Welcome to like and follow, please consult the !! for shooting
The "Observation" special exhibition of modern calligraphy and painting is a collection of thousands of faces and hundreds of battles in one place, and the ocean is magnificent. Some of the works are selected from the "Reaching the Peak of Painting Creation in the New Era - People's Fine Arts Publishing House Da Hong Pao 30th Anniversary Collection" produced by Renmei Society, which covers the first batch of modern and modern masters who were selected into the "Da Hong Pao" sequence of People's Fine Arts Publishing. This article captures a few masterpieces and plays the overture for tomorrow's shooting!
lot 2060Fu Baoshi 1904-1965 Xiling GorgeMirror Heart Ink and color on paper: 131 1505 cm about 179 sq. ft.;Fu Ershi inscription: 131 31 cm about 37 sq. ft.;Xiao Ping inscription: 131 34 cm about 40 sq. ftEstimate: RMB 5,000,000-6,000,000[Fan Zeng inscription].Mr. Bouldering is a genius with anecdotes, and he has been unparalleled through the ages. Mr. Xi Dingtang: There is Qi Baishi in the north and Fu Baoshi in the south to comment on the resistance. Stealing thought that Nanshi might have passed. Yu tastes the words of Huanxi Sha comment: The pen is self-exalted, the wind is always Xiao Xiao at the bottom of the wrist, why should the mud be ancient to learn from the previous dynasty, do not depreciate Jingguan Chongdong Ju, the smoke and clouds are far away from the ancients, I see the tide from the sunrise. Admiration is like this. Years old Ding Hai hugged Chong Zhai Ten Wings Fan Zeng inscribed Mr. Fu Baoshi Xiajiang Fan Shadow. Inscription: Hug Chong Zhai Lord, Jiangdong Fan Zeng, Thinking in the Distance, 80,000 Miles of Clouds Galloping[Fu Ershi inscription].The Three Gorges map of the late father's bouldering in this frame, with its unbridled and unbridled unique brushwork - bouldering writes the Three Gorges of the Three Gorges in a steep and precipitous manner, and the momentum is majestic and compelling, which can be described as incomprehensible. Bingxu Winter Moon Fu Ershi worships and respects the title in Jinghua. Inscription: Fu Ershi, Affection[Xiao Ping inscription].Mr. Fu Baoshi's map of the smoke and clouds of the Gorge River, although the unfinished draft, but the weather has been majestic, and it is absolutely extraordinary. The painting contains splashed ink and accumulated ink as a whole, reckless and vast, shocking, even if there is no money print, it is not less wonderful. Bingxu Xiaoxue, Xiao Ping's observation. Inscriptions: Xiao Pingzhi, Xiao Xing[Exhibition].Reaching the Peak of Painting Creation in the New Era: The 30th Anniversary of the Publication of Renmei's 'Big Red Robe', Renmei Art Museum, Beijing, November 6-December 3, 2023. [Publication].Pages 40-41 of "Stepping into the Peak of Painting Creation in the New Era - Renmei Da Hong Pao 30th Anniversary Collection (Modern and Modern Volume)", People's Fine Arts Publishing House, 2023. Lot 2028-lot 2032 is from the collection of the same collector, Luo Qingquan
lot 2029
Xu Beihong immediately
Mirror Heart, Ink on paper, 1941.
96×50 cm
Estimate: RMB 1,500,000-2,000,000
[Description].This work is in the collection of Luo Qingquan.
NoteThe handover location of this work is Hong Kong, China, please contact the staff of the Chinese Painting and Calligraphy Department of Beijing Poly Auction for specific information.
Luo Tuo (Xinmin) is a close friend of Beihong who held an anti-Japanese charity exhibition in Nanyang in 1941, and the eldest son of Dr. Luo Qingquan, an overseas Chinese leader. Beihong liked Xinmin's talent for painting, and personally taught Xinmin, who was only a teenager at the time, to paint and write. After the victory of the Anti-Japanese War in 1946, after Beihong took over the National Beiping Art College, he instructed Qingquan to send Xinmin back to the motherland, where he would be raised, educated and studied at the art school. In 1947, Xinmin returned to the motherland from Penang, Malaya, lived in my house, was taught by Beihong, and enrolled in the Western Painting Department of the Art College, and graduated from the ** Academy of Fine Arts in 1951.
Liao Jingwen: Luo Tuo cultivated by Beihong.
This work was created in 1941, during the Anti-Japanese War, when Xu Beihong and many other artists and cultural figures were forced to leave their motherland and temporarily seek refuge overseas in search of ways to save the country. From 1939 to 1942, Xu Beihong often traveled back and forth to Southeast Asian countries, which was the most abundant period of his creation. In December 1940, Xu Beihong, who was deeply concerned about the fate of the country in China, embarked on the road back to the motherland from India, passing through Penang, Ipoh, Kuala Lumpur and other places, holding art exhibitions, and donated nearly 100,000 US dollars from the sale of paintings in the past few years for the relief of the motherland's anti-Japanese war.
lot 2030
Huang Binhong: Rafting in Tianchi
Mirror heart, ink and color on paper.
145×41 cm
Estimate: RMB 800,000-1,200,000
[Description].This work is in the collection of Luo Qingquan.
NoteThe handover location of this work is Hong Kong, China, please contact the staff of the Chinese Painting and Calligraphy Department of Beijing Poly Auction for specific information.
This is probably the most famous poem of Huang Binhong's praise of Sichuan. This work depicts the beautiful scenery of Tianchi Lake in Guang'an City, Sichuan.
lot 2028
Qi Baishi chicks
Mirror Heart, Ink on paper, 1948.
Painting: 34-34 cm;Word: 27 34 cm
Estimate: RMB 200,000-300,000
[Description].This work is in the collection of Luo Qingquan.
NoteThe handover location of this work is Hong Kong, China, please contact the staff of the Chinese Painting and Calligraphy Department of Beijing Poly Auction for specific information.
Benevolence spreads far and wide
Xu Beihong visited Xingzhou seven times in important periods at different stages of his life, of which 4 times were just passing through, and 3 times he made long or short stops. Hold a large-scale charity bazaar and raise your arms and shout for the salvation of the people. Malaysia has pleasant scenery and many subjects, and Xu Beihong has lived here for a long time. From 1939 to 1941 was its last and longest trip to Sin Chew, in 1941, Xu Beihong briefly went to Kuala Lumpur, Ipoh, Penang and other places to hold an exhibition, on March 1, Mr. Xu Beihong's painting exhibition opened in Ipoh, Malaysia, with hundreds of masterpieces in the venue, in addition to the original works, new works were added, "Yugong Moves Mountains", "Put Down Your Whip", "Portrait of Tagore", "Cows", "Horses" and so on. During this period, Xu Beihong received the sponsorship and support of local overseas Chinese leaders, political and business executives, and literary and artistic elites in art. Among them is Luo Qingquan, who did his best to assist Xu Beihong in organizing the exhibition, and the two cherished each other and formed an alliance with Jinlan. After befriending Xu Beihong, Luo Qingquan actively founded art associations, held exhibitions, and organized academic lectures, which greatly promoted the development of local cultural undertakings. During his stay in Penang, in addition to Room 9 of the Nanguo Hotel, Xu Beihong also lived in the Luo family, Luo Qingquan's eldest son Luo Xinmin also became his godson, given the name Luo Tuo, in 1947, at the behest of Xu Beihong, Luo Tuo came to Beijing to live in Xu Beihong's home, studied in the Western Painting Department of the Beiping National Art School, and Xi painting with Xu Beihong in Beiping, and became an enter**.
lot 2065Wu Changshuo, 1844-1927, the chapter of Luan Che (four screens).Vertical scroll, ink on paper, 1915, 136, 34 cm 4, about 42 square feet (each).Estimate: RMB 800,000-1,000,000[Inscription].Yesterday in Wuxia's old home, I got the full text of the stone drum in the early Ming Dynasty, and then read Uncle Zhang's poetry collection of unsolved Yuan, and knew that it was the collection of Wujiang Rentang Wang. Di Xian is not que, and the younger eight drums still have micro characters, which are very precious, and the Northern Song Dynasty is attached at the end of the Ruan carving. Yi Mao Qiuzhong, Wu Changshuo. [Print].Junqing is great, Cangshi, and there is no blame
Left: Stone Drum Rough Stone (10 pieces) Huangyan Drum (Collection of the Palace Museum) Right: Stone Drum Text Part (Houjin Ben) (Northern Song Dynasty Tuo) 23 143 cm (collection of Mitsui Memorial Museum of Art, Tokyo, Japan) Wu Changshuo's calligraphy focuses on stone drum texts, participates in the grass method, and pretends to be condensed and vigorous in seal calligraphy, simple and natural, magnificent, and innovative. Wang Duo, who was a beginner in calligraphy, and later smelted Europe and rice in a furnace, which was vigorous and vigorous, and had a significant impact on the modern book world. These four screens have the rhyme of stone drums, the words are like the towering mountains, and the dignified and heavy are filled with a sonorous gold and stone atmosphere. The majestic strokes, the serene structure, and the whole couplet are made in one go, which is extraordinary. The calligraphy is round, such as the cone painting sand house leakage, which is particularly mellow and melancholy, which fully reflects his clumsy and ancient and tranquil style of writing. This four-screen Wu Changshuo was painted in 1915, looking at the whole frame, it can be said that the five mountains are open-minded, and the so-called old brushes are draped, spicy and simple, super easy and sparse, and there is a kind of intimidating power. As the most important cornerstone of his painting career, the stone drum script plays a pivotal role in correctly understanding his painting style. This four-screen stone drum text has both a classical form and a chest hill and ravine, which is a re-creation of his personal style on the basis of the stone drum text. The glyph is rectangular, the knot is low on the left and the right is high on the side, the brush is spicy and spicy, strong and dignified, the charm is simple and simple, strong and strong, which perfectly interprets the origin of Wu Changshuo's painting method, which is precious.
lot 2064Wu Changshuo 1844-1927 Gao Zhai Qing OfferingVertical scroll, ink and color on paper, 146, 55 cm, about 72 square feetEstimate: RMB 500,000-600,000[Exhibition].Reaching the Peak of Painting Creation in the New Era: The 30th Anniversary of the Publication of Renmei's 'Big Red Robe', Renmei Art Museum, Beijing, November 6-December 3, 2023. [Publication].Pages 4-5 of "Stepping into the Peak of Painting Creation in the New Era - Renmei Da Hong Pao 30th Anniversary Collection (Modern and Modern Volume)", People's Fine Arts Publishing House, 2023. [Description].The person in the above paragraph, Xu Yili (1885-1967), the word ninja, the 31st year of Guangxu of the Qing Dynasty (1905) was the age of Hangzhou Fuxue Yi Zhensheng. Later, he went to Japan to study. In the third year of Xuantong of the Qing Dynasty (1911), he joined the China League in Japan and followed Sun Yat-sen to participate in the Xinhai Revolution. Later, he successively served as the secretary of Jingzhaoyin in Beiping, the secretary of Gansu Province, the magistrate of Lixian County, the political minister of the 13th Army in Northwest China, the inspection of the Ministry of Internal Affairs of Nanjing, the magistrate of Baxian County, the secretary of the Tianjin Municipal Government, a member of the Revolutionary Committee of the Kuomintang after the founding of New China, a member of the Beijing Calligraphy Research Association, and a librarian of the Museum of Culture and History. Once traveled to the mountain, leaving a hidden stone carving. 
lot 2026
Pu Ru 1896-1963 Xianshan seclusion
Vertical scroll, ink and color on paper.
106 34 cm about 32 square feet
Estimate: RMB 350,000-450,000
[Inscription].The fish swim in the pool and the water is blue, and the wood sings the green mountains. Playing the Youlan song, the immortals drove the crane to listen. Heart.
[Print].The old king's grandson, Pu Ru, in a pot.
[Exhibition].The Last Stroke of Literati Painting - Pu Xinji's Calligraphy and Painting Special Exhibition, Cathay Pacific Art Museum, No. 1, Xiangyang Road, Taipei, October 31-December 25, 1978.
[Publication].
Page 37 of the ninth collection of the Cathay Museum of Art, Selected Works of Pu Xinji's Paintings and Calligraphy, Cathay Museum of Art, 1978.
The Artist, Vol. 8, No. 1, p. 2, Artist Magazine, December 1978.
Exhibition poster (left) Publication book
lot 2035Huang Binhong 1865-1955 Mountain dwellingVertical scroll, ink and color on paper, 1952, 96, 43 cm, about 37 sq. ft.;Estimate: RMB 2,200,000-2,800,000[Exhibition].New Songs to Ancient Tunes: Fr. Philip Collection of 19th and 20th Century Chinese Paintings and Calligraphy, Honolulu Museum of Art, Hawaii, August 30–October 28, 2007. [Publication].New Songs in Ancient Tunes: Fr. Philip Treasures of 19th and 20th Century Chinese Paintings and Calligraphy, Honolulu Museum of Art, Hawaii, 2007. Catalogue of Chinese Paintings, vol. 1, A50-73, p. 208, University of Tokyo Press, Tokyo, 2013. Page 156 of "Traces of the Ebb Tide - Huang Binhong's Calligraphy and Painting Collection", Shanghai Painting and Calligraphy Publishing House, 2022. [Description].Mr. Ru Li is Liu Ruli (1910-1988). Liu Ruli, a modern painter and art historian, studied under Xu Beihong and later taught at Nanjing University of the Arts. On page 609 of Huang Binhong's Collected Letters (Shanghai Ancient Books Publishing House, 1990), there is a letter from the artist to Liu, which mentions that Huang Binhong sent Liu's works. Zhejiang Museum also has a painting made in 1952 "On the Danqing Picture of the Tang Dynasty", which is also painted in Qianjiang, leaving the charm of the green landscape of the Tang Dynasty. Collection of Father Fellitzer. Fr. Reverend Richard Fabian is the founder and rector of St. Gercode's Church in San Francisco, and studied Chinese and history at Yale University. In his early years, he traveled to Hong Kong, Taiwan, Beijing and other places in China, and became acquainted with famous Chinese painters such as Qi Gong. His collection has been exhibited at the Asian Art Museum of San Francisco, among others. For 50 years, Fr. Fellitzer has been collecting Chinese paintings, calligraphy and classical furniture, and has amassed a large number of fine works. Taken from the Far East Art Center in San Francisco, California. NoteThe handover location of this work is Hong Kong, China, please contact the staff of the Chinese Painting and Calligraphy Department of Beijing Poly Auction for specific information. During this period, Huang Binhong's unique appearance in landscape painting began to emerge. In terms of artistic expression, he took the essence and used Hong, chased the painting methods of the Song and Yuan people, and painstakingly created a new style of landscape painting. Only by looking at Binweng's Renchen brushstrokes can we understand what he meant by "giving up hills and valleys and looking at brush and ink", and we can better understand the concept of "Chinese painting is beautiful and nothing else." Therefore, to a certain extent, Binweng's pen is painted with pen and ink, and it is written with philosophical thoughts.
lot 2122Xie Zhiliu 1910-1997 LotusQi Baishi 1864-1957 Group of shrimpMirror Heart Ink and color on paper: 26 33 cm about 08 square feet: 34 35 cm about 11 square footEstimate: RMB 800,000-1,000,000[Seal of the Collection].Mangrove Room Collection[Description].Lu Danlin's old collection. This work has Lu Danlin's seal of the collection, the mangrove room collection, this seal is engraved by Yang Qianli. Yang Qianli is also a member of the Southern Society, the uncle of Fei Xiaotong and the teacher of Hu Shi. The collector was obtained from Lu Danlin's family. Lu Danlin (1895-1972), known as Fei Su, Zizi, Zhai name Mangrove Room, Guangdong Sanshui people, ** historian, editor, writer, calligraphy and painting connoisseur, critic. Lu Danlin has a history of learning, likes to collect calligraphy and painting, and praises it. Since his youth, he has been collecting calligraphy, paintings, and seals. After joining the Nanshe and Bee Painting Clubs, he became acquainted with a large number of painters, poets, calligraphers, and celebrities. He is not only a close friend of Chen Sanli, Huang Binhong, Yu Youren, Liu Yazi, Wu Hufan, Zhang Daqian and other famous masters, but also has a large number of famous people in Guangdong, Shanghai, Hong Kong, Chongqing and other places. It is also calligraphy, with the flavor of chapter grass, swaying powerfully, and it is a family of its own.
lot 2054
Qi Baishi 1864-1957 Rich and long-lived
Frame, ink and color on paper.
138 32 cm about 40 sq. ft
Estimate: RMB 500,000-700,000
[Exhibition].Reaching the Peak of Painting Creation in the New Era: The 30th Anniversary of the Publication of Renmei's 'Big Red Robe', Renmei Art Museum, Beijing, November 6-December 3, 2023.
[Publication].Pages 14-15 of "Stepping into the Peak of Painting Creation in the New Era - Renmei Da Hong Pao 30th Anniversary Collection (Modern and Modern Volume)", People's Fine Arts Publishing House, 2023.
This peony is large, which means wealth;The rhizome is extremely long, and the side branches are staggered and extend to the bottom of the picture, which is the longevity vine, which means the vine that grows for a long time, which is the composition specially made by the old man Baishi, taking the meaning of longevity. Qi Baishi's lifelong desire for longevity, happiness and auspiciousness, a lifetime of peace, more than every year, chrysanthemum wine prolonging the year are the subjects he often paints, the pictures are all gorgeous and lively, the world calls it elegant and vulgar appreciation. This peony is rich and rich, but it stands alone with a single branch, which can be described as a single flower"The green is quiet and quiet, and the red clothes are shallow and deep", the air of elegance lingers.
lot 2055
Qi Baishi 1864-1957 Harvest
Vertical scroll, ink and color on paper.
102 35 cm about 32 square feet
Estimate: RMB 800,000-1,000,000
[Ai Qing inscription].Qi Baishi harvest map. Corn. Ai Qing question.
[Exhibition].Reaching the Peak of Painting Creation in the New Era: The 30th Anniversary of the Publication of Renmei's 'Big Red Robe', Renmei Art Museum, Beijing, November 6-December 3, 2023.
[Publication].
"Rong Bao Zhai Journal" 2022 No. 8 (total No. 213).
"The Return of Mr. Ma Heng and His Times", p. 63, Xiling Seal Publishing House, November 2022.
Steps 16-17 of "Stepping into the Peak of Painting Creation in the New Era - Renmei Da Hong Pao 30th Anniversary Collection (Modern Volume)", People's Fine Arts Publishing House, 2023.
[Description].The original collector, Yu Fuzuo, was edited by Shanghai Fine Arts Publishing House, and the work was introduced by Ai Qing to Qi Baishi for purchase.
In Qi Baishi's extremely rich painting subjects, corn is an uncommon variety, and in his later years, Qi Baishi often recalled the scenes of his childhood farming fields, and used ink and seal carving to express his homesickness. At the age of eighty, the old man Shiraishi had reached the peak of his artistic level and popularity at that time, but his longing for his hometown never stopped. Qi Baishi, who calls himself an old farmer in Hunan Province, is deeply imprinted in his mind about the sowing and harvesting of crops such as corn. It is a picture of stalks and dead leaves written in ochre full of water vapor, and the ripe corn is outlined in a blank space, so that we can see the autumn harvest at a glance.
Horizontal phone**
lot 2051
Qi Baishi 1864-1957 Swimming shrimp drawing
Frame, ink on paper, 1942.
18 66 cm about 11 square foot
Estimate: RMB 500,000-600,000
[Description].The above paragraph of the Yi factory is Guo Shoushan, No. Yi factory, a native of Montenegro, Liaoning, graduated from the Army University, engaged in military and political circles, and had a good Danqing in his spare time, in the last century.
In the thirties and forties, he was active in the Beijing painting circle, and returned to famous artists such as Qi Baishi, Yu Feiyan, Pu Xinji, Xu Cao, etc., and collected them richly.
White stone painting shrimp, ten taels of one. The shrimp that plays the horizontal drawing is extremely rare, and the banner shrimp and the mushroom are rare in the rare, and the price is increased!
A few bushes of mushrooms seem to be swaying, but in fact they are like seals, concise and dignified, and the pen is vigorous. The shrimp group swims from right to left, the shrimp body is painted with heavy ink full of water, the pen is traced, natural and dense, the ink color of the three shrimps is light and subtle, and the relationship between the front and back in the water is immediately revealed. The shrimp whiskers are long and tough, swinging with the waves, and they also see their strength.
lot 2052
Qi Baishi 1864-1957 Ink Crab
Vertical scroll, ink on paper.
101.5 34 cm about 31 square foot
Estimate: RMB 800,000-1,000,000
[Exhibition].Reaching the Peak of Painting Creation in the New Era: The 30th Anniversary of the Publication of Renmei's 'Big Red Robe', Renmei Art Museum, Beijing, November 6-December 3, 2023.
[Publication].Steps 24-25 of "Stepping into the Peak of Painting Creation in the New Era - Renmei Da Hong Pao 30th Anniversary Collection (Modern and Modern Volume)", People's Fine Arts Publishing House, 2023.
lot 2050
Li Keran 1907-1989 Autumn Fun Picture
Vertical scroll, ink and color on paper, 1977.
92 67 cm about 55 square feet.
Estimate: RMB 600,000-800,000This piece of Li Keran's "Autumn Fun Picture" was made in 1977 and is a typical cattle herding pattern work in the artist's later years. According to the current knowledge, Li Keran has made a number of paintings with the same theme, the composition of the picture is roughly similar, the size is mostly four feet and three open, and the rarity of this piece is that the size is 92 67cm, just two four feet and three open pairs. This "Autumn Fun Picture" depicts a shepherd boy grazing his cattle and stealing a moment of leisure under the rich shade of a tree. In the lower right corner, two sturdy buffaloes are sleeping soundly on the ground, and their expressions are lovely. The whole picture is fresh and exquisite, with a group of shepherd boys sitting in the cool air, and a song of pastoral scenery that is more than happy. Located in the main position of the painting are two children teasing crickets under the tree, two herding cows lying in the foreground with their backs to the picture, the shape is lifelike, the style is fresh and simple, the brush and ink are thick and powerful, especially the body dyed by light ink and the horns outlined by heavy ink give the picture a rich and deep meaning, which appropriately expresses the sudden sound of crickets, which is easy to rise in the autumn wind. of autumn. The silhouette of the shepherd boy is purely drawn with thick lines and white lines with a scorched ink brush, the body of the cow is swayed in light ink, and the skin of the figure is painted with ochre, and the pen is exquisite. The shepherd boy and the beauty of nature are fascinating. The outline of the tree trunk in the picture is straight and vigorous, and the tree trunk outlined by the light dry brush contrasts with the heavy ink tree trunk in the foreground, creating the overall effect of the picture full of color with a few brushstrokes.
Artistic conception is the combination of scenery and emotion, and writing scenery is writing love, Li Keran emphasizes the importance of artistic conception in his artistic creation. The innocent shepherd boy and gentle buffalo in this work are like an idyllic song, creating a wonderful artistic conception of freedom and harmony.
lot 2024
Zhang Daqian 1899-1983 Spring is good
Mirror Heart, ink and color on paper, 1978.
68 41 cm about 25 square feet.
Estimate: RMB 500,000-600,000
[Publication].Zhang Daqian's Collected Paintings and Calligraphy, vol. 1, p. 87, Taiwan Museum of History, 1980. Page 365 of the second volume of Zhang Daqian's Calligraphy and Painting Collection, People's Fine Arts Publishing House, 1991. "The Life and Art of Zhang Daqian Beyond the Image", p. 85, Xinzhi Joint Publishing Co., Ltd., 2019. [Bibliography].The Life and Art of Zhang Daqian Beyond the Image, p. 106, Jiuge University Publishing House, 1983. [Description].Collection of the Huli family. Solicitation of works of art for auction
end-
Solicitation and delivery, appreciation and exchange, please submit a private message, thank you
(Send Sotheby's, Christie's, Poly, Guardian, Hanhai, Yongle, Rongbao).