Gu Fuzhi's "Drunkard Pavilion".
Longitudinal 954cmHorizontal 358cmCollection of Liaoning Provincial Museum
"Drunken Weng Pavilion" is a Qing dynasty Gu Fuzhi painted Ouyang Xiu's "Drunken Weng Pavilion" in the Northern Song Dynasty into a painting on paper with Danqing to wander the eyes.
In the painting, the peaks are showing, the forest is blue, the drunken man's pavilion is on the brewing spring, several people in the pavilion are feasting and sitting, the scenery of Chuzhou people visiting the mountains is dotted around, and there is the dangerous scenery of the mountain path through the clouds and fog, the towering palace towers over the clouds, the whole picture is just like "The Legend of the Drunkard Pavilion", there is a hole in the sky outside the text and pen and ink, it is the display of the Qili Xiongxiu painting style that Gu Fuzhi is good at.
Jin Tingbiao's "Spring Yuan Ruizhao Map".
Longitudinal 155cmHorizontal 842cmCollection of the Osaka City Museum of Art, Japan
The Haruhoto is a painting that expresses the vision of the New Year.
In the painting, the snow is covered with greenery, and an old man and two boys are waiting for the white ape to fold the plum under the cliff.
The whole picture is not only very elegant and elegant, but also full of witty fun, but also uses green bamboo, red plum, and white ape to express the auspicious prayers of bamboo for peace, plum blossoms, and white ape birthdays.
Continuing the spirit of traditional culture, through the power of pictures and words, I wish you health, peace and happiness.
Bada Shanren and Shi Tao's "Combination of Flowers and Fruits".
Longitudinal 198cmHorizontal 181cmCollection of the Shanghai Museum
Bada Shanren and Shi Tao's "Combination of Flowers and Fruits".
Longitudinal 198cmHorizontal 181cmCollection of the Shanghai Museum
"Flowers and Fruits Landscape Collection" is a collection of flowers, fruits and landscape works of the early Qing Dynasty painting monks, eight mountain people, and Shi Tao.
The six flowering fruits in the volume are mostly autumn scenery, or the ink color is moist, or the pen is interesting, and there are poems and paintings inscribed by Chen Xijing, a literati of the Qing Dynasty, on the opposite page.
The four landscapes are all ink paintings with a quiet and clear atmosphere, or as a master in a boat, or as a hermit walking alone, all of which mean timeless.
The whole volume gathers the "two monks" ink treasures, and is accompanied by the interpretation of the poems of the predecessors or the painter's discussion of the wonderful theory of painting, which can be said to be an important historical material for the study of two famous painting monks in the early Qing Dynasty.
Hua Rong's "Lychee Bull".
Longitudinal 535cmHorizontal 421cmCollection of the Shanghai Museum
"Lychee Heavenly Cow" is a painting that uses homophonic allegorical techniques to express the auspicious meaning of lychee dolly and heavenly cows.
The painting depicts five lychees with vivid forms and bright colors, on which two longhorn bulls are greedily sucking sweet juice. With elegant and fresh brushstrokes, the whole picture combines the popular meaning of folk painting with the aesthetic interest of traditional literati painting, expressing the painter's love and concern for simple life.