With the release of the movie "Detective Chinatown 3", a heated discussion about the cosmology of the Tang Dynasty was once again aroused. In the film, the image of Donald Duck is deeply rooted in the hearts of the people, but its prototype is little known. Due to the large difference between the release time of the third part and the first two, the picture of some details has become blurry.
In order to quickly make a name for myself in the current wave of discussions, I quickly re-read my first work. Although it is a very creative but not successful film - "I Am Not the God of Medicine". In the process of recooking, I unexpectedly noticed some small things that I hadn't noticed before.
The "Great Robbery" and the "Death of Songpa" in Bangkok constitute two closely linked main events in the history of the Tang Dynasty.
* Of the five gang members in the case, some were framed to death, and some were captured. The lost ** was recovered with the joint efforts of Xiao Tang and Lao Qin, and now there is nothing more to say.
What really makes people think deeply and feel frightened is still the theme of Songpa.
When it comes to the memory of the first Tang Dynasty, many viewers may be impressed by Zhang Zifeng's drooping smile at the end of the movie. It was a late night, he sat alone in his room, looking out the window at the dark and dark night sky, his heart was full of melancholy and sadness, and he couldn't help but burst into tears. Whenever I think back to that scene in a midnight dream, I'm afraid I'm still scared and sweaty.
Among all the "villains" in the first part, the ** played by Zhang Zifeng is likely to be an important role in the entire SLAY series.
*'s adoptive father was undoubtedly behind Songpa's death. His adoptive mother was a cultured person. He did it because Songpa had bullied his daughter. The adoptive father never expected until the last moment of his life that all this was just a conspiracy carefully planned by the adoptive daughter**.
We learn that when he was young, his parents had died, and he had spent time in an orphanage, but was later brought home by his adoptive father. Her adoptive father was very strict with her education. However, it is clear that this is not a normal father-daughter relationship, and Snow lives every day under the influence of the unusual love of her adoptive father.
Snow completes her diary, in which she is closely watched by her classmate's father, stealing ** photos and being bullied. His adoptive father was a very sympathetic man, and after seeing his son's **, he decided to take him back to school. After the writing was completed, he deliberately inadvertently let his adoptive father witness all this.
At the end of the film, Lao Qin narrates a heart-wrenching story, which also reveals the truth of what he is seeking. In that story, Snow is an ill-fated little girl who is not only troubled by being stalked and photographed by her classmate's father, but also by her adoptive father's special affection for her. When she was pampered by her adoptive parents, she had to endure the corporal punishment and harm of her adoptive parents. In order to get out of the current predicament, they planned this series of plans.
In fact, it is an indisputable fact that his adoptive father killed Songpa, and it is also an indisputable fact that Songpa tracked Sino, and it is also an indisputable fact that the walls of the house are plastered with all kinds of ** related to Sino.
However, in this movie, Lao Qin mentions a rather implicit point. In Snow's view, why both Songpa and his adoptive father had to die.
Songpa was not a good man, and of course his children could be his adopted sons or adopted children.
However, Songpa's motive for tracking Snow is not out of aggression against Snow, but in the hope of finding conclusive evidence of his son's murder.
As Lao Qin had guessed, his son Dan suddenly disappeared. Instead of an accident, Songpa begins to suspect that his son may have left this world, and what he really suspects is his son's classmate Snow.
Snow is firmly determined to Sompa's death, which reveals only one fact. Was her death a fortuitous event or an inevitability?In what Lao Qin said before, if she really did it, it would mean that Songpa's guess was accurate.
So why did Songpa only have doubts about Snow, but his son disappeared? In fact, the answer is obvious: Songpa's ** plastered on the wall of Songpa's house is not Songpa's handiwork, and it is likely that his son Dan did it.
In addition, we are faced with the question of whether the experiences of being tracked, photographed, or deceived into being bullied into going to her home in Snow's diary really happened
However, the central figure of the incident changes from Songpa to Songpa's child
Did Songpa's son do bad things to Snow, and her adoptive father did the same to Snow?
Everything is based on speculation and lacks conclusive evidence. There is neither Lao Qin nor us.
However, it is only with this reality that we can decipher it. His purpose was to prove that his father would become a man after his death. Snow ended the life of Songpa's child with her own hands, and hoped that her adoptive father would go to hell with her. Songpa's design, in fact, was to cover up the fact of that sinking and prevent himself from being revealed.
In addition to the statue that sealed the gold, there are many other sculptures in Songpa's creative space. The statues were made by himself. As for the contents of the seals inside, some of them may not even have been noticed by Songpa.
Unhappy experiences in childhood, coupled with the subsequent abnormal upbringing. It is a forgotten corner. A small white flower that may have been weak has turned into a mandala that blooms alone in the dark night. In an inadvertent moment, the sails and oars were reduced to ashes.
It is still unknown whether this mandala, when it reaches its peak, will become a hell in the hearts of more people. Everyone's childhood has a story that they will never forget. Some people's childhood has the potential to bring ** to their lives. However, there are others, throughout their lives, who have been working on her childhood trauma.
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