On the picture scroll of history, the palace power and intrigue are intertwined, and the joys and sorrows are separated, which has become a beautiful scenery of ancient palace fighting dramas.
In "The Legend of Ruyi", the description of the civil strife in Junggar and the tragic fate of the duckweed of the hazy moon made the audience fall into a heartstring-stirring court rhythm.
Haoyue returned to the palace with the enemy's child, how should she forgive her brother Qianlong?And Zhen Huan's curse on Qianlong is an unwilling call, and it is also a struggle for parental love.
Jungar, a frontier land, was ravaged by war and civil strife was frequent.
As the eldest princess, Haoyue was bound by her marriage and suffered the tragedy of her husband being killed by the rebels.
And the leader of the rebel army captured Haoyue and took it for himself. At this moment, Haoyue was like a wandering bird, abandoned by her mother's family, and forced to commit herself to her husband-killing enemy.
Behind her is the suffering of Jungger, the grievances of her husband, and the integration of family and country hatred. In her womb, she is pregnant with this child whose fate is intertwined, and she is burdened with the contradictions between the two races.
When the Queen Mother learned what happened to Haoyue, she couldn't help but feel ripples in her heart.
And Zhen Huan, with deep concern for her daughter, asked the emperor to send troops to recapture Haoyue.
However, faced with the choice between national stability and family affection, Emperor Qianlong was in a heavy mood. The queen mother's flag trembled, but Zhen Huan's plea was rejected in the whirlpool of politics.
Zhen Huan's mood is the same. She regretted that she had chosen a good son to be the emperor, and she could only tearfully curse Ruyi's second child for being a daughter, which also made Qianlong often suffer from separation.
The curse is a dissatisfaction with Qianlong, a helplessness to her daughter's fate, and a blow to her mother's heart. This curse, as if it was the resentment in Zhen Huan's heart, was entrusted to this family that was distorted by scheming.
On the occasion of Ruyi's return to the palace, Qianlong tried to redeem his sisterhood.
He took out his childhood toy golden silk gnats cage in an attempt to evoke Haoyue's memories of brother and sister love. However, Haoyue's indifference and rejection, like a cold wind, reveal that in the political whirlpool, family affection has been frozen.
The words of the brothers and sisters of the monarch and the queen severed the once incomparably close emotional bond between Haoyue and Qianlong.
Qianlong tried to redeem it earnestly, but Haoyue had become a star that no longer belonged to Qianlong under the weaving of fate.
Haoyue returned to the palace with the child of the murder of her husband and enemy, and her fate was ill-fated and she became the tragic heroine of this conspiracy drama.
Her return is an exchange of political interests, and it is also the beginning of family entanglements.
The queen mother's flag head finally straightened up at the moment when Haoyue returned to the palace, and the mother-daughter reunion became a warmth in her heart.
However, what Qianlong's soul got is still an unsolvable puzzle.
In "The Legend of Ruyi", Haoyue returned to the palace with the child of the murderer of her husband, Zhen Huan's curse was like a long sigh, which was a deep interweaving of palace intrigue and family emotions.
On this picture scroll of ancient palace fighting, the contradiction between mother and daughter, and the estrangement between brother and sister, are like the shadow of history, churning in the torrent of power and conspiracy.
Perhaps, in this palace rhythm, we can see more intricacies of family and politics. Perhaps, Haoyue's return to the palace is not only the return of an avenger, but also the endless pathos in a mother's heart.
And Zhen Huan's curse may be Qianlong's disappointment and deep worry about the fate of the family.
Perhaps, this is the reason why "The Legend of Ruyi" is loved by the audience. This is not just a court drama, but also a legend of an ancient family, a small but great story in a historical picture.