Walking into the Taihe Hall of the Forbidden City, it is like traveling back in time and being at the center of the political activities of the emperors of the Ming and Qing dynasties. There are 55 vermilion majestic pillars in the Taihe Palace, of which 6 gold pillars shine through the technique of leaching powder and pasting gold, like a real dragon circling. These golden pillars surround an emperor's throne, and a dragon chair carved with a golden dragon stands on a high platform, becoming the supreme object of the entire hall.
The golden pillars in the Taihe Hall are not real gold, but are made of leaching powder and gold pasting technology on the protective layer. This unique and intricate process makes the pillars glitter with gold, as if a real dragon hovers in between. Between these 6 golden pillars, the emperor's throne appears more noble. The dragon chair on the high platform shows its uniqueness through exquisite carving and design. There are no traditional legs under the chair, but through the Sumeru base, carved with a pattern of two dragons playing with pearls, stable and solemn.
The design of the back of the dragon chair and the golden dragons on both sides, especially the three golden dragons that form the back ring, not only meet the needs of practical use, but also show the unique effect of the golden dragon winding in the air. This dragon chair was used from the time of Emperor Jiajing of the Ming Dynasty to the late Qing Dynasty, witnessing the power and glory of the emperors of all dynasties.
However, when Yuan Shikai was proclaimed emperor, he objected to the dragon chair, believing it to be unsightly. Therefore, a chair combining Chinese and Western cultures was specially ordered, which is quite exotic. However, this decision led to the disappearance of the original dragon chair. It wasn't until 1959 that Zhu Jiaming, an expert at the Palace Museum, found the broken gold-carved dragon chair in a warehouse of old palace furniture.
In 1963, in order to allow more people to appreciate this heirloom treasure, the Palace Museum organized craftsmen such as oilers, carpenters, and carvers to restore the dragon chair after more than a year. Today, this dragon chair is displayed in the Taihe Palace, showing the weight and legend of history to the world.
The Journey of the Dragon Chair: The Symbol of Power in the Taihe Hall of the Ming and Qing Dynasties.
Walk into the Taihe Hall of the Forbidden City, a building that embodies the political wisdom of the emperors of the Ming and Qing dynasties, especially the Taihe Hall is the most important. It has witnessed countless political events, and the dragon chair in the Taihe Hall has become the center of this game of power scheme.
The appearance of the Taihe Hall is magnificent, the interior is majestic and magnificent, 55 vermilion pillars stand majestically, and 6 of them are eye-catching. These pillars are not real gold, but are made using the technique of leaching and pasting gold, making them sparkle and shine like a real dragon. The use of this unique art adds a mysterious and solemn atmosphere to the Taihe Palace.
The dragon chair located between the golden pillars is the most eye-catching existence in the Taihe Palace. The throne on the high platform, through the "stacking" form of the wooden building structure, looks solemn and noble. The seat of the chair, through the design of the Sumeru base, not only makes the whole chair more stable, but also carved with the pattern of double dragons playing with pearls, presenting a magnificent scene of dragons soaring into the sky.
The backrest of the chair and the golden dragons on both sides surround it to form a unique design. The back ring meets the needs in actual use, and at the same time, through the ingenious carving of the golden dragon, it shows the effect of the golden dragon winding in the air. This dragon chair was used until the late Qing Dynasty and witnessed the sittings and intrigues of countless emperors.
However, the fate of the dragon chair was not all smooth sailing. When Yuan Shikai was proclaimed emperor, he thought that the traditional dragon chair was not beautiful enough, so he ordered a chair that combined Chinese and Western cultures, which caused a change in history. This decision led to the disappearance of the original dragon chair, which was not rediscovered in the treasury of the Forbidden City until 1959.
In order to let more people appreciate this heirloom treasure, the Palace Museum organized a variety of craftsmen in 1963 to restore the dragon chair for more than a year. Today, this dragon chair is displayed in the Taihe Palace, which is not only a cultural relic with profound historical heritage, but also a vivid portrayal of the power symbol of the Taihe Hall in the Ming and Qing dynasties.
Conclusion: The revival of the dragon chair, the glory of the Taihe Temple.
Walking into the Taihe Hall of the Forbidden City, every pillar and every inch of space is filled with the precipitation of history. The dragon chair in the Taihe Palace, as a symbol of imperial power, has witnessed the change of the times and political changes.
The gold pillar leaching powder and gilding process makes the Taihe Hall more mysterious and majestic. The unique design of the dragon chair, whether it is the Sumeru base or the carving of the golden dragon, shows the superb skills of ancient craftsmen. This dragon chair has gone through vicissitudes and twists and turns, but it stands tall on the stage of history.
From Yuan Shikai's disappearance to the disappearance of the dragon chair, to its subsequent rediscovery and restoration, every change has made this chair even more legendary. Today, it is displayed in the Taihe Temple, exuding ancient and distant glory.
Approaching this dragon chair, it seems that you can hear the words of the emperors of the past dynasties and feel the long history. Everything in the Taihe Hall is silently telling, this dragon chair is not only a cultural relic, but also a witness of the times.
The dragon chair of the Taihe Hall of the Forbidden City, as a symbol of ancient Chinese imperial power, has not only been vividly depicted in the article, but also left a deep imprint in the long river of history. With detailed descriptions and a captivating narrative, this article transports the reader into a magnificent and mysterious historical scene that makes one can't help but get a strong interest in the legend of this dragon chair.
First of all, the article shows the majesty and solemnity of this building through the description of the exterior and internal structure of the Taihe Palace. The 55 vermilion pillars and 6 gold pillars complement each other, creating a solemn and mysterious atmosphere for the Taihe Palace. The golden pillar adopts the technique of leaching powder and pasting gold, which not only adds to the glittering effect, but also makes the pillar like a real dragon circling, injecting a mysterious atmosphere into the entire hall. This depiction makes the reader feel as if he has entered the Taihe Hall and personally feels the magnificence of the ancient imperial power.
Secondly, the article focuses on the design and production process of the dragon chair, a historical relic. Through the detailed depiction of the chair seat, back, golden dragon carving, etc., people have a deeper understanding of the exquisite craftsmanship of this dragon chair. In particular, the description of the golden dragon around the back ring and the effect of the golden dragon winding in the air make the design of the dragon chair not only meet the needs of practical use, but also reflect the superb level of artistic expression of ancient craftsmen. The depiction of these details makes the dragon chair more mysterious and artistic charm in the hearts of readers.
And the historical heritage of the dragon chair also adds a lot to the article. When Yuan Shikai was called emperor, he objected to the dragon chair, thinking that it was not beautiful, so he ordered a chair that combined Chinese and Western cultures, which caused a twist and turn in history. This event makes the dragon chair a witness to historical changes, going through the tortuous process of disappearance, rediscovery and restoration, highlighting its status as a heirloom treasure. Such a historical background gives the dragon chair more storyline and makes the reader have a deeper interest in it.
Finally, through the description of the revival process of the dragon chair, the article shows the efforts of the Palace Museum to protect and inherit the cultural heritage. After the disappearance of the dragon chair, the experts rediscovered this precious artifact in a warehouse of old palace furniture through the study of the old **. In order to allow more people to appreciate the charm of the dragon chair, the Palace Museum organized a variety of craftsmen to carry out the restoration, which lasted more than a year, and finally let this heirloom be displayed in front of the world again. This process not only reflects the cherishing and protection of historical artifacts, but also provides opportunities for future generations to appreciate ancient artworks.
Overall, this article vividly shows the majesty and mystery of this historical artifact through the depiction of the dragon chair in the Taihe Hall of the Forbidden City. Through the introduction of the historical background and inheritance process, this dragon chair has a deep historical heritage and legend. Through detailed description and in-depth analysis, the article successfully aroused readers' thinking about the unique charm of this dragon chair, and let people have a deeper understanding of the rich history of Chinese culture.
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