"Removing the Three Evils Around the World" finally went to see it! After reading it, the biggest feeling is that after the knife was stabbed, the blood flowed, and the upstairs fell down, aren't these people afraid of pain at all? All Iron Man .....
The following may involve some spoilers, so you can choose to be practical.
Sauce Sauce Zi combed through her movie-watching memories.
In the first chase, Chen Guilin, played by Ruan Jingtian, and Chen Gray, a policeman played by Li Liren, fell from the third floor and did not continue to fight at all.
After Chen Shen was hit in the eyeball, his combat power only dropped by one square, and he was still very brave.
But only this grid of electricity was missing, and Chen Guilin, who was still full of electricity, escaped. Chen Guilin, who was running all the way, showed an arrogant expression, not at all like a person who had just fallen from the third floor.
I have to say that the hand-to-hand combat scene in front is quite exciting.
The second hand-to-hand fight was very close to the third, first Chen Guilin, Chen Shen and Aberdeen played by Yuan Fuhua in a three-person brawl, and then Chen Guilin stabbed Aberdeen.
All kinds of high-altitude falls, not to mention hitting. Chan Kwai was inserted into his abdomen with a steel nail by Aberdeen.
After that, Chen Guilin took Xiaomei to the beach casually and chatted casually.
A whole day later, a steel nail as long as a pen was pulled out by Chen Guilin with his bare hands in the hotel, and blood flowed all over the ground.
The most outrageous thing is the scene in the mourning hall. After being stabbed in the waist by a believer, he was put into a coffin along with another corpse and buried by the sea.
A miraculous turn came, Chen Guilin actually endured the knife wound and kicked the coffin open. Thinking of killing Bill, he directly broke open the coffin with his fist.
There was not a drop of blood on his body, and he didn't even bandage it, so he rushed directly into the mourning hall to eliminate the harm. Those who don't know think that His Holiness has really appeared and given him an immortal body.
There is also Venerable Lin Luhe, after being pierced through the palm of Chen Guilin and the bullet was shot into the chest, except for a slight panic at the beginning, there was no pain during the whole process. He continued to defend himself calmly, and did not want to escape.
It stands to reason that this kind of ** leader is the most afraid of death.
As a result, a man and a woman are so dead, and the director is quite unreasonable. Is it to highlight that they have been completely ** by their own minds?
In addition, Aberdeen's younger brother laughed at Xiaomei, and his head was smashed seven or eight times by a wine bottle, and the glass shattered to the ground. That is, I shed a little blood, wiped what to do.
To say that the director doesn't care much about these details, in the hair salon, after Aberdeen scratched Chen Guilin with a razor, the wound looked like it had been stitched up again.
If you think about it, these are understandable.
"Around" has an extremely violent coolness, logic when Chen Guilin mows the grass without scruples and shoots people alive, and he can't experience the thrill of revenge and evil in real life.
It's like, there are netizens who commented on the famous scene of shooting: This shot has a refreshing feeling that I have gone to work and smacked my colleagues....
Don't believe it, let's think about it carefully, how many popular dramas and movies in recent years are not cool movies? This time, dressed in the cloak of a "gangster film".
The visual violence, the successive physical injuries, and the repeated emphasis on the pain and the instant forgetfulness make up the negative energy that erupts throughout the film—the confrontation between the unsparing evil and the "unrighteous righteousness" that kills everything, almost throughout the beginning and end, presenting a struggle between black and gray.
Putting aside the possible assumptions of these directors, if such details can be portrayed a little more, and some more reasonable foreshadowing can be added, the movie will be much more reasonable and fuller.
But the length of the movie is limited, and the rhythm may become bloated because of the addition of a sentence, a shot, and an expression that conveys motivation, which will be the choice of most movies that are more modest. If a good movie wants to jump out, sometimes you don't have to think about so much logic.
"Removing the Three Evils Everywhere" is a cool film, the male protagonist is like opening a golden finger, killing and killing smoothly all the way, the audience is easy to be emotionally driven, and those obvious loopholes can be ignored.
For example, getting up from a coffin, it seems to be still nailed to the coffin, it must be outrageous in a realistic movie, but in this movie, you will only feel that "it has finally come out", and then the headshot scene will be staged, and this cool feeling is consistent.
Looking back on the movies released over the years, there are almost no story elements of "countering violence with violence and punishing evil with evil", let alone the refreshing scenes involving "destroying the door"...
Now the movie-watching environment is like this, a certain movie makes them cool, and the evaluation of the movie seems to be infinitely higher and doesn't care about anything.
The director obviously understands this truth very well.