This drama is really a bit difficult to evaluate, the good places are very good, and the bad places are very bad, so the audience's evaluation is also very polarized. People who like it are super liked, and there are various reasons why they don't like it.
Let's compare and talk about some of the good and bad in this play: first, the tone of the whole play is very consistent, it has always been a little melancholy, with a very literary and artistic atmosphere, and some restraint that cannot be loved, this sense of atmosphere is very rare for emotional plots, but this is a story about rock and roll, so many rock characters, rock songs, rock concerts, no blood, only sadness, uh ......How do people understand this. Second, from the point of view of performance, it is more like a multi-person audio drama than a radio drama, Chi Nan's narration is too much, and some inner dramas can be expressed in this way, but some things that can obviously be expressed by the dialogue of background sound characters should also be described by Chi Nan's narration, this kind of behavior is somewhat suspicious of the screenwriter, either lazy or limited in level.
Third, the newspaper part characterizes this drama as a radio drama, I thought it would take up a lot of space just like those**movies,** but I was a little angry when I heard the whole play, not that there were not enough, but**the show was incomplete, as the plot progressed, there were so many good songs in the drama, it could be seen** The group is well-made, it should be shown to everyone one by one, but I don't know which link is the problem, almost every song only sings half or a few words, and the subsequent processing is either a gradual transition, or it is inserted into Chi Nan's inner narration, reduced to a background sound, which really affects the sense of hearing, the only complete song in the ensemble is the hand-played "Black Desert", it's really good, if the other songs can be as complete as "Black Desert", it will really be a ** Feast, of course, almost every song will appear at the end of the credits, if you want to listen to it, you can go to the end of the film to listen to the full version, but please, do you want me to jump to the end of the show to listen to the song?However, there is one thing to say, the ** here is really good, "The 26-year-old guy in a baseball cap", "The Nameless Sunrise Somewhere on Earth", and "Soul Riot" are all very good songs, and the understanding of ** in them is also in place.
Finally, let's talk about CV performance, the most lines in the whole play is Chi Nan's CV Su Shangqing, of course his skills are impeccable, I listened to his online dubbing drama when he was still called Watermelon Shuang, and later with "Big Fish and Begonia", both in terms of qualifications and business ability are first-class, in this drama he plays a very big role, grasps the tone and atmosphere of the whole play, and completes it very well. Another SV Wei Chao of Salinger, who is also a big man in the dubbing circle, his Lan Zhan should have heard of it, here it should be to show that Salinger's voice is broken, so he deliberately lowered his voice, to be honest, it sounds like his voice is a little deformed, but it is very close to the character. However, as the main service, because of the screenwriter's problem, there are too few lines, and the space for play is very limited. Other characters are also in this problem, but it's a pity that there are a lot of good CVs.