During the Qianlong period, the production of porcelain was very prosperous, and special crafts were prominently developed in the production of porcelain, namely imitation lacquerware, imitation bamboo and woodware, imitation bronze ware, imitation of various fruits, conch and other elephant porcelain. The imitation is not only similar in shape, but also the glaze color and texture are almost the same as the real thing, which is enough to make people scream.
The novelty of imitation porcelain is one of the significant signs of the success of porcelain modeling in the Qianlong period. It is a high-end furnishing and ornamental item produced exclusively for the court, so it is even more precious.
Qianlong of the Qing Dynasty is like a porcelain conch.
This is a raw porcelain that imitates a natural conch, with a smooth inner wall and pastel-colored decoration on the outer wall, which has reached the level of realism of the shape.
Like raw porcelain is the Jingdezhen Imperial Ware Factory craftsmen using porcelain clay, imitating the natural walnut, lotus seeds, jujubes, chestnuts, peanuts, water chestnuts, pomegranate crabs, conch and other animal and plant images fired porcelain, because the glaze and shape have reached the degree of realism, so it is called like raw porcelain. The Qianlong Dynasty products of the Qing Dynasty are the best.
Qianlong of the Qing Dynasty is like a raw porcelain mountain-shaped pen holder.
The mountain mimics the shape of a natural mountain peak, with varying heights. The color also imitates the natural mountain color, which is first fired into a white tire, and then glazed and roasted at a low temperature. The bottom is engraved from right to left in italics, "Snail Resident Monk Qing Play" six-character single line.
The snail resident is the number of Tang Ying, a famous pottery official in the Qing Dynasty. This pen holder should be a study utensil made by Tang Ying himself. From the 6th year of Yongzheng to the 21st year of Qianlong, he was responsible for supervising the kiln affairs of the Jingdezhen Imperial Kiln Factory, and he was well versed in pottery. During his tenure, he personally supervised the pottery and created and fired many exquisite ceramic products, especially porcelain imitating other kinds of handicrafts, achieving a strange and realistic artistic effect.
Qing Qianlong imitation bamboo lacquerware, gold color five bats holding longevity pattern box.
The outer wall imitates the effect of bamboo weaving, and the vermilion lacquer ground is decorated with gold color.
Qing Qianlong imitation vermilion lacquer chrysanthemum fancy bowl.
The bowl is chrysanthemum-petaled, with a deep arc belly and a circle-footed outward skimming. Attached chrysanthemum petal-shaped cover, the cover surface is raised, and the top of the cover is equipped with a ring-shaped grab button. A poem made by Qianlong in the cover is signed by Jincai. The inside and outside of the bowl are imitated vermilion lacquer glaze, and the color quality is realistic. The outsole is signed with a golden color seal "Qianlong year" four-character double-line paragraph.
Gaiwan belongs to tea drinking utensils, and drinking tea is an elegant thing for literati and ink writers. Emperor Qianlong was fond of tea, often composed poems and tea, and left the imperial poems of Emperor Qianlong on many ceramic tea sets.
Qianlong of the Qing Dynasty pastel statue of fruit crab plate.
A crab crawls in the heart of the pan, and walnuts, red dates, lychees, water chestnuts, pomegranates, peanuts, lotus seeds, melon seeds, cherries, water chestnuts, etc. are scattered around.
This piece is like a raw porcelain fruit plate bionic effect is exquisite, the fruits in the plate not only resemble the real thing, but also have auspicious meanings, such as the crab meaning "a first", that is, the first in the imperial examination;The lychee tree has the saying that "it can still bear fruit after more than 400 years", symbolizing longevity;Walnuts and pomegranates are symbols of fertility and blessingsJujubes, peanuts, melon seeds, etc. imply "early birth of precious sons".
Qianlong of the Qing Dynasty pastel-painted gold letter style golden bell cage.
The cage is rectangular, and the shape imitates the thread-bound letter in the brocade book cover. The letter is topped by a rectangular stone seal with a double-arched button and a porcelain circular clay box. There is a slot under the seal that communicates with the hollow letter box, through which the insects such as Jin Zhonger can be fed. There are cherries, peanuts, lotus seeds, melon seeds and other raw porcelain fruits in the clay box, there are five holes at the bottom of the box to communicate with the box, and the chirping of insects in the cage can be heard after the lid is removed. The letter-style bell cage is not only a piece of scholar's furnishings, but also a small cage that can feed songworms.
During the Qianlong period of the Qing Dynasty, the Jingdezhen Imperial Kiln Factory often used pastels to decorate porcelain handicrafts, and this letter-style golden bell cage is one of the masterpieces.
Qing Qianlong antique bronze color sacrifice ear respect.
This statue is based on a calm and dull color glaze, with yellow spots shining in the dark green background, rust spots and unique ornamentation on the bronze, fully showing the simple and elegant characteristics.
Qianlong of the Qing Dynasty antique bronze flowers.
The firing of bronze color is more complicated, first of all, it must be fired into the end color glaze of tea at high temperature, and then painted with gold color and green rust spot color on it, and then the kiln is fired at low temperature for the second time, in order to achieve the effect of ancient mottling. The imitation of porcelain in the Qianlong period is outstanding and vivid, especially the imitation bronze ware is the most successful. The shape of this piece of flower goose is realistic, the glaze is simple, and the texture is clear, which is amazing.
Qing Qianlong imitation black shark skin glaze inlaid clock gourd wall bottle.
This black pearl mimics the effect of shark skin and is extremely rare in ceramics. Its shape is simple, the shape is dignified, and it is both beautiful and practical.
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