Kong Sheng's participation in the filming of "Parents' Love" is mainly because he has a deep love for the script, not only because of its words, but also because of the life emotions it conveys. "Parental Love" is a very good movie. Kong Sheng is still suspicious of Mei Ting and Guo Tao. Before he officially started filming, he was full of uncertainty in his mind, so he would shoot at a regular pace every year to get closer to the content of the script. "Parental Love" is his first work, and he wants to make this drama into a movie. After four months of shooting, when the shooting was over, Kong Sheng felt as if he had spent his whole life with them, and in retrospect he was very satisfied.
There is no doubt that the production of Yamakage is absolutely superb.
Kong Sheng has a high sensitivity to details, and only then did he realize that he was almost everywhere in the behind-the-scenes footage.
On Jiang Defu and An Jie's wedding night, Kong Sheng and the groom and bride discussed the details of the script in depth outdoors, and lit the lights at night to read, because the wedding scene is crucial and there must be no flaws.
This drama was filmed on the first day of filming, Guo Tao felt a little embarrassed, and performed the scene of the wedding night in front of many audiences at the beginning. Jiang Defu and Lao Ding's weddings belong to the same type of comedy, and their core meaning is basically "take a bath first and then rest". Mei Ting performed very well as soon as she turned on, Guo Tao commented that she would disappear soon, which is also part of the story of "Three Washing Husbands", no wonder Mei Ting had a hot temper and bitter words after the filming.
Since Angel became pregnant, she often took the rickshaw home, but she often stopped before she reached the station. Kong Sheng personally played the role of a coachman and personally guided Mei Ting. Mei Ting sat alone in the back, deeply moved by the director's professionalism, and the heroine's treatment was quite generous.
In the scene where An Jie gave birth, Kong Sheng, Sun Molong and Wang Yongquan, three famous directors, all attended the scene to guide, and a group of male audiences also gathered at the scene, which made the whole scene quite embarrassing. However, when they sat together, everyone felt very warm. It is rumored that the director's intention was to ease the tense atmosphere, and Dehua was observed sitting quietly on the sidelines, ready before filming even began.
Kong Sheng was standing there, demonstrating how to give birth, and she was instructing An Jie on how to scream when she was in pain. In a certain part of the play, she felt a lot of pain, and when An Jie saw Wang Xiu'e holding scissors, he suddenly raised his head and asked curiously about her intentions. She said she wanted to be a good mother. Kong Sheng's expression when he was talking about the play was very in place, and he successfully attracted everyone's attention, especially Dehua, who listened very carefully.
The most important thing is Wang Xiu'e, it is entirely her responsibility to have a child at home, but she has only seen it in her hometown, so she doesn't have much experience. "My father was a drinker. "Tasting Moutai spray scissors not only fits her rugged personality, but also injects courage into the actor. She's not in good health, so she can't work with alcohol as often as other actors. Therefore, Kong Sheng and Wang Yongquan jointly created an experience called "the feeling of drinking Moutai being spicy". Liu Tianchi is very good, she accurately found her taste when she tasted it for the first time, and the follow-up actual shooting also confirmed that she really drank it. "I think this ** is very creative. Wang Yongquan's inner monologue at this time is "exactly what is being pursued", and Kong Sheng responds that "it is true". Her performance is in place, unforgettable, making people feel that "my face is like a big scissors", and making the audience have a "spicy taste". Liu Tianchi's performance was impressive, and her "sterilization, sterilization of scissors" was really intoxicating. "I consider myself lucky because I had the opportunity to play this role," she said. "In the scene of giving birth, Liu Tianchi put in a lot of effort, and the director also personally conducted a strict review, which made it a classic worth watching.
The atmosphere at the scene is really interesting, and what is even more exciting is that An Jie and Dehua lay down in the quilt to play together after completing the scene of giving birth. Actually, the two of them are also quite interesting, during the filming of "Little Times", the two will also do various interactions in the crew, such as chatting with the director and discussing plot development. Isn't this acting?During the filming, embarrassment and humor coexist, tension and naturalness coexist, and excellent actors can always spark.
When An Jie and his family go to the photo studio, Kong Sheng also appears in front of the camera, in which he plays the role of a photographer. His first impression was that he was serious. Kong Sheng witnessed every important moment of An Jie's marriage to pregnancy and then to giving birth to a child.
Kong Sheng not only attaches great importance to the heroine's performance, but even in the scene where An Xin needs to weave wool, he can accurately grasp every detail. "I've loved playing with yarn since I was a child, and now I want to make it more textured. At the event, he and Wang Yongquan, these two tall men were wrapping yarn, and the whole scene was very unique. In fact, such a simple task, a girl should have helped her mother when she was a child, and Zhang Yan would definitely not do it.
Kong Sheng not only gave a demonstration, but also sat next to Antai's wife and evaluated Zhang Yan's academic achievements. He works almost as long as he rests. He cares so much about every detail and strives for perfection because the scene is so iconic. In addition, An Xin's mood doesn't seem to be very good, her gestures need to be very skillful, but not too engrossed, she should look natural, because when the two of them are entangled, there are usually moments of chatting.
Zhang Yan has a deep memory of that scene, which she described as "very attentive, very warm, and the atmosphere was very pleasant". The director can not only tie the thread to the leg, but also weave the wool himself, which makes Zhang Yan very surprised, because the director will master a lot of skills.
The most regrettable thing about this work is that although it spans more than 50 years, there are no winter scenes.
In fact, when filming Anjie's pregnancy scenes in the summer, he usually wears a down jacket, which may be due to the temperature difference between morning and evening, or because the weather gets colder due to the change of seasons.
The crew chose not to participate in the winter filming, mainly to save money. Judging by the actors' reactions to the environment of their lines, they sit on wooden benches and the background becomes bright, ensuring authenticity both during and off the play.
The film was made in the summer, first in Huairou and then in Qingdao. Filming began in mid-April 2012 and was completed around August 6, with the final scene of An Jie and An Xin talking on the boat.
Recalling the embarrassing scene of their family being sent to the island, An Jie said: "Compared to you, I am really lucky. An Xin added: "You are not only lucky, but also extremely happy, compared to anyone else, you are happy." "My wife and I have been married for a year, and we have been living at sea for the past two years, and I feel quite happy, which is why I am so happy." This scene is carried out in reverse order, first filming the scenes of Songshan Island and Little Black Mountain Island, and then filming two scenes on the boat, no wonder what An Xin said is like a summary of life. "I like the feeling," she said. She also mentioned, "It's really fun to marry Ouyang Yi." Her laughter is like a woman laughing at herself. An Xin still remains calm and elegant in the face of honor and shame, and uses her role to interpret the finale scene, which is fully worthy of the atmosphere of "facing the sea and spring flowers".
Although "Parents' Love" does not have a winter scene, it has a scene on the island roof, which is really unique.
Although the crew did not hire any traffic actors, they still rented a piece of land and spent two months building a camp on the silver beach in Huangdao District, Qingdao City. This practice reflects the consistent style of Yamakage during the filming process, and has a deep historical background. I went hiking with a couple of people. On Matsuyama Island, it is full of houses from a distance, but up close, it is a sporadic scenery that falls down with a slight push. Because the weather was too cold, I didn't shoot the location. From this point of view, it is impossible to shoot a winter scene. Because the weather was too cold, the crew had to use chilled water and ice cubes to cool down. The crew demolished all the houses immediately after the filming ended, originally to save money to build the movie set, and they certainly didn't consider arranging it according to the standards of the attraction, which is undoubtedly a huge pity.
However, the houses owned by the leading actors are real, otherwise how would you shoot a roof-related drama? Because the roof of their house was not waterproof at the time of filming, they had to climb a staircase to get down in the summer. As it stands, the staircase is indeed real. The crew members all climbed up the stairs to shoot, and the scenes on the roof were very attractive, but the filming process was also quite tiring.
When Wang Haiyang's father stood on the stairs, Wang Haiyang told Wang Zhenbiao that he planned to marry Jiang Yafei in the future. Wang Zhenbiao had already learned the news, and he also played for Wang Haiyang, who was about to become his daughter-in-law, which made the whole family feel very sweet.
The behind-the-scenes footage of the crew was full of laughter.
Why do you have so many dining scenes?His family was also eating, and so was himself, and while he was eating, there were two people watching a movie, one was his father and the other was his son. Taking Ouyang Yilai as an example, his treatment is completely different from that of Antailai, with both the characteristics of Moutai and the flavor of additional dishes. It can be seen in many places. In addition, there is also Ouyang Yi's Western food Hongmen banquet, An Jie's birthday Hongmen banquet and the Hongmen banquet where the whole family makes dumplings together. These are all wonderful performances in the drama. In the dining scene of Jiang Defu's house, the busiest moment is 8 relatives, plus 6 members of their own family, the scene is already quite crowded. At the shooting site, the entire room was occupied by the staff, and now I understand why Jiang Defu's house is so spacious.
When An Jie caused harm to Lao Ding, Wang Yongquan listened attentively from the sidelines. Wang Yongquan and Kong Sheng form the best partners, one full of aura, the other full of warmth and not pretentious. He has a lot of scenes, and he is also very good at filming. In the entire crew, Wang Yongquan is affectionately known as the second uncle, he is full of energy and has a strong appeal on the scene. In "Latent", he played a latent ** role, much like his father. Full autonomy to direct and perform for seamless role switching. He said that he was an actor and liked to perform since he was a child. As I've gotten older, I've leaned more towards pure acting rather than directing. He is an actor and a director. He is engaged in directing work, not only to nurture his son, but also to effectively reduce his work burden and achieve multifaceted benefits.
When we first took part in the location shoot, everyone was so excited that they felt like they were participating in a sports day, but unfortunately, the prop cart broke down. Filming the scene of Anjie taking the bus after she became pregnant, after getting off the bus, the couple started talking, and then the bus left. I watched from the sidelines, and she started crying in the car, she was a mother of a child. The bus broke down, some people were pulling the car, some people were pushing the car, Mei Ting was very happy, she followed like a child.
A side show about tidbits.
Mei Ting and Zhang Lingxin are mother-daughter relationships in the play, but in real life, both of them are graduates of the 96-level star class. However, Mei Ting is a Chinese opera actor, while Zhang Lingxin is a graduate of Beiying.
Mei Ting and Liu Lin play the role of sister-in-law in the play, and in real life, they are close friends, and a long time ago, they had teamed up to perform "Camphor Tree". This time she played the heroine in "Parents Love", which can be regarded as a successful transformation, she has changed from an ordinary girl to an excellent mother, a good mother, and also an excellent actor. In "Parents' Love", the role of Dehua was warmly praised by Mei Ting and played by Liu Lin.
About Liu Lin, she is Zhang Lingxin's senior sister. The two have worked together in "No. 5** Group 2", Zhang Lingxin feels that her senior sister's style is quite foreign, and every time she sees her aunt, she will complain that her style is too earthy.
Zhang Lingxin is different from Mei Ting and Liu Lin, the role of Jiang Yafei she plays has a striking similarity with her character, and almost all of them are interpreted according to her real character, which makes her performance particularly lively. If it weren't for those two touching crying scenes, you might feel that the plot was too wasteful.
The crew of "Parents Love" in 2020 gathered in the "Echo Loud" program after the Spring Festival Gala, Ouyang Yi held An Xin's hand and sang, he still maintained a gentlemanly demeanor, and the match between the two was quite high. The distance between Lao Ding and Dehua made me laugh out loud.
100 help plan
What is interesting is that Mei Ting and Guo Tao still maintain the interaction between An Jie and Jiang Defu, they can argue at any time, and they will not hesitate to fight back if they want to.
Lao Ding is still like this, eating the food in the bowl while looking at the food in the pot, even if he is attracted by the charm of Dehua, he has never given up the pursuit of a better life.