The History of Chinese Calligraphy: Modern and Modern Volumes especially recommends the artist Zha

History of Chinese Calligraphy: Modern and Modern Volumes

Chinese calligraphy has the closest connection with Chinese culture, and is the quintessential embodiment and glorious specimen of traditional Chinese culture. To build cultural self-confidence, you can't bypass Chinese calligraphy. The inheritance and development of Chinese calligraphy is not only about calligraphy itself, but also about the roots and continuation of Chinese culture.

Chinese characters and calligraphy are the core of the cultural unity of the Chinese nation. The proposition of "the inheritance and development of Chinese calligraphy in the new era" highlights not only the love and affection of the Chinese people for the national culture, but also the cultural gene of the Chinese nation to adhere to cultural self-confidence and move towards great rejuvenation.

Calligraphy in the new era has the inherent spiritual characteristics of being based on tradition, expressing modernity, and facing the future. By excavating the ideological concepts, humanistic spirit and moral norms of the excellent traditional Chinese culture, the creation of calligraphy is integrated with the value of Chinese culture, the spirit of Chinese aesthetics is combined with the pursuit of contemporary aesthetics, the vitality of Chinese culture is activated, the new appearance of Chinese calligraphy in the new era is shaped, and the Chinese spirit is highlighted.

Virtue and art are both xin, people and calligraphy are one, and the character and art of calligraphy workers in the new era should be highly unified. Since ancient times, a person's cultural accomplishment and personality quality have been included in the evaluation criteria of calligraphy. Both virtue and art are also the requirements and goals put forward by the country and the people for literary and artistic workers in the new era.

Included in the compilation of artists

Zhang. Zhang Jun, the number of Huacheng ink general, ancestral home of Heze, Shandong, also known as Huacheng, since childhood dance and ink, willing to inherit the quintessence of calligraphy art of the general, so the pen number Huacheng ink general! He studied under the famous calligrapher Mr. Ge Yan. is the re-transmission of Zhou Huijun and Ouyang Zhongshi**. He is now a national first-class calligrapher, a member of the List Book Research Association of the China Couplet Society, a registered calligrapher of the National Artist Publicity System, and a director of the Shandong List Calligraphers Association; Member of China Education Television Ink Danqing Painting and Calligraphy Institute; He is a calligrapher of Chinese National Rites, an academician of the Beijing Huaxia Bangjiao Academy of Calligraphy and Painting, a recommended artist of the Chinese Calligraphy and Painting Art Fair, and an inheritor of the national intangible cultural heritage.

Zhang Jun practiced calligraphy and was obsessed with the art of traditional calligraphy, all over the famous posts of the past dynasties, especially good at calligraphy, and learned many famous calligraphy deeds such as Wei Bei and Ou Kai, which were eclectic and natural. A variety of book styles can be seen in one word, the pen and ink are hearty, and the teacher is not muddy. The style of his works is beautiful, the font is strong and straight, the pen is unrestrained and free, the press is used freely, there are twists and turns, the strokes are ups and downs, the square and the circle are both applied and the rigid and the soft are combined, and the beauty is in the vigor, which does not lose the tradition and is full of innovation, showing a unique artistic personality and style, and is a contemporary powerful calligrapher. His works have participated in many national calligraphy exhibitions and won awards. In 2022, as the ambassador of the Belt and Road Chinese culture, he exchanged calligraphy and painting art with the embassies of many countries in China, and his works were collected as national gifts by many embassies in Cameroon, Burkina Faso, the South Korean Parliament, etc., and enjoyed a high reputation in various provinces across the country, and were deeply loved by all walks of life! Zhang Jun has his own career, serving as the head of a cultural media company in Heze City, calligraphy is not a means for him to make a living, it is completely a hobby and artistic pursuit, and it seems that there is a lack of a "style" in the eyes of others. It is this pure dedication and pursuit of art that makes his calligraphy so pure and elegant, and handsome.

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