Liang Shanbo's one hundred and eight generals, the image of a hero with a thin sky of righteousness is displayed in front of people. When the road is uneven, draw a knife to help;Pity the poor and the weak, and give generously to the poor. In the vow, the national event is regarded as a lifelong commitment. In the hall of righteousness, the heroes of Liangshan are called "big brother" and "virtuous brother", and the atmosphere is "righteousness".
However, Song Jiang changed the "Juyi Hall" to the "Zhongyi Hall", is there any deep meaning?
After all, the mother of Li Kui, the youngest brother who supported him the most, was eaten by a tiger, but his performance was not a good big brother. Song Jiang practiced filial piety, why didn't he let Li Kui take his mother to Liangshan?
In the forty-second episode of "Water Margin", Song Jiang took his old father to Liangshan, and everyone celebrated the reunion of father and son. Seeing this, Gongsun Sheng said that he wanted to return to his hometown to visit relatives, but Chao Gai readily agreed, reflecting Liang Shanbo's human feelings.
Listening to Gongsun Sheng's words, Chao Gai said that it was appropriate to visit his mother, and sent a tray of "yellow and white things" as a coil on the road. After sending Gongsun Sheng away, Li Kui suddenly burst into tears. Everyone asked, and Li Kui complained that he jumped out of the stone, and he was the only one who didn't pick up his father and mother.
In order to maintain human feelings, Chao Gai proposed to let Li Kui take a few brothers back and invite the old lady up the mountain. However, Song Jiang's reaction was puzzling. He stops Li Kui and accuses Li Kui of having a bad temperament and possibly causing a conflict on the road. He also listed the disadvantages of Li Kui's descent to Liangshan, claiming that Li Kui's return to his hometown would inevitably be a loss.
Hearing this, Li Kui was restless and complained that Song Jiang was an unfair person. Song Jiang made three requests, and if he didn't agree, he wouldn't go. The requirements include no drinking, no direct return;Because Li Kui was anxious, he was not allowed to go with others, but only allowed himself to quietly take his mother up the mountain;Always make a plate axe, do not take it with you.
These demands seem to be for Li Kui's sake, but in fact they are for the sake of grasping power and winning people's hearts. Song Jiang not only is in the middle and bottom of martial arts, but also pays more attention to strategy and the grasp of people's hearts. Through these means, he showed his affectionate, righteous, and strategic side, and won the respect of everyone.
In addition, Song Jiang also found Li Kui's fellow villager Zhu Gui and followed him down the mountain. Although Zhu Gui didn't really help Li Kui, everyone in Liangshan felt that Song Jiang was thinking about Li Kui everywhere, considerate, and a good big brother.
Li Kui finally returned to his hometown with a few brothers and invited his mother to the mountain, realizing the humane feelings proposed by Chao Gai. However, all this seems to be part of Song Jiang's mask of hypocrisy. In his eyes, brotherhood and humanity have become tools of his strategy.
Li Kui could not get Song Jiang's real comfort in the pain of losing his mother, but was seen as a joke, which made people doubt Song Jiang's true attitude towards his brother. Although he is known as "Hu Baoyi", he shows his selfish and ruthless side at critical moments.
After accepting Zhao'an, Song Jiang ruthlessly poisoned Li Kui with poisonous wine, in order to prevent Li Kui from doing something behind him that might affect his reputation. This kind of cold behavior is contrary to the traditional image of "impatience for justice and righteousness" and "filial piety and righteousness Heizaburo".
The truth of Liang Shanbo's hero**, Song Jiang's hypocritical mask makes people wonder whether he is a real hero or a shrewd and cunning schemer?
Uncover the truth about the heroes of Liangshanbo: Song Jiang's hypocrisy and truth.
The article deeply analyzes the human emotions of Liang Shanbo's one hundred and eight generals and Song Jiang's hypocritical mask in "Water Margin". In this story, Song Jiang is portrayed as the image of "Hu Baoyi", but through the author's interpretation, we see his hypocritical and ruthless side.
First of all, Liang Shanbo's one hundred and eight will be shown as a hero with righteousness, but Song Jiang changed the name of the Juyi Hall, from "Juyi Hall" to "Zhongyi Hall". This change has sparked speculation about Song Jiang's true intentions. The article pointed out that Song Jiang's behavior was more like winning people's hearts and pursuing his own interests. This is a subversion of the traditional image of the hero, and one cannot help but start to doubt Song Jiang's true motives.
Secondly, the article reveals Song Jiang's indifference to Li Kui. Li Kui died for his mother, but he was given a cold reception on the way back to Liangshan. This kind of treatment is shocking, especially in the case of Song Jiang's claim to be "Hu Baoyi". Li Kui's crying was ignored by Song Jiang, but was used as a joke, highlighting Song Jiang's hypocritical side. This kind of indifference and scheming behavior makes people question Song Jiang's moral bottom line, and the aura of the hero's image is also eclipsed.
The article further analyzes the three demands made by Song Jiang, revealing that he was actually using them to consolidate his power. This kind of conspiratorial treatment of his brother runs counter to his image of "Hu Baoyi". Through this revelation, the article succeeds in highlighting Song Jiang's hypocrisy and complexity.
Finally, the article deeply reflects on Song Jiang's behavior of poisoning Li Kui with poisoned wine after accepting Zhao'an. This act exposed his unscrupulous side to protect his reputation, and further subverted the traditional image of a hero. This callous behavior contrasts sharply with his previous behavior, calling into question his moral character.
In general, through an in-depth interpretation of Song Jiang's behavior in Liang Shanbo's story, the article reveals his hypocritical and complex side. This subversion of the traditional image of the hero and the deep reflection on human nature make the reader enjoy the story while also having a deeper thinking about the moral orientation of the characters. This reinterpretation of the image of the hero gives more layers and depth to the literary work.
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