Recommended guide to autumn and winter suspense films
Do you still remember Chen Yulou and Hua Ling in "Angry Qing Xiangxi"?Do you still remember the first year of junior high and the wolf king in "Kunlun Divine Palace"?
In the past, Chen Yulou was burdened with the life of Hua Ling, and the former Iron Triangle watched the first death of the wolf king, and now the scene of "Return to the Ruins of the South China Sea" is staged again.
Wang Fatzi, who was more and more unpopular, teamed up with Uncle Ming to personally send Tanmin Ruan Hei on the road this time.
Originally, the stories and characters cast by words were interrelated and fettered, forming a logical relationship between the characters and the beginning and end.
Perhaps in order to confirm that "a lie needs to be rounded with a hundred lies", when such an important cause as the "Mary Sannu" was lost, Professor Sun became a vase without saying a word.
This "lie", which lacks a foundation, has entered the Shura field that needs to be rounded up with more "lies".
The lack of the life experiences of Ruan Hei, Gu Chai and Duo Ling's master and apprentice not only adds many variables to the sea voyage, but also shoehorns into Ah Hao and Dali, two unknown debt collectors.
When a story lacks rigorous logical settings, no matter how fancy the animation scenes and thrilling action scenes are, it will be an empty shell lacking soul and skeleton.
Today's Ruan Hei is obviously dying, but in the face of the consequences caused by Wang Fatzi and Uncle Ming's competition for Nanzhu, everyone seems to turn a blind eye to it.
Even Hu Bayi and Shirley Yang, who claim to be righteous, are so deliberate and contrived at this moment.
In the face of Ruan Hei, whose fate was hanging by a thread, no one blamed Wang Fatzi and Uncle Ming, but because of the sea map on Gu Chai's back, these people surrounded and whispered.
Such a scene is comparable to Chen Yulou in "Angry Qing Xiangxi" and the Iron Triangle in "Kunlun Divine Palace".
Because of such a scene, the image of the role of Wang Fatzi in my heart completely collapsed, at least Wang Fatzi in the last six episodes of "Return to the Ruins of the South China Sea" will never be worthy of my expectation and respect.
Compared with Wang Fatzi and Uncle Ming, who stepped on the back road of their predecessors, Ruan Hei, whose fate was hanging by a thread, actually changed from a simple and reliable Tanmin to a deep lover.
Although the description of Ruan Hei in the book is a bit too realistic, arranging a Luo between Ruan Hei and Duo Ling also caused the birth of countless "lies" in the future.
The appearance of Ah Luo not only allowed Ruan Hei to take out the address of Duoling's biological father, but also directly ruined the possibility of Shirley Yang finding Duoling's biological father and taking care of her.
At the same time, in order to make Ruan Hei more credible to regard Duo Ling as his biological daughter, he even made Ruan Hei a amorous person who had a crush on Ah Luo for many years but never married her.
If such logic and setting are taken out separately, it is indeed reasonable and reasonable, but when such a Ruan Hei is put into "The Ruins of the South China Sea", his character of wanting to die only in the Tan people has completely changed its nature.
Perhaps in the eyes of many people, this kind of complaining and disapproval of "Return to the Ruins of the South China Sea" is a kind of nitpicky villain's opinion.
Indeed, as a sketch web drama with only 16 episodes, the fast-paced and compact duration of "Return to the Ruins of the South China Sea" makes people only feel happy and joyful at first glance.
But such a work created in the form of "one lie needs a hundred lies to be rounded" cannot stand up to the careful appreciation and more serious appreciation of those who are interested.
Even if you're not a fan of reading **, even if you're not a fan of a book that has read ** countless times.
Wouldn't you recall the unexplainable plot and logic half an hour later?
Thanks to the blessing of "Returning to the Ruins of the South China Sea", we have seen the ruins, the sea snakes, the clams, and the Nanzhu.
But why is it that after seeing these things that only existed in imagination in the past, those characters and logic that should have been vivid seem to be lost?
The interpretation of "The Return of the South China Sea" is written here for the time being, and more wonderful interpretations will be listened to next time.
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Wonderful in the past: "The Return of the South China Sea" turned out to be "Scapegoat" can still be played like this, paving the way for the finale?