[Art Resume].
Liu Fuqiao, alias Zhu Zhai, such as Rutang, Shenglian Zhai, famous calligrapher and painter; Critic of painting and calligraphy theory; Member of Chinese Calligraphers Association; National first-class artist; Researcher of the Calligraphy Court of the China National Academy of Painting, Mr. Shen Peng**, President of Shen Peng Calligraphy Art Research Institute; Vice President of China Helu Temple Zenlin Painting and Calligraphy Art Research Institute; The most beautiful artist in the country to support rural construction. In poetry, calligraphy and painting, Zen calligraphy and painting have profound attainments. His works have won the first prize of the National Yan Zhenqing Calligraphy Competition held by the China Calligraphy Association, participated in more than 40 national exhibitions, and won more than 20 awards. His works have been collected by Peking University, Tsinghua University, National Art Museum of China, etc., and have been published in "Contemporary Famous Liu Fuqiao Calligraphy Collection" and "Liu Fuqiao Calligraphy and Painting Collection".
Hito-kun Fukuhashi: It's good to be close!
My book fair "It's not too late to hear the word" has attracted your attention, and I have read your poems, I feel that you have never stopped learning and thinking, so you are always making progress and reflecting the value of life. There are a lot of wonderful couplets in the first five ancient and twelve lines of the article, which not only melt away the clumsy thoughts, but also show your thoughtfulness. I don't have many poems and books now, and I have new paintings in the appendix.
Lan, a song, please:
Painting Orchid" is said to be "skimming" the leaves are floating, and the bottom of the pen is fragrant and the sky is wide. If it is not fragrant from the flowers and plants, how can the colored paper be happy.
Explore the personalized road of inscription and inscription
Liu Fuqiao's calligraphy.
In the elite group of Shen Peng's calligraphy class of the China National Academy of Painting, Liu Fuqiao is one of the people who has received Mr. Shen Peng's keen attention and encouragement. This makes Liu Fuqiao undoubtedly feel more pressure and motivation than other members of the elite class. In recent years, he has gone deep into the ancient posts and innovated in the past. Carefully comprehend the ancient calligraphy theories and thoughts, diligent in thinking and creating, and become better in calligraphy creation.
Liu Fuqiao has always focused on rational thinking in his calligraphy creation, which frees his calligraphy creation from blindness, which is prominently reflected in the expression of his calligraphy style and personality. He does not follow the vassal fashion, but in the in-depth study of the tradition, and strive to achieve a thorough understanding, Liu Fuqiao calligraphy fusion tablet in a ye, the pursuit of the aesthetic performance of the soul of the tablet, its outstanding thing is that he is not in the general to do the simple grafting of the tablet, but the beginning and end of the monument in the post and highlight their own personality. He integrated the fun of Han Jian, the backbone of Wei Bei, and the Taoist charm of Tixue, showing the beauty of robustness and grace. Liu Fuqiao's creative practice shows that he has a comprehensive and in-depth insight and understanding of the integration of modern and contemporary inscriptions, and pursues it with his own understanding, a way of personalized expression. In the modern aesthetic trend of inscription integration, the two aesthetic value orientations are composed of two major aesthetic value orientations.
Phosphorus often sticks to the position of stele and focuses on the poor who study stele with post, such as Kang Youwei, Shen Zengzhi, etcThose who use the stele to melt the stele hold a harmonious and open position on the stele, and are not limited to the stele to self-limit, such as Zheng Xiaoxu, Yu Youren, Sha Menghai, Wang Yuchang, Guo Moruo, etc. The above two major schools of calligraphy, each has its own extreme, but one is to seek the spirit of the stele temperament, so although the calligraphy is intermittently fused with the study of the post, and especially the shape of the stele, the other is to maintain the spiritual core of the stele, and the pursuit of the shape of the stele is wantonly, to the contemporary, with the dissipation of the main tide of the stele integration and the loss of the spirit of the stele, the fusion of the stele has appeared alienation and regression. That is, the weakening of the spirit of stele in the fusion of steles. In other words, the fusion of steles has lost the original spirit of stele fusion. As a result, it is manifested in the creation of calligraphy, which presents a bipolar situation. It is not blindly strong, with brute force to express the so-called stele momentum, is the integration of the stele between the steles, the kind of Kang Youwei, Yu Youren, Sha Menghai, Guo Moruo, Lu Weizhao's pen to show the beauty of the vasive, graceful stele bones and souls can no longer be dreamed, this seems to be no longer a simple calligraphy skills problem, but a calligraphy ideological history problem. It suggests that the study of epigraphy and the integration of epigraphy and inscription must be subjectively reflected on from the cultivation of the mind and the inner life of the individual, otherwise it will be formalized and technological.
Liu Fuqiao is a self-disciplined man who views calligraphy from a cultural standpoint, thus making calligraphy a part of his own cultural cultivation. At the same time, he also cultivates his own calligraphy creation with cultural cultivation, so that his calligraphy creation reflects the pursuit of distinct literati value. On the other hand, his unique insight into the history of books enabled Liu Fuqiao to embark on a personalized interpretation path in terms of the integration of inscriptions and inscriptions. He did not follow the habits of the times, blindly recklessly recklessly in the one-dimensional stele learning orientation, nor did he fall into an embarrassment in the double integration of steles and posters, but devoted himself to the integration of steles and posters with a harmonious aesthetic thinking, which enabled his calligraphy creation to get rid of the habits and rigidity of the times and reflect the paradigm of personalized style. More importantly, on the road of calligraphy creation, he has embarked on a self-path.
The art of calligraphy of a successful calligrapher is not only in writing, but also in the extra-character skills, and an excellent calligraphy work should be the external manifestation of the author's cultural temperament, personality experience, and comprehensive quality. Liu Fuqiao attaches great importance to the cultivation of merit outside the words, he is erudite and versatile, and has high attainments in poetry, calligraphy, painting, printing, calligraphy and painting theory commentary, and Taijiquan. In the long-term cultivation of internal and external skills, his calligraphy has been perfected step by step, ancient and delicate, rigorous and straightforward, pale and elegant. Mr. Shen Peng, the former chairman of the China Calligraphy Association, read the 20 handscrolls of ancient poems he copied and wrote happily, "Liu Fuqiao's Tang poetry is connected to the Wei and Jin dynasties, and the pen is highly praised. Liu Fuqiao is diligent and believes that his calligraphy will go further under the attention of all teachers and friends.
Author: Jiang Shoutian, deputy editor-in-chief of Calligraphy Herald.