.

Although the film's rating may be somewhat inflated, it also reflects the audience's desire for good work. At the same time, the controversial nature of the film has also attracted more people's attention, further boosting its popularity.

Although "Removing the Three Evils Everywhere" is caught in a plagiarism storm, it still has achieved a high reputation and popularity under the combined effect of the advantages of the Spring Festival file, the influence of review and scale, the psychological expectations of the audience, and the inflated and controversial scores.

For domestic films, we need more good works, and at the same time, we also need to learn from excellent works and constantly improve our own level.

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