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Recently, the discussion about Mo Yan on the Internet has been very hot, and I have also argued with some friends. After thinking about it, let's write an article and talk about it briefly.
Mo Yan, a native of Weifang, Shandong, won the Nobel Prize in Literature in 2012, and at that time became famous and was blown onto the altar of Chinese literature. As a representative of "scar literature", many people regard Mo Yan's works as works of "reform and opening up", and preach that "if criticism is not free, praise is meaningless".
So now, can the criticism of Mo Yan implement the sentence "If criticism is not free, praise is meaningless"?
Most of the discussions about Mo Yan on the Internet are grandiose, and there is even a lack of textual analysis of Mo Yan's works, which shows that there are only a few people who actually read books, but there are many people who habitually export their opinions.
Speaking of Mo Yan, I have to mention his masterpiece "Red Sorghum Family", most people know that this work is through a movie "Red Sorghum", I have to say that Zhang Yimou's level is very high, this work has a high artistic value, but this value cannot be overgiven to Mo Yan's works.
What is written about this third-rate and obscene dregs work? For the boasting of the landlords, the slander of the people at the bottom, and the smear of the troops of the Eighth Route Army.
In Mo Yan's pen, it was the troops organized by the landlords who really resisted Japan, and the Eighth Route Army not only did not resist the Japanese, but also robbed and burned the common people. The common people did not welcome the Eighth Route Army, and even wanted to kill the Eighth Route Army. Is the description of such a plot a reflection of real history? Does anyone believe in such history?
I once read several of Mo Yan's books in the year he won the award, and I felt sick inexplicably. In his writing, the Japanese have always been tall and handsome, and the Chinese are so ugly and dirty that even if you read half of his book, you can see that there is a very clear derogatory praise in it.
Of course, this description is very eye-catching, and the bloody,, pee and fart scenes he describes are particularly vivid, if you don't have a brain, it seems that you have seen the real history.
But the reality seems to be somewhat contradictory, and the ** of history tells us that the Japanese devils are not handsome, and even burn and loot. Landlords such as the Kong family also fell at the first time, and there was no patriotic move at all. The Eighth Route Army is deeply loved by the people, and the Liberation War is a victory pushed by the people with small carts, I don't know how to explain these Mo Yan.
In Mo Yan's pen, the landlords, the Japanese, and the Kuomintang are all good people, all with the virtue of kindness, and chivalrous courage. The Eighth Route Army must be bad, and the common people must be pedantic and ignorant.
But what makes me curious is that this description has caused some people to climax, as if Mo Yan has opened up a new world for them, and they have inexplicably brought themselves into the image of landlords, Japanese, and the Kuomintang, except that they do not admit that they are ordinary people.
Is what Mo Yan writes about real reality? This is indeed very magical, the truth of history is in front of us, but I think that literature can reveal the truth, and I think that the circle of and urine in Mo Yan's mind is exposing the reality of China. He single-mindedly criticizes the people and the people's soldiers, do you think the predecessor of the current Chinese People's Liberation Army is really as dirty as he wrote?
It is undeniable that there are always some people who have special habits, like to watch these bloody feces and urine farts scenes, and watch some meat stories in the lower three ways, but Mo Yan satisfies their quirks very appropriately.
In "The People of Hokkaido" written by Mo Yan, Japan is so simple, kind, dedicated, enthusiastic, and hardworking, as if it were a kingdom of God. Mo Yan always said that literature should expose social injustice and reveal the dark side of the human heart, but he did not expose the Japanese, landlords, and Kuomintang, the kindness and simplicity of these people, which moved Mo Yan to tears.
Literature is not divorced from politics, and evaluation is not divorced from positions. Anyone's point of view starts from a position and ends with a position, it's just that some people can't find their position.
Li Ao said, "It's easy to win the Nobel Prize, first."Thank you for reading, if you think the article is good, I sincerely invite you to click "Follow", I will bring you more interesting and informative content, thank you for your support.