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TVB's dimensionality reduction hit work "News Queen" not only used workplace drama to kill my dream of "entering the industry for 3 years and a year-end bonus of 10w+" in real life, but also inspired me to think deeply about this theme.
Although the modern dramas of domestic entertainment have character labels such as strong women in the workplace and independent women that are in line with modern values, these female characters are still quite fragile in the play"?
When we talk about crispy, we are referring to the double fragility of the body and mind. Although they may look positive on the outside, in reality they are easily influenced by external circumstances and can collapse in front of everyone." In this day and age, vulnerability is a disease. The only significant ability to resist stress is often manifested in sadomasochistic relationships.
What exactly is a bug?
A morally fragile cornerstone.
"Camp with Love", a work that raised a lot of complaints, under the influence of ghost animal shots and Orleans roast chicken cameras, few people have begun to pay attention to the essence of the plot.
In the play, the heroine, as a journalist, unexpectedly pursues the male lead, and in order to show the "perfect match" between the two, the heroine carries a lot of special charm and aura.
She has outstanding looks and abilities, and she only has been in the industry for 3 years before getting the opportunity to be on the front page, and the actor who has never appeared only wants to be interviewed exclusively with her. Next, we will refer to the heroine Zheng Shu as Zheng Baixue for short.
The young financial journalist, who is fully qualified to be called "Kochi", has a slightly different coping strategy in the face of her boyfriend's infidelity with Bai Fumei:
If you find a rich girl to bully me, I will find a richer man to take revenge on you.
In her moral evaluation, the scumbag's ex chose a wealthy woman, which is a practice that lacks aggressiveness and self-improvement;The scumbag ex's looking for a rich man has a strong interest in money and women. However, looking for a man with a lot of wealth on his own is purely out of a mentality that wants to fight back.
In the discussion of emotional relief, the male protagonist's position of "revenge with love" is
Not to mention that the heroine is an intellectual, whether such a view violates the cultivation of intellectuals, and the subsequent gorgeous counterattack is even more puzzling.
In the early stages of the plot, Zheng Baixue faces various open and covert competitions in the workplace, and is ostracized by colleagues, preemptive interviews, and preemptive strategies.
While she's putting in the effort herself, compared to her overly ambitious predecessor, she only follows the poor principle of "you have a backer, I have a bigger backer" when criticizing the malicious behavior around Sback.
Whether it is in terms of emotions or under the pressure of the workplace, Zheng Baixue can always feel the power of the male protagonist in the competition. In the process, she encountered a lot of things that she couldn't bear, and she also gained a lot of things worth sharing. Initially, the heroine is a cone that can still retaliate after being betrayed by a common man, but in the end, she becomes a cone who successfully finds a platinum bracket.
The male protagonist not only plays the role of a tool in the heroine's psychological struggle and economic activities, but even the "underwear button hand" when the heroine is injured, which also highlights the heroine's excellent reasoning ability, and is definitely an all-round tool.
It is difficult to penetrate into the phenomenon of double strong background color.
Zheng Baixue's "moral evaluation changes with subjective judgment" is relatively simple, and there is a situation where it is more logically rigorous than Zheng Baixue, but always deliberately avoids the heroine's fragile disguise.
In this month's ** urban TV series, "I Want to Go Against the Wind" starring Gong Jun and Zhong Chuxi performed quite well, but unfortunately, until the final chapter of the play, the heroine failed to achieve the mission of "revitalizing domestic products from scratch".
This drama is adapted from the perspective of the heroine, and it delves into the heroine setting of "never crispy" from multiple angles: she is a princess from a major domestic factory, who is both hard working and smart, and her relationship line is progressing slowly, so she specially chose an actress with a bright style.
The audience may subconsciously think that the direction of the plot will be the mode of "the heroine and the male protagonist outwitting, and then fighting side by side with the male protagonist". The direction of the development of this drama is this: "The heroine and the male protagonist fight outwitted, and then the male protagonist fights side by side with the heroine".
In the social mode of operation of the second generation of the factory where the heroine belongs, due to the sudden death of her father who was struck by lightning in a business competition, she naturally hopes that the people around her will repay the kindness that her father has established for her in the past, but she finds that her actions become extremely difficult.
In a company specializing in clothing, shoes and hats, in addition to senior leaders, there is also a division of labor and cooperation between multiple departments such as sales, publicity, manufacturing, and after-sales service.
The key to seeing the heroine transform from a fragile white Fumi to a hexagonal warrior is how she begins to master the ability to manage the aforementioned departments.
However, in the initial stages of the story, the heroine's most troubled problem of "land and money" is partly pushed to the male protagonist. The male protagonist became the main shareholder of the heroine's factory with 51% of the shares, and gave the female protagonist the right to use the industrial site for two years.
In order to cause trouble, the heroine asks her biological uncle for help;In terms of design, the heroine adopts the strategy of Li Kui killing Xiao Yanei and forcing Zhu Tong to join Liangshan, thus attracting designers from competing companies;In the sales and after-sales service of online e-commerce, the heroine is transferred to a supporting role position that is unreservedly obedient.
By the time we get to the end, there is a slightly comical scene.
The heroine thought that she would be invincible in the world, but in fact, when the factory left her, everything worked as usual, and even when she was in a leadership position, the male protagonist dealt a severe blow to her.
At the beginning of the story, the heroine is a white Fumi who excels in news marketing but otherwise appears vulnerable. But by the end of the story, she becomes a white busy-beauty who seems vulnerable in other ways without the help of others.
This represents another universal structure in Journey to the West.
Through the power of the mouth cannon, he successfully attracted the almighty Wukong, the responsible Bajie and the hard-working Sha junior brother. But in the end, he almost blames himself for the honor of others, and he also needs to rely on the white dragon horse carrying her on his back to knock her down, and it is then that he realizes that his ability is still to chant.
The ** of the little white flower is not fragile.
Among TVB's female roles in the workplace, whether they are high-energy or low-ability, most of them have obtained corresponding social status by virtue of their abilities and talents. In this era, "working women" is a special and sensitive topic, they not only have to face various pressures and challenges in the workplace, but also face the danger of being marginalized. Even those puppets who don't pay much attention to the role of the heroine in society, they often stick to their beliefs.
In the work "Next Stop, Happiness", the heroine Liang Mucheng is slightly deficient in character design compared with most domestic entertainment heroines.
Although she suffered a series of psychological blows such as bankruptcy, shelter by others, and unsuccessful assault at a young age, she never saw "murder" as a paper defense or an excuse for revenge, on the contrary, she was very good at choosing her own path in life.
In Liang Mucheng's thinking, she will not change her concept of mate selection because of the pursuit of scumbags;I don't expect people around me to help me because of difficult situations in my life.
In her life credo, the male protagonist is merely a peculiar plant she encounters when climbing mountain paths, not a straw caught by a drowning person who falls into the sea.
Fate had endowed her with endless pain, and although she understood that it was pain, she would never bind it to it. She wants to use her life to fight for suffering, to make her suffering a spiritual enjoyment, and this is the theme of her creation - being chased by suffering. In the current modern dramas of domestic entertainment, it is often difficult for the heroine to distinguish whether she is "pursuing suffering" or "pursuing suffering herself."
Despite knowing that past misfortunes were brought about by men, there is still a need to rely on the next man to solve them;Although he is aware that his current predicament is triggered by incompetence, he always expects more from others than from himself.
Even as a single mother, she calmly accepts the fact that she has a child with the male protagonist, and firmly says: "Even if I really don't have a father with children, won't my children really be happy?."”
A character's vulnerability is often caused by two main factors:
First of all, it is impossible to achieve Liang Mucheng's positive spirit that is not affected by external factors, and secondly, it is very easy to "collapse in front of people".
Even though there is a clear distinction between the main room and the side room in the work "Know", it is not until the relationship with the red wolf breaks down that everyone realizes that she has completely collapsed.
From the point of view of modern theater, whether in a relationship or in the workplace, the state of collapse is always fearful that others will not know about it.
Although Lin Xiaoniang did not wear any aura mask, she definitely did not give the impression that she was a roadside plant that was easily trampled on. She doesn't have any special skills, but she's definitely not the kind of creature that makes people keep her as a pet, because she's a red wolf, and a very ferocious wolf. She is not particularly talented in her own right and relies on the protection of the Red Wolves most of the time, but she is able to continue to climb the ladder and show good posture in front of everyone.
The collapse of exposure and the collapse of the heart, if it is a modern independent woman, it is better to believe that I am Wu Zetian.
Summary. The heroine of ancient times, although restricted by the times, environment and the progress of civilization, her path to the top was too simple, which made it difficult for her to shape a different life. And the female characters in modern dramas obviously have many paths to different futures-
You'll have the opportunity to reach the pinnacle of your passions, forge ahead in your career, and bring out your best in a limited work environment.
However, what is confusing is that although I have tried many different professions, many of my works have not been able to show the vitality of steel from beginning to end, nor have I been able to create enough value to support my life in my actual work
Either the soul is badly damaged, or the body is difficult to maintain. If you really don't know how to write, then you can choose an office building at random, and in a small room there, you can find those female white-collar workers who are still working overtime because of impotence, menstrual cramps, and illness
You are also free to choose a factory where you can find factory girls who have not experienced a broken love, a misfortune in their birth family, or have been oppressed by the bottom of society, but are still working
Women are not that vulnerable.
I hope that the female characters described by the screenwriter will at least be more stable in mentality than the main creators after the premiere of the TV series, and I don't want their protagonists to bear too much resemblance to themselves and lose their minds when they encounter problems.
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